Fiction

Dirty realists

The beauty of dirty realism is that it captures regular life in all its stupefying, and sometimes transcendent, malaise

realists

Dark days for Britain: London, Burning, by Anthony Quinn, reviewed

Not long ago, a group of psychologists analysing data about national happiness discovered that the British were at their unhappiest in 1978. Reading Anthony Quinn’s enjoyable novel set in that year and early 1979, it’s not difficult to see why. In case you’ve forgotten, strikes were spreading like wildfire. The National Front were reaching a peak of popularity. Most alarming of all, the Provisional IRA were expanding their bomb attacks on mainland Britain. There were compensations. Kate Bush’s whiny lament ‘Wuthering Heights’ was released in 1978, and there was a new Pinter at the National Theatre (Betrayal). Punk rock was going commercial. One of the characters in London, Burning turns

On the run with Martin Luther King’s assassin

This newly translated novel by the Spanish writer Antonio Muñoz Molina is really two books, spliced together in alternating chapters. One is a deeply researched account of the squalid peregrinations of James Earl Ray, who spent two months on the run after murdering Martin Luther King, Jr., in 1968. The other is a memoir charting the gradual attainment of personal and professional happiness on the part of the author himself. The reader feels confident that both protagonists will eventually arrive at their historically appointed destinies: handcuffs at Heathrow airport for Ray; a career as a celebrated author for Muñoz Molina. But considerable suspense surrounds the question of what on earth