Country house opera
I stole a blanket last night. Rather a nice one, in fact. I feel bad about it, of course, but guilt is less inconvenient than pneumonia; and after trying to blow-dry my waterlogged dinner jacket with the winds howling through Garsington Opera’s ‘airy’ pavilion, it seemed like pneumonia or the blanket were the options. Forgive the melodramatic, self-justificatory tone. That, too, has its roots in the evening’s diversions, which included a performance of Intermezzo, Richard Strauss’s melodramatic and self-justificatory autobiographical account of a marital misunderstanding. It’s an odd piece, lovely in some ways, trite and misogynistic in others. Some decades ago, after a May Day ball in Oxford, I learned