Fontaines d.c.

Kate Andrews, Mark Galeotti, Adrian Pascu-Tulbure, Michael Hann and Olivia Potts

31 min listen

On this week’s Spectator Out Loud: Kate Andrews examines the appointment of Scott Bessent as US Treasury Secretary (1:20); Mark Galeotti highlights Putin’s shadow campaign across Europe (7:10); Adrian Pascu-Tulbure reports on the surprising rise of Romania’s Calin Georgescu (15:45); Michael Hann reviews Irish bands Kneecap and Fontaines D.C. (22:54); and Olivia Potts provides her notes on London’s Smithfield Market, following the news it may close (27:28).  Produced and presented by Patrick Gibbons.

Kneecap are basic but thrilling

It was Irish week in London, with one group from the north and one from the south. Guinness was sold in unusual amounts; green football shirts were plentiful; and so, at both shows, was a genuinesense of joyful triumph – these were the biggest London venues either group had headlined. The Irishness was much more visible onstage at Kneecap, not least because, as a proudly Republican group, they can’t really not make a big deal of being from west Belfast. Their statements have prompted the inevitable fury from some quarters: Kemi Badenoch (as business secretary) refused them a £15,000 grant to help them tour, on the grounds that the British

One of the most exciting hours I’ve spent in ages: Turnstile at O2 Forum Kentish Town

Even leaving aside its origins as prison slang, punk has always meant different things on either side of the Atlantic. Forty-five years ago, in New York, no punk band sounded like the next one: the only thing that linked Ramones, Talking Heads, Patti Smith, Suicide, Blondie and Television was that they played the same club, CBGB. Over here, by contrast, punk was rapidly codified into people shouting angrily over buzzsaw guitars. These days, it can seem as though the opposite applies. It’s the American punks who stick to a formula, while in the British Isles, the punk label seems to apply to any band with a guitar and a modicum