Feminism

The ‘Women’s March’ on Washington is a protest against democracy

The ‘Women’s March’ on Washington might not have actually happened yet but it can already be judged a success. Few demonstrations in recent years have attracted such advance publicity, inspired so many supportive column inches, or prompted such an abundance of ‘how to’ guides for the novice protester. The march, planned for 21 January – the day after Trump’s inauguration – and now scheduled to take place across a further thirty American cities as well as in London, Sydney and Zurich, has clearly captured the imagination of those determined to signal their distaste for the incoming administration. More than 200,000 people are expected to participate in Washington alone with trains and

Lloyd Evans

Hedda Garbler

Hedda Gabler is one of the most influential plays ever written. It not merely illuminated an injustice, the enslavement of women within marriage, it fomented the revolutionary achievements of feminism. It deserves to be done as Ibsen intended. This updated version from Ivo van Hove locates Hedda in one of those posh urban dream homes that resemble an art gallery. Stage left, buckets filled with flowers. Centre, an abandoned plinky-plonk piano. At the rear, a lamp the size of a traffic bollard. Scruffy off-white masterpieces deck the walls. Everything looks chic and scaled-up. Tesman is a penniless American academic married to tetchy Hedda who pads about barefoot, in her nightie,

Forget ‘soft’ feminism. I want my feminism ‘hard’

Can you be a Disney princess and the feminist messiah? I wondered this earlier this week, upon seeing new images released for the new Beauty and the Beast film. It stars She Almighty – Emma Watson – the woman who hates female subjugation, gender stereotypes and all-round sexism, yet will be in a franchise that romanticises all three. In fact, Watson’s career choice confirms my suspicions that she is not the militant campaigner the world has taken her for, but mushy and romantic. As I saw her in Belle’s yellow gown – which I had myself aged four – I tried to imagine Germaine Greer and Camille Paglia doing the same,

Glamour’s ‘women of the year’ awards are a feminist farce

Glamour magazine has announced its annual women of the year awards, and, this year, they’re naming a man of the year too. Paul Hewson – or as we know him, the prat in glasses, or, Bono – has been given the award for being one of the ‘most outspoken advocates for women and girls’. Glamour certainly knows how to create a headline. Last year, it was transgender athlete Caitlyn Jenner who won woman of the year; this time round the magazine has gone for a smaller, less stylish, but equally annoying bloke to grab some attention. It was Bono’s ‘Poverty Is Sexist’ campaign, which draws attention to the fact that ‘powerful

‘Hillary Clinton is a disaster!’

Talking to Camille Paglia is like approaching a machine gun: madness to stick your head up and ask a question, unless you want your brain blown apart by the answer, but a visceral delight to watch as she obliterates every subject in sight. Most of the time she does this for kicks. It’s only on turning to Hillary Clinton that she perpetrates an actual murder: of Clinton II’s most cherished claim, that her becoming 45th president of the United States would represent a feminist triumph. ‘In order to run for president of the United States, you have to spend two or three years of your life out on the road

It’s (still) a man’s world

When Jane Garvey announced to the audience who had just ‘taken part’ in the 70th birthday celebrations of Radio 4’s Woman’s Hour on Monday morning that a woman listener had sent in an email asking, ‘Why do we need a programme like this in 2016?’, she almost caused a riot in the BBC Radio Theatre. A riot of disbelief and horror. What? Abolish the only programme on the BBC entirely devoted to the issues that affect women? Cut down in its prime a daily audio magazine that since its first broadcast in October 1946, and in spite of initially being commissioned and presented by men, has raised provocative questions about

Unhappy Pill

A study came out last week that should have caused great alarm. For 13 years, researchers at the University of Copenhagen studied more than a million women between the ages of 15 and 34 who were taking a type of drug — one that is popular in all developed countries. Taking this drug, the researchers found, correlated with an increase in the risk of depression. The correlation was particularly strong in adolescent girls, who showed an 80 per cent higher chance of being diagnosed with depression. Usually when a story about women’s health and depression breaks, a phalanx of activists and campaigners pop up all over the media to ‘raise awareness’ of the

