Feminism

The Syrian-bound schoolgirls remind us that feminism isn’t for everyone

There is much to be said for Rod Liddle’s view that the fuss over the aspiring jihadi brides from the Bethnal Green Academy is getting on for preposterous and we shouldn’t, to put it mildly, over-exert ourselves to get them back. One takes the point, though I think in fairness we should spare a thought for those on the receiving end of the Isis recruitment drive, viz, the unfortunate indigenous communities in Syria and Iraq who are on the sharp end of Islamic State’s advance. I don’t know how many of the Assyrian Christians who didn’t manage to get away from the Isis attack this week on villages in north Eastern Syria were

Policymakers must address high male suicide rates

It’s pretty tough to find good news in suicide statistics, but today’s figures for 2013 are particularly grim reading. The number of suicides increased from 2012, and the male suicide rate is now at its highest since 2001. The male rate of suicide has increased significantly since 2007, where it stood at 16.6 deaths per 100,000 population, to 19.0 deaths per 100,000 as the graph below shows: [datawrapper chart=”http://static.spectator.co.uk/yGG0M/index.html”] It used to be the case that young men were the most likely to kill themselves, but the highest suicide rate in the UK is now for men aged 45 to 59, at 25.1 deaths per 100,000. This is the highest for

Julie Burchill

Emer O’Toole is a joyless bore compared with my heroine Caitlin Moran, says Julie Burchill

Looking at the brightly coloured front cover of this book, I felt cheerful; turning it over and seeing the word ‘gender’, my heart sank. When I was a kiddy in the early 1970s, the word (especially when combined with ‘bending’) seemed full of fun and flighty possibilities — David Bowie in a dress, Marc Bolan flouncing about on Top of the Pops like a little girl at her birthday party, Danny La Rue making my mum snort Snowball down her nose on a Saturday night. Now gender-bending appears to have boiled down to a bunch of hatchet-faced transsexuals demanding to use the Ladies, ‘no-platforming’ veteran feminists who have worked all

An A-to-Z guide to the new PC

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_5_Feb_2015_v4.mp3″ title=”Brendan O’Neill and Cambridge Union president Tim Squirrell debate the new political correctness” startat=33] Listen [/audioplayer]Anyone who thought political correctness had croaked, joining neon leg warmers, mullets and MC Hammer in the graveyard of bad ideas from the late 1980s and 1990s, should think again. When even someone as gay-friendly and Guardian-hued as Benedict Cumberbatch can be hounded for incorrectness, you know no one’s safe. So what can you say? Here’s an A-to-Z guide to the new PC. A is for America. One-time land of the free, founded by un-PC white dudes partial to a drink and sex with slaves, but more recently the birthplace of identity politics

Damian Thompson

The march of the new political correctness

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_5_Feb_2015_v4.mp3″ title=”Brendan O’Neill and Cambridge Union president Tim Squirrell debate the new political correctness” startat=33] Listen [/audioplayer]I wonder how many of you know that you’re cis. Not very many, I’m guessing. So let me break this gently. You are almost certainly cis. It is short for ‘cisgendered’, which means that you ‘identify’ with the gender you were assigned at birth. To put it in everyday language, you were born male and are still male, or were born female and are still female. Roughly 99.7 per cent of human beings — including gays, lesbians and bisexuals — are cisgender. The rest are transgender (‘trans’), which includes transvestites and trans-sexuals. The

A report from the porn Oscars

The annual XBIZ Awards, which I attended as a journalist last month in Los Angeles, is regularly portrayed by its organisers as the Oscars of the porn industry. And it has many of the trappings of the Hollywood ceremony: a catalogue of nominations, gushing acceptance speeches, a jokey host. But the sheen of respectability cannot disguise the reality. The XBIZ Awards are about the ruthless exploitation of women for financial gain. The porn producers and distributors strutting around were just pimps in bow ties. Indeed, at times, the awards seemed like an amalgam of mafia convention, lap-dancing club and conference for insurance sales staff. There were the money men in black tie, their less wealthy

