Food

A French restaurant Glastonbury would be proud to host: Café Lapérouse reviewed

I am working my way around the restaurants of the Old War Office (OWO), now an acronym and Raffles hotel on Whitehall, because the swiftness with which the great institutions of the state have become leisure opportunities for the wrongfully rich is dark, mesmerising and, if you don’t mind too much anarchy, funny. I have reviewed the cold, painted Saison, and the lively Italian Paper Moon, which a kind reader wrote to say he loved and which I do not expect to survive. It is too joyful and well-priced for the wrongfully rich and their internal landscape of nude cashmere and paranoia. It squeaked through. The transience of the exterior

Jeremy King has done it again: The Park, reviewed

The Park is the new restaurant from Jeremy King, and it sits in a golden building to the north of Hyde Park, just off Queensway. This is an interesting district compared with Knightsbridge – it is still capable of reality – but isn’t every-where interesting compared with Knightsbridge? The Park is Art Deco of course: the presiding aesthetic of familiarity, snatched joy and inevitable doom. It looks like an exquisitely appointed cruise ship of the mid-20th century King is a specialist in grand cafés. He opened the Wolseley in Piccadilly and the Delaunay on the Aldwych, though he lost them to his feckless backers in 2022, and has begun again

Keep Michelin men out of our hotels!

It’s probably escaped most people’s attention, what with the football, the election, the Ukraine war, the horrors of Gaza, the assassination attempt and the revelation that the most powerful human on the planet has the intellectual sharpness of a daffodil. But in the past few weeks, the world of travel has been roiled by a surprising innovation: Michelin stars for hotels. Though the stars are stylised as ‘keys’. This may not seem like big pommes de terre, but it is quite important. Because, if the concept takes off and hotels start striving for Michelin accolades, then we can expect the best and most ambitious to go the same way as

48 hours of food in Andalusia

In Spain, you can eat all day – and we did. Earlier in the summer, I spent two days in Andalusia, and most of the 48 hours were taken up by mealtimes. A breakfast of the sweet porridge poleá started the day, then ham-tasting for a mid-morning snack, followed by a two-hour lunch. Spanish law requires that each Iberian pig gets 10,000 square metres to roam – a Cinco Jotas pig gets twice that Spanish chef José Pizarro led the way, taking us to his favourite restaurants and showing us where he sources his ham and caviar. I ate some of the best fish I’ve ever tasted – seafood croquettes on

‘An uneasy place’: Chez Roux at The Langham reviewed

The Langham is a Victorian Gothic hotel opposite the BBC in Portland Place. It’s an odd place: haunted house near the wreckage of Newsnight. Perhaps I think this because the last time I came here I interviewed Jeremy Paxman about his ghosts: when he was anxious he banged the wall. The time before, my godmother collapsed at tea in this very room, now Chez Roux. It’s a vast, dimly lit silver space. The lights are long and slender, like giant earrings. Palms wobble. A palm court is a Victorian conceit; the Titanic also had one. I wonder if they were here for Napoleon III, Guy Burgess, or Sherlock Holmes. I

With Hadley Freeman

24 min listen

Hadley Freeman is a journalist and author. She writes for The Sunday Times, having previously written for The Guardian. Her books include House of Glass: The Story and Secrets of a Twentieth-Century Jewish Family and Good Girls: A Story and Study of Anorexia. Her new book, Blindness: October 7 and the Left, is out now.  On the podcast, she tells Lara about her difficult relationship with food growing up. They also discuss her sentimentality for crepe restaurants, and taco truck culture.