Thoroughly bewitching

Angela Carter was a seminal, a watershed novelist: perhaps one of the last generation of novelists to change both the art she practised and the world. Reading this splendid biography, it is hard to avoid the false conclusion that she always knew exactly what she was doing. Her life, in its swerves and unexpected corners, always turns out to be contributing to her work; how clever of her, one starts to think, to get a job on a local news-paper, to go to Japan, to have an array of dotty, oppressive or plain witchy aunts, mother and grandmother…. Of course it was not like that. Carter’s life seems rich and

The Labour party’s struggle with the F-word

This year, Labour’s Women Conference saw Harriet Harman take to the stand to describe Theresa May as ‘no sister‘. Hoping for a bigger platform next year for their feminist message, party members have since called for the event to be integrated into the main conference. While Mr S wishes them luck with this, the ladies of Labour can take heart that things have at least improved since the conference first returned in 2010. Speaking at a Progress fringe event this week, Ayesha Hazarika — Harriet Harman’s former chief of staff — recalled the struggle they came up against when Harman was acting Leader: ‘In 2010 when we had just got kicked

The Swinging Sixties should be renamed the Seedy Sixties

You know you’re getting old not when the policemen start looking young, but when a public figure dies and you say ‘O, I thought they were dead already!’ So it was for me when I heard that the Australian writer Richard Neville had died of dementia at the age of seventy four last week. Neville was never any sort of hero of mine – I was too busy promising my soul to Satan for a quick lick of Marc Bolan. But when I was thirteen and at the peak of my shoplifting prowess, I nicked his book Play Power on exactly the same robbing rampage that saw me take proud possession of The Female Eunuch,

Marriage for one

As far as the bride was concerned, the wedding was perfect. Her dress was beautiful, the vows were traditional and she changed her name after the ceremony. The clifftop scenery was breathtaking, the seven bridesmaids were encouraging and supportive: move over Princess Di. There was only one thing missing: the groom. Like a growing number of single women, Sara Starkström had decided to marry herself. ‘I thought about people marrying other people without loving themselves first,’ says Starkström, a writer, explaining what many would call a bizarre overreaction to finding herself single at the age of 29. ‘How could they pledge to do all this stuff for another person when

Bring back bonkbusters!

Life is starting to look a lot like the 1980s: Russia is flexing its muscles, the Labour party is tearing itself apart, and there’s a woman in No. 10. Political thinkers are falling over themselves to over-analyse the geopolitical precipice upon which the world seems to be balanced. But life doesn’t have to be serious all the time, so it’s worth reflecting on another aspect of heading back in time: we’re due a revival of the-bonkbuster. Frances Robinson and Camilla Swift discuss the return of the bonkbuster: Jilly Cooper’s new book Mount! is published next month, and features the return of Rupert Campbell-Black, 30 years after he first appeared in

Unconditional love is a dangerous delusion

When I think about love, that old line by William Goldman about Hollywood comes back to me: Nobody knows anything. It seems that as we grow franker about sex (witness the Naked Attraction TV show, recently described as ‘Blind Date in a brothel’) love reveals less of its mysteries. Just as we’ve all now seen on screen 1001 ways to kill someone and yet know nothing about death, we now know 69 ways to screw someone – once more, often seen on screen for the less adventurous amongst us – and nothing about love. Not even the most basic stuff – how to avoid falling in love with someone we shouldn’t,

Thoroughly modern Buffy

Cards on the table. Before I’d published my first novel, or written for newspapers, or won awards for my writing, before all of that, in 2004, I presented a paper at an academic conference about Buffy the Vampire Slayer in Nashville, Tennessee. I couldn’t really afford to go to that conference. I didn’t have time to be there. I wasn’t an academic; it wouldn’t help my career. It was just that when I heard there was an academic conference about Buffy the Vampire Slayer I knew I had to be there. Not in an ironic way, not as silly fun. I desperately needed to be around people who could talk