Muriel and Nellie: two radical Christians build Jerusalem in London’s East End

This is the tale of Muriel Lester, once famous pacifist and social reformer, and Nellie Dowell, her invisible friend. Nellie Dowell is invisible in the sense that Claire Tomalin described Nelly Ternan in The Invisible Woman. While Ternan, the mistress of Charles Dickens, simply ‘vanished into thin air’, Nellie Dowell, who may or may not have been the mistress of Muriel, trod so lightly on the ground that she left barely a footprint behind her. Muriel Lester, the daughter of a Baptist shipbuilder with progressive ideas, has been the subject of several books already, including Vera Brittain’s The Rebel Passion: A Short History of Some Pioneer Peacemakers. Born in 1885,

Page 3 was harmless. Here’s why I’ll miss it

‘I for one would be sorry to see them go,’ wrote George Orwell. ‘They are a sort of saturnalia, a harmless rebellion against virtue.’ He was writing about the seaside postcards of Donald McGill in 1941, but his defence of them and their ‘enthusiastic indecency’ could equally well apply to Page 3. Orwell’s argument was that McGill’s caricatures of women, ‘with breasts or buttocks grossly over-emphasised’, gave expression to ‘the Sancho Panza view of life’. There’s a fat little squire in all of us, he thought, although few of us are brave enough to admit it. ‘He is the unofficial self, the voice of the belly protesting against the soul,’ he

Toby Young

Was it us wot won Page 3 back?

The Sun was being widely credited last night with having pulled off a brilliant bit of trolling, first appearing to kill off Page 3, then resuscitating it a week later. If the paper’s intention was to make its feminist critics look ridiculous, it succeeded. The triumphalist reaction of the anti-Page 3 campaigners, patting themselves on the back for having achieved a tremendous victory, now looks very silly indeed. A good example is this tweet by the Labour Party, quoting its glorious deputy leader: But was that the Sun’s intention? I’m not so sure. One of the reasons the Sun hasn’t dropped Page 3 before now is the worry that it

Boko Haram is using girls as bombs

Could there be anything more offensive to feminists than the use of young girls as suicide bombers? I doubt it. And I imagine that’s exactly why the militant Islamist group Boko Haram has adopted it as the latest technique in its campaign to overthrow the Nigerian government and create an Islamic state. In April last year, when Boko Haram militants captured a group of 276 schoolgirls, a number of high-profile women joined an online campaign to #BringBackOurGirls. Have they been brought back? No. Around 200 still remain in captivity. Horrific stories have since emerged from the few who managed to escape that the captured girls have been subjected to rape, abuse, physical torture

Feeling morally superior? Time to sign an online petition

Purely for the purposes of argument, it would be handy if Ched Evans had said sorry for the rape for which he was convicted. He hasn’t, for the simple and sufficient reason that he believes he is innocent and is challenging his conviction. So in this case, it’s not possible to argue for a repentant sinner to be readmitted to the fold. But it’s still possible, isn’t it, for someone to serve their time for a crime and to be readmitted into society, on the basis that justice has been served? Well no, not if it’s rape rather than, oh homicide or GBH, that they’ve done time for. It’s the

Why I detest clothes with words on

As a provincial teenage virgin with ideas so far above my station that they gave me vertigo, I frequently reflected bitterly that whoever coined the phrase ‘Schooldays are the best days of your life’ must have come to that conclusion after being involved in a serious car-crash the evening following their last day at school, probably rendering them a tetraplegic. And the little thing which summed up how thoroughly inappropriate it was was the horridness of name tags. All the wondrous beings I had it in me to be, written off by my mum’s humdrum hand in those four syllables: Julie Burchill. Then and there, I took a violent dislike to

Treasure Island is a boys’ book. There’s no need for a feminist twist

When Robert Louis Stevenson wrote Treasure Island he declared triumphantly that if it wasn’t a winner with boys, then he didn’t know what boys were like. And it was indeed the perfect boys’ book; pirates, a map, treasure, a boy hero, black-hearted villains and gore. Perfect. It was, therefore, with mixed feelings that I sat through the National Theatre’s feminist take on Treasure Island last night. On the bright side, the set was phenomenal, a cavernous structure like a whale’s ribcage enclosing the action, with the ribs descending like some sort of swamp creature. In fact, Lizzie Clachan’s design – she had great fun with the rising central platform –  stole

Does Allen Jones deserve a retrospective at the Royal Academy?

