Fiction

The Professor of Poetry, by Grace McCleen – review

Elizabeth Stone, English professor at UCL,  has long lived on ‘paper and words and thin air’. Single, friendless, dessicated, respected, she passes out during a faculty meeting and wakes to find herself ‘attached by a chain of spit to her own cardigan’. A brain tumour is diagnosed, and removed. Expecting death, Elizabeth receives the news that her treatment was apparently successful as a gift: ‘Time had been returned to her.’ She takes her bravest decision in 30 years and goes back to ‘the city of books’ where, as an undergraduate, she had the only profound emotional experience of her adult life. When Elizabeth was seven, her unstable mother disappeared, leaving

Vauxhall, by Gabriel Ghadomosi; Sketcher, by Roland Watson-Grant – review

At the grubbier end of my street in north London is the Somali mosque that was burned down earlier this month in an arson attack. The other day I asked at the police cordon if any arrests had been made. ‘Not that we know of’, said the duty officer. A smell of charred wood hangs over this dreary, out-at-elbow part of Muswell Hill. People complain that Somalis are heavily ‘welfare-dependent’, and have no wish to integrate into British society. It is true that immigrants today, with the internet, cheap flights and satellite television, are more likely to see themselves as members of a foreign country, hosted by, but not emotionally

The Flamethrowers, by Rachel Kushner – review

This bright, burning flame of a novel takes place in the art world of 1970s New York. Our guide to this scene of glittering parties and eccentric characters — such as the White Lady, who wears white and goes to a grocery store to buy ‘milk, white bread, a can of hominy, and two jars of mayonnaise’ — is Reno, a young aspiring artist. Alone and new to the city, Reno asks herself, ‘How do you find people in New York City?’ She relies on chance: ‘Chance shaped things in a way that words, desires, rationales could not. Chance came blowing in, like a gust of wind.’ She chances her

The Spinning Heart, by Donal Ryan – review

Despite being so short, The Spinning Heart certainly can’t be accused of lacking ambition. Over the course of its 150-odd pages, Donal Ryan’s first novel introduces us to no fewer than 21 narrators living in or around the same small town in the west of Ireland. One by one, they reflect on their lives, past and present. Between them, though, they also tell us the story of a local kidnap and then of a local murder. This plot element is handled with considerable deftness — the various clues, perspectives, overlaps and contradictions duly coalescing into a single, comprehensible account. Yet, in the end, it only ever seems a handy framework

The week in books | 24 June 2013

This week’s issue of the Spectator is packed with book reviews. Here’s a selection of quotes to whet your appetite. Old China hand Jonathan Mirsky finds much to applaud in Rana Mitter’s history of the Sino-Japanese war. ‘Into the Fifties, as Mitter outlines, a storm gathered in the US over ‘who lost China’; and those Americans who had praised Mao and had urged Washington to deal seriously with him were vilified — chiefly by Senator McCarthy — as ‘Comsymps’ who had engineered the ‘loss’. All this is well handled by Mitter. But he appears not to know that one significant figure, John Service, a China-born foreign service officer, more than

Constance, by Patrick McGrath – review

Patrimony and infidelity are defining themes of the Anglo-American relationship, as they are of Constance, a novel with alternating narrators: Sidney Klein is English, in his forties, and an authority on Romantic literature. Constance Schuyler is American, 22, and believes her father hates her. Their new marriage enters crisis when Constance’s family reveals her origins in a Lady Chatterley-like tryst between her English mother and the groundsman at the family’s Hudson Valley estate, who committed suicide before she was born. (Did her parents know that ‘Constance’ was Lady Chatterley’s first name?) New York in the 1960s hosts a tale dense in literary and historical allusion. Anglo-American themes are complicated: Constance

