Eddie redmayne

Wednesday

James Delingpole

Spy-drama porn: Sky’s The Day of the Jackal reviewed

All the previewers have been drooling lasciviously over The Day of the Jackal reboot and, having seen the first three episodes, I quite understand why. This is coffee-table spy-drama porn perfectly calculated to satisfy all manner of lurid and exotic tastes. There’s sniper-rifle-assembly porn; foreign-property porn (the Jackal’s gorgeous mountain retreat near Cadiz with a to-die-for infinity pool); fashion-nostalgia porn (especially the brown suede jacket worn with a red neckerchief in homage to the original, starring Edward Fox); far-right German politician’s head exploding in a pink mist as the heavy calibre sniper round reaches the end of its remarkable, unprecedented two-and-a-half-mile trajectory porn. Even if you’re not a fan of

Monday

Debbie Hayton

Eddie Redmayne shouldn’t regret playing a trans character

Eddie Redmayne was nominated for an Oscar for his performance in The Danish Girl, but now he is having second thoughts about the role he took on. Redmayne played the part of Lili Elbe, a Danish illustrator who is remembered as one of the first recipients of gender reassignment surgery. Highly experimental at the time, the procedure eventually led to Elbe’s death, aged only 48. Now, Redmayne has said he was wrong to play the part he did:  ‘I made that film with the best intentions, but I think it was a mistake.’  Redmayne should not worry about upsetting the trans lobby Why? Redmayne’s response was opaque:  ‘The bigger discussion about the frustrations around casting is because many

Thursday

Deborah Ross

One zinger after another – but it’ll leave you cold: Trial of the Chicago 7 reviewed

Aaron Sorkin’s The Trial of the Chicago 7 — don’t worry, you haven’t missed six earlier films — is a courtroom drama based on true events featuring a stellar cast: Mark Rylance, Frank Langella, Sacha Baron Cohen, Eddie Redmayne, Jeremy Strong. You may be wondering: hang on, no Michael Keaton? But he tips up too! What, no Joseph Gordon-Levitt? Don’t worry. He’s here. But while the performances are ace and the script is one of those Sorkin scripts where the dialogue is one zinger after another — zinger ping pong, I call it — it will leave you cold emotionally. This is a film to admire, in some respects, but