It has been a vintage season for mannequins. At the Fitzwilliam Museum in Cambridge, an exhibition called Silent Partners looks at the relationship between artist and mannequin, from function to fetish. In London, the Royal Academy is hosting a retrospective of the work of British artist and Academician Allen Jones. Jones, who is now 77, became obsessed with mass-produced imagery of eroticised women. As the show makes clear, he never really got over it. During the 1960s, Jones emerged as a leading pop artist. His contemporaries at the Royal College of Art included Patrick Caulfield and David Hockney, but he was expelled after a year. His big break came in

James Delingpole

Don’t sneer at I’m a Celebrity. The show is teaching us to become model citizens

One of the great benefits of having teenage children is that they force you out of your fuddy-duddy comfort zone. There was no way, for example, that the Fawn and I were ever going voluntarily to watch I’m a Celebrity… Get Me Out of Here! because we’re snobby old farts who only like history documentaries and University Challenge. But Girl decreed otherwise. That’s why, unlike many of you, but like most of the nation, I am now able to comment knowledgably on how well Michael Buerk is doing, who Tinchy Stryder is, why it was a sensible idea to choose world superbike champion Carl Fogarty to undertake the first bushtucker

Jaw-dropping confessions of a very un-PC Plod

There can’t have been many people who watched Confessions of a Copper (Channel 4, Wednesday) with a growing sense of pride. Among those who did, though, will presumably have been the creators of Life on Mars and Ashes to Ashes — because, in its frequently hair-raising way, the programme confirmed how well they did their research into old-school policing. Of the seven ex-officers interviewed, the most old-school of the lot was probably Ken German (sample quote: ‘We all have a view on political correctness: it’s bollocks’), who began by explaining in full the admission procedure that he’d gone through to join the force — he was told to bend over

You shouldn’t watch Dapper Laughs. But you really shouldn’t let the likes of me stop you

As you’ll know by now, I’m big on thinking the right things. Should a thought strike me that m’colleague Rod Liddle would not describe as ‘bien-pensant’, then I will of course shy away from it, in a blind panic, for fear that my pensée should be considered insufficiently bien. Right now, however, I’m having doubts about the catechism. The liberal elite may take away my badge. Presumptuous as it may be, I’m going to go out on a limb and assume that Spectator readers are not immediately familiar with the work of a comedian called Daniel O’Reilly, otherwise known as Dapper Laughs. He’s an internet phenomenon and — let’s not

You can still book your flight to Mars

Space to dream Richard Branson’s dream of commercial space flights has suffered a setback after a prototype craft crashed. But others are still offering opportunities for adventure… — Golden Spike is an American company planning to send a couple of passengers to the Moon from 2020 onwards. Each will pay an estimated return fare of $700 million. — Inspiration Mars Foundation plan to take advantage of a rare alignment of planets in 2018 to send a male/female couple on a ‘quick’ 501-day flypast of Mars. As yet, it hasn’t announced whether or not they will have to pay for the privilege. — Mars One, a Dutch company, plans to start

Liberate women…from the rotten dictatorial group-think of ‘feminism’

Good on David Cameron for refusing to wear that hideous T-shirt. Feminists these days spend an awful lot of time telling people what to think and what to wear. It’s easy to forget the heady days of feminism’s innocence, when it lobbied for freedom, the freedom for women to operate telegraphs, for example. The deft fingers of women were to set in action the wires of the telegraph with as much swift dexterity as they do those of the piano. They were to write messages about iron and steel and stocks and shares with the same easy celerity that they corresponded about the last new ribbon or baby’s first tooth.

The pop artist whose transgressions went too far – for the PC art world

Allen Jones (born 1937) has been demonised. In 1969 he made a group of three sculptures of scantily-clad female figures. They were slightly larger than life and arranged in positions that enabled them (with the addition of a glass top or padded seat) to be turned into a table, a chair and a hat stand. These super-mannequins were highly modelled, wigged and leather-booted, and unavoidably realistic. When first exhibited in 1970 they provoked outrage among the feminist community. Jones’s 1978 retrospective of graphic art at the ICA caused a near riot even though the sculptures weren’t shown. In 1986, when the chair went on display, it had acid thrown over