‘An exceptional roast lunch’: Quality Chop House reviewed

The oldest and best chophouse in London was Simpson’s Tavern in Ball Court Alley off Cornhill (since 1757 on that site): Charles Dickens’s favourite chophouse, and mine. Simpson’s was locked out by landlords who impersonate cartoon villains at the end of 2022 for failing to pay pandemic arrears promptly. Simpson’s said they survived world wars, the plague and the Industrial Revolution, but not a landlord who doesn’t understand chops. (This part I paraphrase.) We settle into a spindly table for what is, by any measure, an exceptional roast lunch Court proceedings are ongoing: meanwhile it’s a ruin. It was vandalised in May, as these things tend to be. Now it

‘Grand and isolated’: The Wolseley City, reviewed

I am fretting about this restaurant column’s election coverage and then I alight on something superficially grand and lovely, which has been hollowed out and is now useless and barely able to function: a shell. It is the Wolseley 2 – the Wolseley City – and this is perfect. I name it the election restaurant, and Tories should eat here while they still have their shirts Few restaurants are important, though I treasure Martha Gellhorn’s description of an operating theatre for the wounded of the Spanish Civil War which was once a restaurant in a grand hotel. But was it any good? Tales of society folk eating are self-serving: real

Are ultra-processed foods really so bad?

Last week saw a flurry of media reports, of whose headlines one of the worst preceded one of the best reports. ‘Eating too many ultra-processed foods has been linked to a higher risk of early death,’ barked the Telegraph – but went on to explain carefully and fairly a ground-breaking report. Other broadsheets opted for the easy option: big report, ultra-processed food, death. Food-type blaming can be a comforting evasion of a simple truth: overeating makes you fat The report caught my eye because I’ve been consistently sceptical about sensationalist books and statements demonising in wholesale terms the consumption of foods categorised, in pseudo-scientific language, as ‘ultra-processed’. I question the

Lloyd Evans

Admit it – Italian food is rubbish

Every year I’m summoned to a gathering which I strive to avoid. My first cousin, who loves a boozy party, assembles the extended clan in an Italian restaurant for a convivial lunch. I fear that my list of excuses – ‘back pain’, ‘gout’, ‘baptism in Scotland’, ‘last-minute undercover journalism assignment’ – is wearing a bit thin and I’ll have to show up this year. No sane human could feel fondness for a cuisine whose leading dish, pizza, can’t be eaten with a spoon It’s not my relatives that I dislike. It’s the stuff on the plates. No sane human could feel any fondness for a cuisine whose leading dish, pizza,

‘Great restaurants can’t thrive in Hampstead’: Ottolenghi reviewed

Ottolenghi is an Israeli deli co-owned by Yotam Ottolenghi, an Israeli Jew, and Sami Tamimi, a Palestinian Muslim. They met in Baker & Spice in London, where they bonded over the dream of persuading more British people to eat salad. This is an ideal story of co-existence (I have met a group of Israeli Jews and Arabs dieting for peace) and I thought the new Ottolenghi in Hampstead might be picketed by idiots shouting for peace but meaning war. (Martha Gellhorn was right about slogans. Never shout them: even ones you agree with.) It is fine in that I wish I were in the Middle East to eat the original

‘Vital but fraying’: Five Guys reviewed

Five Guys is a burger house from Arlington, Virginia, based on the premise that if you can serve a drink, cut a fringe, or make a hamburger, you will always make money in America. Thirty years and 1,700 restaurants later, it sits on Coventry Street off Piccadilly, soaking up the alcohol of a thousand British stomachs. If central London is a strip-lit bin alley between palaces, this is its restaurant: vital but fraying. I am here because I will not eat at McDonald’s, even when I am sad. I do not think my McDonald’s burger is all from the same cow, and this disturbs me: I can eat one cow happily,

‘Five stars, no notes’: Arlington reviewed

Arlington is named for the 1st Earl of Arlington and his street behind the Ritz Hotel. It used to be Le Caprice, which was opened in 1947 by the Italian Mario Gellati, who would not, by the new rules, get into Britain now, but this is not a column about pain. In 1981 Le Caprice was taken over by Chris Corbin and Jeremy King, and it became the most fashionable restaurant in London. Princess Diana dined here and when Jeffrey Archer was released from prison, he ate here. None ofthese dishes could be improved. Five stars, no notes After an interregnum from Richard Caring, under which Le Caprice closed in 2020

