Communism

Rao Pingru is 94, and a born storyteller. His gripping graphic narrative weaves in and out of the violent, disruptive upheavals that marked China’s transition in the 20th century from an immemorial, apparently immutable imperial past to its current uneasy truce with the technology, morals and politics of the Western world. He was born in Nancheng, a city virtually unchanged in seven centuries since the end of the great Song dynasty. The first painting in this book shows Pingru himself as a small boy kneeling to knock his head on the floor in a traditional kowtow, performed at the foot of the man who had come to teach him to

‘I am interested only in stretching myself, in living as fully as I can.’ Lara Feigel begins her thoughtful book with this assertion by Anna Wulf, the protagonist of Doris Lessing’s The Golden Notebook, and it rather sums up the whole endeavour of the volume. Feigel weaves close readings of Lessing’s prose, both fiction and non-fiction, with accounts of her own self-stretching. Feigel, an academic, had read Lessing as an undergraduate, but, returning to her in her thirties, she discovered in the books a stimulating discussion about ‘how as a woman to reconcile your need to be desired by men with your wish for sexual equality’. She is particularly interested

It has become fashionable since the fall of the Soviet Union to diagnose communist fellow travelling as a form of Freudian neurosis. Where class resentment exists it is said to emanate less from angry young proletarians than from well-spoken youths intent on garrotting their dividend-drawing fathers. Most contemporary accounts of the Cambridge spy ring, which passed top secret information to the Soviet Union during the Cold War, draw heavily on this cliché. Kim Philby, Donald Maclean, Guy Burgess, Anthony Blunt and John Cairncross are typically portrayed not only as highly privileged men who rebelled against their upbringings, but as an upper-class clique who got away with what they did because

From 1945 to 1992 the Cold War was the climate. Individual weather events stood out — the Korean War, the Cuban missile crisis, the Hungarian and Prague uprisings, the fall of the Berlin wall — but the possibility of nuclear annihilation, the great divide between the broadly capitalist West and the broadly socialist East and the numerous proxy conflicts it spawned, were the background to daily life. In retrospect, it seems stable, almost cosy: you knew where you were. Its ramifications were so many and so all-encompassing that virtually everything you say about it will be true of some part, somewhere. Odd Arne Westad, a Norwegian who is a Harvard

Milan Kundera’s novel Immortality wryly depicts Goethe preparing for immortality — neatly laying out his life in Dichtung und Warheit and arranging for Johann Eckermann to record his conversation. He is, says Kundera, designing a handsome smoking jacket, posing for posterity. He wants to look his best. Then along comes the young Bettina von Arnim, a platonic flirtation from his past, with an alternative, memorably ridiculous version, ostensibly admiring, in which Goethe’s wife Christiane is portrayed as ‘the crazy, fat sausage’. There is immortal egg on the facings of that smoking jacket. In the case of Czesław Miłosz, we have a variant on this paradigm. He wanted, as it were,

The Twentieth Congress of the Communist Party in February 1956 passed off entirely without incident. Speeches on the next five-year plan were applauded and Stalin’s pet agronomist Lysenko made his customary appearance to denounce bourgeois genetics. A visiting communist from Trieste, Vittorio Vidali, noted his envy of two Uzbek party members who sat reading short stories throughout the proceedings. By late on Friday, the Congress was over, except for the announcement of one additional closed session the following morning. How many delegates skipped this dreary-sounding extra session? Any that did missed the single pivotal moment in the history of the Soviet Union. Without preamble, Nikita Khrushchev stood up and delivered