Church architecture

How pistols in St Paul’s Cathedral shaped the science of sound

18 min listen

In the winter of 1951 shots from a Colt revolver rang out in St Paul’s Cathedral in an experiment designed to solve the mystery of how architecture shapes sound. In this episode of Holy Smoke, Damian Thompson talks to Dr Fiona Smyth, author of a new book on the subject, and choral musician Philip Fryer, about the perfect acoustic – an increasingly important topic for churches, since many of them rely on the income from hiring themselves out as concert and recording venues. And it raises the question: should we think of a church as a musical instrument? 

God’s many mansions: a guide to the world’s greatest churches

The surroundings of the Crimea Memorial Church in Istanbul are ‘little better than a dump’, wrote the British embassy chaplain in 1964. ‘It takes an intimate knowledge of the place to find it.’ Today, the street running north-west from the Galata tower on the far side of the Golden Horn is quite chic. Turn right at the end and, above fig trees and trumpets of bougainvillea, you glimpse the lead-roofed spirelet of the church. It is by G.E. Street, the architect of St James the Less in Vauxhall Bridge Road, which also has stripes across nave walls and chancel vaulting. The competition to design the church in Istanbul demanded that