Cows

What should you call a ‘boy cow’ and a ‘lady dog’?

‘That’s a boy cow,’ said a woman in the train to a little girl, adding in an aside to an adult companion: ‘I didn’t use the other word because it’s too much like…’ The other word must have been bullock and the word it too much resembled was bollock. Bollock used to be spelt ballock. In Portrait of the Artist as a Young Man, James Joyce introduces the question of whether ballocks is the only example of the dual number in English. In Irish English it is certainly used in the plural form with singular concord. Ballocks was in standard use up to the 17th century, after which it was

I won’t ever look at cows the same way again: Andrea Arnold’s Cow reviewed

The latest film from Andrea Arnold (Red Road, Fish Tank, American Honey) is a feature-length documentary about a cow, starring a cow, with almost nothing else in it, apart from this cow. It feels like a test. Can I watch a cow for 93 minutes? What does this cow do that’s so interesting? I see cows all the time from the train and they just sort of lounge about, ruminating, don’t they? But this wants you to look, really look, at what it is to be a cow. And you do and you will invest. (Oh, Luma.) Arnold spent four years, off and on, filming Luma, a cow at a

Definitely the best cow film of the year: First Cow reviewed

Kelly Reichardt’s First Cow stars John Magaro, Orion Lee, Toby Jones, and a Jersey cow listed in the credits as ‘Evie’, who has a dewy face and big soft eyes. As Reichardt has confessed: ‘She is very beautiful and was cast purely on her looks.’ Evie is, thankfully, as convincing as she is beautiful, and this is a convincing and beautiful film. It is touching, tender, original, entrancing, definitely the best cow film of the year. Plus it’s also a quietly masterful thriller where a clafoutis (blueberry) will have you on the edge of your seat. The film is Reichardt’s eighth feature and if you’ve seen Meek’s Cutoff, a sort