Exhibitions

Behind Wes Anderson’s infamous sensibility

Woody Allen once sardonically described the fans of his films as being divided between those who liked the “early, funny ones” and the later, darker pictures. Much the same might be said of another famous WA: Wes Anderson, who has established himself as one of American cinema’s most significant auteurs despite no longer living in the country – he hops between England and France. Like most auteurs, his films are more succèss d’estime than they are succèss de box office, but he has the cream of Hollywood lining up to work with him and commands respect among actors young and old. Anderson is rightly celebrated – or castigated – as

The depth of Edmund de Waal

“I’m very, very proud of making pots,” says Edmund de Waal. “I don’t call myself a conceptual artist.” He is putting the finishing touches to an exhibition of ceramic sculptures at Gagosian’s Beverly Hills gallery. Around the walls are sleek, tiered vitrines filled with porcelain vessels, along with a sequence of smaller gold-painted boxes – “reliquaries,” as de Waal calls them, inspired by the early Renaissance master Duccio. “I hate the word minimalism. I find it completely useless as a term.” In the last 20 years, de Waal has risen from the status of a humble ceramicist to become one of Britain and America’s leading contemporary artists, best known for

My Name is Orson Welles was illuminating

Orson Welles (1915-85) considered the notion of posterity vulgar, but he knew that he’d be loved once he was dead. That death came suddenly, just over 40 years ago, on October 10, 1985. There was a poignancy to the way death took him – sitting at his typewriter after appearing on Merv Griffin’s talk show. By then, the co-writer, director and star of the greatest film ever made, Citizen Kane (1941), hadn’t finished a film since 1973’s ignored but now quietly loved F for Fake. At the end of his life, he may have been better known as the guy in Paul Masson wine commercials than as a cinematic genius.

orson welles