The 10 “best” historical novels, sort of…

The BBC adaptation of Philippa Gregory’s The White Queen, which began last Sunday, has led numerous books editors to pick their 10 best historical novels. I played this silly dinner party game last year (although I forget the inspiration). And, while admitting that it was nigh on impossible to pick 10, I came up with: J.G. Farrell’s Empire Trilogy Paul Scott’s The Raj Quartet Charles Dickens’ A Tale of Two Cities Evelyn Waugh’s Sword of Honour Patrick O’Brian’s Master and Commander Robert Graves’s I Claudius JM Coetzee’s Disgrace Alexander Solzhenitsyn’s A Day in the Life of Ivan Denisovich Pat Barker’s Regeneration Guiseppe Tomasi di Lampedusa’s The Leopard There were some

Bedford Park, by Bryan Appleyard – review

Nothing in Bryan Appleyard’s Bedford Park betrays the fact that it is his first period novel: not its deft characterisations, its virtuoso dialogue, its dry and economical wit, or its choice of a narrator and material quite outside the author’s own experience. The 19th century is closing and the 20th is opening in a London seething with foreign sedition and the antics of its own wayward men of genius. The enchanted suburb of Bedford Park, a baroque gem created in 1875 as part of an architectural counter-revolution and renewal, houses W.B. Yeats and the novel’s narrator, Calhoun Kidd.  Kidd has fled Chicago and his domineering father. However, he enters London

Tom Sharpe nearly killed me

I was on a train when it happened. I was bent double with my head between my knees, gasping for air and unable to speak. The Surrey matriarch sitting opposite leant forward to ask me if she could help. I imagine she thought that I was choking, or perhaps suffering cardiac arrest. In fact, I was laughing. Laughing so hard I couldn’t stop. And the more I wanted to stop, the worse it got. It was painful. My lungs rasped and the muscles in my sides contracted of their own free will. I was no longer master of myself, so you might say that I was in ecstasy. It was

Crime fiction – review

‘We no longer believe in God but hope nevertheless for miracles,’ remarks Frederic Mordaunt, one of the characters of John Harwood’s third novel, The Asylum (Cape, £14.99). He’s being over-optimistic, as Georgina Ferrers, the niece of a London bookseller, soon discovers when she wakes in a strange bed to be told that her name is in fact Lucy Ashton and that the year is 1882.  It appears that she has admitted herself as a voluntary patient at Tregannon House, a Cornish mental asylum run by the charismatic Dr Straker. Tregannon, the ancestral home of the Mordaunt family, is tainted with madness; and the young heir, Frederic, assists Dr Straker in

AM Homes’ May We Be Forgiven wins the Women’s Fiction Prize

AM Homes’ May We Be Forgiven has won the Women’s Fiction Prize, beating a strong field that included Hilary Mantel, Zadie Smith, Barbara Kingsolver and Kate Atkinson. Homes, who is an American writer, is something of an unknown in this country (certainly compared to Smith and Mantel). On receiving the prize, she said, ‘it’s my nature to think about big ideas and my gender shouldn’t prevent me from doing that.’ Her work concerns modern America. Sleepy academic types are disturbed. The normal vanishes. Homes has been compared to Jonathan Franzen, among others. Click here to find out if the comparison is an insult to Homes, an insult to Franzen, or simply a fair observation.

Death of a tyrant

For a king very conscious of his own power, who gloried in his status and commissioned famous artists to depict that status, Henry VIII’s death, in January 1547, was tawdry and pathetic, yet shrouded in squalid mystery. According to the accepted story, after being weak and ailing for some time, the king died in the early hours of Friday morning, 28 January 1547. However, the official proclamation of the king’s death was not made until the afternoon of Monday, 31 January. Henry apparently had great affection for Katherine Parr and adored his only son, Edward. Consequently, it is intriguing that as Henry slipped towards death, neither Katherine, Edward nor Henry’s

Sheila Heti: ‘I did worry putting sex in the book would eclipse everything else’

