Croydon airport

Ian Thomson, Andrew Watts, Sam Leith, Helen Barrett and Catriona Olding

32 min listen

On this week’s Spectator Out Loud: Ian Thomson reflects on his childhood home following the death of his sister (1:20); Andrew Watts argues that the public see MPs as accountable for everything though they’re responsible for little (7:40); Sam Leith reveals the surprising problem of poetical copyright (13:47); Helen Barrett reviews Will Noble’s book Croydonopolis and explores the reputation of a place with unfulfilled potential (19:48); and, Catriona Olding ponders moving on from loss to love (26:09).  Produced and presented by Patrick Gibbons.

Never pour scorn on Croydon

‘So f-ing Croydon,’ was the worst insult David Bowie could think of to describe a person or thing that revolted him. ‘Less of a place, more of a punchline,’ was a recent swipe by Sue Perkins, the Croydon-born comedian who grew up at the tail end of the town’s golden era of rampant employment, ambitious cultural venues and well-endowed private schools. London’s outermost, southernmost, most populous borough is an easy target for condescension: too brash, yet too poor; too try-hard, yet too lethargic; too ambitious, yet not ambitious enough. As the Croydonian author John Grindrod has written, locals are accustomed to Croydon’s ‘very existence – our existence – provoking outrage’.