Evelyn waugh

English Modernism was graced by five daring and gifted women who were in many respects well in advance of their native male counterparts: Virginia Woolf and Anna Kavan in prose, Edith Sitwell in poetry, Elisabeth Lutyens in music and Barbara Hepworth in sculpture. Barbara Ker-Seymer is not remotely in this class. She took some attractive photo-portraits before the war in her studio above Asprey’s and that was it. After leaving St Paul’s Girls’ School, Barbara was soon drinking, drugging and dancing round town Not that Barbara cared. Though trained at the Chelsea School of Art, she had a deprecating attitude to her activity which was characteristic of English amateurism and

Evelyn Waugh’s Oxford friend Harold Acton, immortalised as Anthony Blanche in Brideshead Revisited, once bumped into the wife of John Beazley, a lecturer in ancient Greek pottery, while she was exercising their pet goose in Christ Church’s Tom Quad. Hopping over the bird, Acton intuitively doffed his hat. Here, Marie Beazley declared, was ‘a true gentleman’. Mrs Beazley was famous in academic circles for her unpredictable remarks. Over dinner with undergraduates she once announced: ‘My husband can make sparks fly from my loins.’ Her daughter married the poet Louis MacNeice, who made his own pithy observation of the dons of Oxford as ‘scraggy-necked baldheads in gown and hood looking like

In the world of books, a modern classic is an altogether more slippery thing than a classic: it must walk a line between freshness and durability; reflect the current age but hope to outlast it. For individual publishers, given many 20th-century writers are still in copyright, a modern classics list will necessarily be partial. However, few such partial lists are as complete as Penguin Modern Classics (PMCs), founded in 1961 four years after Penguin’s general editor A.S.B. Glover said: ‘We don’t want — without outstandingly good reasons — to start any new series such as “Modern Classics”.’ The outstandingly good reasons were lots of outstandingly good books that weren’t old

Great novelists come in all shapes and sizes, but one thing they all share is a status of half-belonging. If they had no foot in the world at all, they could hardly understand it; if they completely belonged, they could hardly understand what was distinctive. One of the pleasures of this excellent biography is fully appreciating the peculiar, liminal, not-quite-successful position Powell wrote from, and described with great exactness. In half a dozen social and professional milieux, he was a tolerated, perhaps useful minor presence, like a spare man at dinner. From the standpoint of a rather failed editor, screenwriter, soldier, socialite, he stood by and watched the world. In

A CIA agent, a naive young filmmaker, a dilettante heir and a lost Mayan temple form the basis of Ned Beauman’s latest, and arguably most impressive, novel. Two rival expeditions set off from the United States to the jungles of Honduras to find the temple — one with the intention of using it as a location in which to film an absurd comedy, the other determined to disassemble it and take it back to New York. The two sides clash, each refusing to give way. The weeks roll into years; and life around the temple, populated with a disparate and distinct array of characters, steadily deteriorates into greater savagery. Meanwhile,

Arriving at boarding school with the wrong shoes and a teddy bear in his suitcase, the hero of Elizabeth Day’s fourth novel is the latest in a long literary line of suburban lost boys sucked into the intoxicating orbit of a wealthy friend. F. Scott Fitzgerald, Evelyn Waugh, Patricia Highsmith, Ian McEwan, Alan Hollinghurst and Gillian Flynn have all done it before and we know the story never ends well. Day drops references to them all into her book, like olives into an increasingly dirty martini. We know from the outset that a crime has been committed. We first meet Martin Gilmour in a police interview room, the day after

We know our way around Raymond Carver’s blue-collar cityscapes and Updike’s urban angst and despair. Rick Bass opens a window onto a wilder America — the far reaches of Montana, Alabama, Texas, Missouri… But to say his stories are about rural life would be like saying Moby-Dick is about whaling. Lauded by American critics and freighted with prizes, Bass is scarcely known in Britain. Praise to Pushkin Press for introducing us to an astonishing literary voice. Life in Bass’s world is often challenging: his people live close to the land; they fish, shoot birds, hunt elk, moose and deer to stock the larder. But while forests, prairies, rivers and lakes

During the second world war, while one brother was editing Punch as a national institution (‘Working with him was a little like helping to edit the Journal of Hellenic Studies,’ said a colleague), and another brother, given to asking questions like ‘Which way does a clock go round?’, was breaking codes at Bletchley (as an interlude to piecing together fragments of the Greek low-life mime writer Herodas), Ronald Knox was translating the Bible. He did this at Aldenham Park, where he lived as a weekend guest who stayed for ten years, thanks to the hospitality of Lord Acton (whose grandfather was the historian) and more particularly Daphne, Lady Acton (whose

D.J. Taylor’s clever dissection of snobs is really two books in one. Scattered throughout are entertaining, delicious (initially), solemnly related nuggets of hardcore snobbery. He writes brilliantly, for example, about the diarist and National Trust employee James Lees-Milne, who liked a world that knew its place (ideally beneath him). Lees-Milne was steeped so far in snobbery that he couldn’t bear the vulgarity of calling a garage a garage and so called his the ‘motor-house’. Either the absurdity of this makes you snort with laughter or it doesn’t. It does me, though I have to say the cumulative effect of a zillion snobberies is nauseating. You find yourself thinking, ‘My God,