Edward vii

After Queen Victoria, the flood

Alwyn Turner writes early on that Little Englanders is ‘an attempt to take the temperature of the nation as it emerged from a century that had dominated the world and was beginning – whether it knew it or not – a long process of decline’. Perhaps for that reason, or perhaps because the high (and low) politics of the years from 1901 to 1914 – the Edwardian era continues for four years after the death of the eponymous sovereign, up to the lights going out all over Europe in August 1914 – have been so exhaustively covered in recent years, he tells his readers that he will draw heavily on

The delicate business of monitoring the monarchy

This very readable account of relations between the British intelligence services and the Crown does more than it says on the tin. Although subtitled ‘Spying and the Crown, from Victoria to Diana’, it quite properly begins with Queen Elizabeth I and the intelligence network masterminded by Francis Walsingham, whom MI6 regard as their historical progenitor. It also quite properly makes the point that ‘spies and royal statecraft were episodic and opportunistic partners’. Unlike other major powers, Britain had no permanent intelligence services until 1909. There weren’t even any permanent military intelligence organisations until the late 19th century. Such networks as there were came and went with war, or its threat,

A dutiful exercise carried out in a rush

Like department stores, empires and encyclopaedias, the multi-volume narrative national history is an invention of the later 18th century. It reaches its apogee, promising to bring everything important within a single enclosure, in the 19th and early 20th century. After that, ambitious examples appear to be fighting against a general lack of enthusiasm. Most of these works are little read now, from David Hume’s 1750s The History of England all the way through to Winston Churchill’s idiosyncratic A History of the English-Speaking Peoples in the 1950s. The grand sweep has a tendency to define the significant in advance. Many of these histories can explain a sequence of legislation, such as

Must all history programming be ‘relevant’?

When it comes to history programming, television’s loss is increasingly audio’s gain. People moan to me most weeks over the lack of really good, rigorous, eye-opening documentaries on the screen, and I can only nod along in agreement. Oh for a Kenneth Clark-style lecture! More Michael Wood! There’s an especially strong appetite for the adventurous commissions of the 1990s and 2000s. It’s principally podcasts, now, that are pouring into this void. Stephen Fry’s Edwardian Secrets, a 12-episode sequel to his previous series on the Victorians, even sounds like an extended BBC4 documentary, replete with talking heads, choral background music and just a dash of Horrible Histories. Unfortunately, it also suffers