There is a question which writers (and readers) of literary fiction get tired of hearing: which bits really happened? The traditional and respectable answer is that this doesn’t matter. Everything in the book will have been transformed by art, and isn’t something that comes straight from an author’s imagination more autobiographical, more telling, than things that might have happened to them, anyway? But these serious maxims don’t always quell your desire for real-life incident or gossip. Sheila Heti’s How Should A Person Be, subtitled ‘A novel from life,’ had me googling paintings by Margaux Williamson: Heti’s best friend in real life and a character in her book. How Should A

Z, by Therese Anne Fowler, Beautiful Fools, by R. Clifton Spargo, Careless People, by Sarah Churchill – review

The Great Gatsby is one of those great works of literature, like Pride and Prejudice, that appeals as much to the general reader as to the literary bod. It’ll always be around, if not as a movie (there have been five since its publication in 1926) then as an opera or a ballet. Last year a staged reading ran for weeks in the West End, to critical acclaim. It is a short book — a long short story really — about wealth and sex and hope and disillusion and partying. These are the themes, too, of the lives of its author and his wife Zelda. Theirs was a relationship that

Last Friends, by Jane Gardam – review

Any writer who embarks on a trilogy is either extremely confident or taking something of a risk. The danger is that the reader will have forgotten the first two volumes and will have lost any memory of the story and the characters who now occupy the foreground of what might be a fairly mystifying account. So it is with Jane Gardam’s present novel which forms the conclusion to her foregoing Old Filth and The Man with the Wooden Hat, which featured Terence Veneering and Edward Feathers, lawyers and rivals not only in their professional lives but in most other matters, both trivial and significant. They’re not sympathetic characters, and time

Whirligig, by Magnus Mcintyre – review

I do not have much time for the idea of the redemptive power of the countryside. I am not alone in this. Even theologians tend to dream of the day they enter the City of God rather than 1,000 acres of nowhere. But I will buy into a modern fairytale extolling the virtues of nature and country folk when told with wit and verve. So it is with Magnus Macintyre’s novel Whirligig. This is the story of Gordon Claypole, an English businessman who finds himself among the singular natives of a Scottish island. Or rather, an almost island. Like much in the novel nothing is clear cut. Claypole is half

The Dark Road, by Ma Jian – review

If you are considering adopting — that is, buying — a Chinese baby girl, recycling a television or computer, or buying a Vuiton bag, think again. Ma Jian, author of the startling Beijing Coma, prepared for this evocative and sometimes horrifying novel by travelling through Chinese regions few tourists see. There he encountered some of the millions of women who had just given birth to babies declared illegal by the one-child family laws, which were taken away and sold by corrupt officials to rich foreigners eager to adopt. He saw, too, the effects on the poor migrants who disassemble our unwanted televisions and computers and poison themselves by handling the

The Hive, by Gill Hornby – review

Who would have thought that the idea for a novel about mothers at the school gate would spark a frenzied bidding for world  rights? Not a subject to make the heart race, surely, but race publishers did for a first novel by Gill Hornby, whose inspiration it was. Plainly she did her research at a school gate, and her acute ear has captured every nuance of the motherly buzz that will be universally recognised. Heavens, they’re a lively lot, and how they talk — all in a language that is particular to forty-something mothers. They share a vocabulary — keenos, newbie, yikes, oops.soz, bagsy, delish. The words ping off the

All the Birds, Singing, by Evie Wyld – review

Half in jest, Evie Wyld has described her highly garlanded first book After the Fire, a Still Small Voice as ‘a romantic thriller about men not talking’. The same description more or less fits this second novel, although here a reticent woman takes the place of three generations of silent men. All the better: we expect men (in fiction at least) to be strong silent types, while women protagonists tend to err towards chattiness and disclosure. In this as in other regards Wyld is a writer who reconfigures the conventions of storytelling with a sure-footedness and ambition which belie her age. Even her name is good, suggesting an untamed paradise