Saatchi’s sexism row suggests feminists can’t handle debate

Forget Pimm’s, sunburn and rain abandoned picnics. What really makes summer is a heap of outrage directed at an old white man for saying something feminists think is beyond the pale. Last year it was Sir Tim Hunt and his quip about the problem of women in labs. This time it is Kevin Roberts, chairman of Saatchi and Saatchi, who has suggested gender bias is not an issue in the advertising industry. For this crime against feminism, Roberts has been suspended and will spend this summer in his garden rather than in the office. Unpicking the obligatory social media bluster about ‘misogyny’ and ‘the patriarchy’ to work out where exactly

‘I wish you were never born’

All parents worry about the extent to which their children will expose their private weirdness to the world. They tell their teachers that Daddy takes his tea into the toilet and Mummy ‘actually pulled the car over’ for a closer look at the dead badger they passed on the school run. But the traumatic new memoir by the journalist Ariel Leve lifts the lid on a whole new league of maternal craziness. Although Leve disguises her mother as ‘Suzanne’ in this book, a quick google reveals her to be the poet and feminist film-maker Sandra Hochman. When People magazine’s Patricia Burnstein visited Hochman’s ‘elegantly appointed’ Manhattan penthouse in 1976, it

The show’s over for the Women’s Equality Party

In the post-Brexit upheaval, the Women’s Equality Party (WEP) has fallen out of sight. Its members once told us ‘WE can, WE will’, but now WEP isn’t doing anything at all. Not since 24 June when leader Sophie Walker offered her most prophetic statements to date. In Newsweek Europe, she wrote that post-Brexit, we would urgently need ‘women on the table’, and that ‘Britain leaving the EU means more women will get involved in politics’. Little did she know her words would ring true, in the most unexpected way; as weeks later, a woman would not only be on the table, but head of it. And since Theresa May became Prime Minister, it’s

Daddy dearest

In 2004, after a 25-year estrangement, Susan Faludi’s father reappeared in her life via email. ‘I have had enough of impersonating a macho aggressive man I have never been inside,’ it read, and was signed, ‘Love from your parent, Stefánie.’ The 77-year-old had embarked on a new life as a woman, both a dramatic abruption and the continuation of a biography full of reinvention. He was born as a Hungarian Jew called István Friedman, survived the Holocaust thanks to a talent for imitating Nazis, adopted the name Faludi to show he was ‘100 per cent Hungarian’, and later settled in the US, where he became Stephen Faludi, archetypal ‘American Dad’

The reason Theresa May is the better candidate has nothing to do with motherhood

Well! It hasn’t taken long for the commentariat to get over their excitement at the prospect of another female prime minster, has it? Can you imagine what the Guardian would be making of it were the contest between Angela and Maria Eagle, Venus and Serena Williams-style (or even, David and Ed Miliband-style)? It’d be triumph for feminism, a belated victory for the kind of positive discrimination gender politics which has proved so terrifically successful in the Labour party. Well, it turns out that it’s not just a woman that feminists wants, it’s a particular kind of woman. Their kind of woman. No others need pretend to the gender. The knives,

Baby with the bathwater

Bustle, an online newspaper ‘for and by women’, has published ‘six common phrases you didn’t know were sexist (that you’ll now want to ban from your vocabulary)’. One of them is ‘Don’t throw the baby out with the bathwater’. By chance this phrase was used by Sir Ernest Gowers, the enemy of officialese and cliché, in his book H.W. Fowler: The Man and his Teaching. ‘We can,’ Sir Ernest wrote, ‘rid ourselves of those grammarians’ fetishes which make it more difficult to be intelligible without throwing the baby away with the bath-water’. That would annoy someone called Julie Sprankles, a writer for Bustle. ‘The most popular theory is that in medieval