Stop worrying if your child is a picky eater

One parent in our class WhatsApp chat raised a pressing concern: her daughter was coming home every day with a full water bottle. Were other parents faced with the same unsettling discovery? There followed a lengthy discussion of how much water was left in each child’s bottle. Some children, when confronted, testified that they had drunk water during the day and then filled up the bottle at school. Anyone who expects children to enjoy cooked courgette has forgotten what it was like to be a child This was not good enough for the concerned parent. She took the matter to the teacher. ‘I am concerned my daughter is not given

Tanya Gold

‘Can’t help but exude warmth’: Paper Moon at the OWO, reviewed

Paper Moon is the Italian restaurant inside the Old War Office on Whitehall, now a hotel called Raffles London at the OWO. It has nine restaurants and bars, because it is a Disneyland for the 1 per cent in the fraying centre of the British state, which is enraging and hilarious. I reviewed Saison in November and found it as chilly and finessed as the British state pre-crisis. OWO reminds me of a theme park I visited in Georgia, Russia, two decades ago in winter. It was a fine endeavour but pointless, the happy children had fled. You can’t have a grand hotel inside a post-Imperial bin fire. It makes

‘The interiors are happily insane’: Dear Jackie, reviewed

Dear Jackie is the restaurant in the new hotel Broadwick Soho on Broadwick Street in Soho, which is most famous, if you are an infectious diseases nerd, for being the site of the 1854 cholera outbreak and its cure. Dr John Snow isolated it to the street’s water pump, noted local brewers were immune, and proved cholera is not airborne. When children stopped dying, Soho eased into its time of moral rot. This is as spirited an attempt to re­animate the 1970s as I have found beyond musical theatre This is a changeable thing. Drama fled Soho in the 1970s, and Broadwick Soho is an attempt to put it back.

‘As good as you will find in London’: Noble Rot Mayfair, reviewed

Noble Rot, which is named for a sickness that afflicts grapes, a self-aware name for a restaurant in London, is becoming a chain. Don’t get me wrong. The Rots in Lamb’s Conduit Street and Greek Street (which replaced the Gay Hussar that died in sympathy with the intelligent left) are two of the best restaurants we have. My only complaint is that, like the Plastics in Mean Girls, they know how lovely they are and have their own promotional magazine. This food has a loving intensity to it, and it is as good as you will find in London Now they have expanded into Mayfair – but the least horrifying part,

‘You can stare at a cow you will soon eat’: The Newt, Hadspen, reviewed

The Newt is an idealised country house in Somerset which won the World’s Best Boutique Hotel award last year. It is small, beautiful and mind-meltingly expensive, even for the Bruton Triangle and its mooing art galleries. Poor Somerset! It never wanted to be monied enough to have a triangle, but the rich make their own mythology. Since they paint every-thing grey – and now green, I learn at the Newt – they need it. A triangle fills the day. The Newt is for people who think that Babington House is stupid (it is) and though the Newt has its own issues – like the King, its taste is almost too

Sensuous, languorous, soothing and rich: The Taste of Things reviewed

The Taste of Things, which is this year’s French entry for best international film at the Oscars, is a gastro-film but it is not of the ‘Angry Male Chef’ genre. It’s not Boiling Point or The Menu or The Bear. It is not stressful or adrenaline-filled. No one swears or screams ‘Yes, chef!’ Instead, it is sensuous, languorous, soothing and as rich and deep as (I now know) a consommé should be. It will also force you to reappraise vol-au-vents which, in the right, tenderly loving hands, need not be the mean little bullety things that were served here in the seventies. (My mother, I remember, bought them frozen from

‘Is it France? I don’t know’: Hôtel de Crillon, Paris, reviewed

Hôtel de Crillon sits on the Place de la Concorde, a vast square renamed for bloodshed, then the lack of it – it was the Place de la Révolution, with knitting and bouncing heads. Now it is placid, and the Crillon is the most placid thing in it. No one does grand hotels like the French, except perhaps the Swiss, who have nothing better to do. Hôtel de Crillon was one of twin palaces commissioned by Louis XV before the French butchered his grandson and his wife outside them: it looks like Buckingham Palace but prettier and with possible PTSD. It has been a hotel for 115 years and next