David harewood

Fortitude, emotional intelligence and wit – the defining qualities of Simon Russell Beale

The path to National Treasureland is no paved highway. Simon Russell Beale, the finest classical actor of his generation, was nearly lost to academia (he swerved a PhD in Victorian literature), and faced down pigeon-holing from an agent who wanted to change his name to Simon Beagle, the better to capitalise on a knack for dopily jolly comedy roles. Now – and not before time – he’s written an elegant study of Shakespeare that does double duty as a juicy actor’s autobiography. The pleasure here is in the mix of green room gossip and literary insight. There’s plenty of the former: dining next to Lauren Bacall at the chat show

Artless, crude and thuggish: Bridge Theatre’s Book of Dust reviewed

Philip Pullman’s The Book of Dust has been adapted at the Bridge. The yarn is set in Oxford, and the surrounding countryside, and the whole of the first act is devoted to exposition because Pullman’s fantasy world is impenetrably complicated. The chief character, a dim-witted child, wanders around the place and listens while terms like ‘magisterium’, ‘alethiometer’ and ‘daemon’ are explained to him. Meanwhile we’re introduced to Pullman’s range of human personalities. He can do two: first, the ooh-arr yokel who is thick but kind, and secondly, the posh academic who is clever but evil. These archetypes give rise to a total of 32 characters who are represented by 16