Food

London is gasping — so where to go but Soho, which is so good at despair? It is often necrotic but now, of the central London districts, it feels the most alive. Mayfair is a pretty corpse — I pity the luxury services industry, for its clients are in hiding — but Soho’s restaurants have spread themselves on to the streets and it feels as interesting as it used to, a place that has found its purpose again. It has been over–gentrified — the renovation of Raymond’s Revue Bar is horrifying, because they closed the revue bar and kept the signage — but now it feels giddy and important: a

A ghost review, now, of a ghost restaurant: the Connaught Grill, which is yet to reopen after pandemic shuttered its renovated self, which opened only in January this year. Cut off at the knees then; or strangled at birth. It feels apt to review something thwarted. I heard it may reopen for Halloween. I hope it does. We need variety in restaurants: to save the art. I never went to the Grill’s previous incarnation of 1955 to 2000, when it was famous for hosting Michael Caine and Princess Diana (I pull these out at random, but I could have pulled out Lulu and Nicolae Ceausescu) and for resisting nouvelle cuisine

I suspect, though this may be romanticising, that if a French lorry driver with hitherto suppressed culinary tastes won France’s national lottery, and booked a table at the local much-rosetted restaurant, he would know what to expect. A great chain of culinary being would connect him to the heights of gourmandisme. In the UK, we lack a gastronomic tradition. As a result, when it comes to assessing food, inspissated snobbery often takes the place of inspired gluttony. There are superb chefs: Gordon Ramsay, Marco Pierre White, the Roux family. But there are also instances of pretentiousness: no names, no pack drill. These characters forget that the glory of a good

Pandemic has brought many truths, the most minor of which is: I can’t cook steak. I thought I could. I burnt butter and seared meat and — lo! — perfect steak. Then I asked Matt Brown, the executive chef at Hawksmoor, the best steak restaurant in London excepting Beast (and Beast is a charnel house and a metaphor, and it is weird) to help me improve my steak in a Zoom lesson and — lo! — I cannot cook steak. I was kindly disposed to Hawksmoor because of its name. Names are important. I have fallen in love with people because of their names. Hawksmoor is the real hero of

We have beans, peas, potatoes, tomatoes, butternut squash, plums and strawberries growing in our garden. I dug up and replanted half the flower beds with food when lockdown started, during a moment of panic about where all this was going. We also began a store of tinned goods in the cellar. Don’t all shout at once. I didn’t panic buy, and I didn’t waste a morsel. I shopped very frugally at first and only bought what we needed. But once the shelves started stocking up I began a modest doomsday store consisting of tins of sweetcorn, soup, ravioli, ham and sardines, along with jars of passata, frankfurters and gherkins. Why

Sexy Fish is an Asian fusion barn in Berkeley Square, near the car dealerships and the nightingales, if they are still alive. It used to be a bank — NatWest! — and it still feels like it cares for nothing but money, even as it deals in sticky chicken, which means a good deal more than money to chickens. I wonder whether the blazing vulgarity of such restaurants — it has a large mirrored crocodile crawling up the wall, and that is the subtle part — will survive the terror of Covid-19, or whether it will go the way of the Russian Tea Room in New York City, which is

Brasserie Zédel is a grand salon under Piccadilly Circus and the only place I desired when lockdown (or lock-in) ceased and I was allowed to visit London. It is, for me — and everyone is different in their yearnings — everything a restaurant should be: very beautiful; well run (by Corbin & King of the Wolseley and the Delaunay); not insultingly priced; and, as it is windowless, pleasingly unreal: an enchanted basement, if you will — a depository for dreams. I arrive early on the first night, walking through silent London, resisting the urge to lie down in the road. This used to be the Regent Palace Hotel, the grand

We cannot bear more drive-through or take-out or near-fatal snack. I am convinced of the boredom of my female ancestors, which is another truth pandemic threw out, and eventually all gags run out to dust. I am happy to leave my review of Penzance McDonald’s where it belongs, which is unwritten. Food is love after all; or it should be. So I email Ollie Dabbous, formerly of Dabbous, now of Michelin-starred Hide and the most gifted chef working in Britain today. His food looks exquisite but — and this is unusual — it tastes better than it looks. He says he will give me a cooking lesson on Zoom from

Drive-through restaurants were invented so Americans could spend more time in their cars. I don’t blame them. American cars are wonderful if you like cars with fins; so, in theory, is fast food, which is more accurately called fast death, even if they did not know that in 1947. There is a contradiction to the drive-through method of collecting food, a puzzle: if you drive, you have time to wait. But such things are not designed to be sensible. I wonder what other services could be made drive-through: lawyers and podiatrists, but my preference is for libraries and, possibly, sex. These restaurants have thrived in pandemic, which again contradicts the

Now that I have considered Monster Munch I decide to eat one mindfully. I put it in my mouth, and it is as if I can taste it for the first time. It is repulsive, and I feel cheated. This is, then, an intervention. My husband wrote in these pages that I am always watching Spooks and eating Monster Munch. It was a giggle that went on for 400 words but is eating Monster Munch really so depraved? Doesn’t Jay Rayner eat Skips in the darkness when he is alone? Didn’t A.A. Gill eat Frazzles? I know I do, but only when I am depressed — which is quite often

What does a critic do when her genre collapses? Mostly I panic. I speak to restaurateurs who believe that without government help into 2022, many British restaurants will close. Most restaurants rent their premises; even if landlords defer collection, the debt will be unpayable. Most restaurants operate on slender margins; they cannot secure finance even in happy times. It is a scandal that the government has excluded monies from the service charge ‘tronc fund’ from the 80 per cent calculations in the Job Retention Scheme, even though it has received National Insurance contributions on it for years, and many restaurant staff are getting only 40 per cent of their earnings.