Dulwich Picture Gallery

Tirzah Garwood, wife of the more famous Eric Ravilious, is having a well-deserved moment in the sun, benefiting from this era of equality in which artists’ and composers’ wives and sisters (such as Clara Schumann, Fanny Mendelssohn and Elizabeth Siddal) are having the spotlight shone on their under-appreciated works. It’s not profound art but it’s a pleasure to look at, created to delight all ages Garwood is not quite as good as Ravilious, in the same way that Clara and Fanny are not quite as good as Robert and Felix, but she is nonetheless a pleasure to encounter, with an infectious, playful delight in everyday sights of her time, such

‘She is a princess endowed with all the virtues of sex; long experience has taught her how to govern these people… I think that if Her Highness could govern in her own way, everything would turn out very happily.’ The ‘princess’ in question was Isabel Clara Eugenia, Infanta of Spain and regent of the Spanish Netherlands; ‘these people’ were the pesky, ungovernable Flemings and the author of the glowing testimonial was Peter Paul Rubens who, since the death of Isabel’s husband the Archduke Albert in 1621, had become her trusted diplomatic adviser. It was quite a step up for a mere court painter, especially one with a skeleton in the

In the rush to right the historical gender balance, galleries have been corralling neglected women artists into group exhibitions: the Whitechapel Gallery rounded up 80 women abstract expressionists for its recent Action, Gesture, Paint show. But imbalances can’t be corrected retrospectively. Rather than elevating women artists who didn’t make it in a male-dominated world – not all of whose work, if we’re honest, helps the female cause – we should be celebrating the grit and talent of the few who did. And Berthe Morisot and Gwen John – currently the subjects of solo shows at Dulwich Picture Gallery and Pallant House – had both in spades. What’s remarkable, in the