Christine rice

A luminous new recording of The Dream of Gerontius

Grade: A– There’s a species of music-lover who enjoys pointing out that Elgar isn’t played much on the Continent – the musical equivalent of those social media bores who pop up each April to reveal that Saint George was Turkish, ackshully. It’s all rot, of course. Some of the best Elgar performances of recent years have come from Barenboim and Petrenko in Berlin; and, after all, it was Richard Strauss in Düsseldorf who put The Dream of Gerontius on the map.  And now here’s Gerontius from Helsinki. True, the conductor, Nicholas Collon, is British and I hadn’t previously had him down as an Elgarian. The choirs are a mixture of

A new opera that deserves more than one outing: Royal Opera’s New Dark Age reviewed

It’s quite a title sequence. Puccini swells on the soundtrack and words flash before your eyes. ‘Ecstatic!’ ‘Spellbound!’ ‘Passionate!’ ‘Dazzled!’ Champagne fizzes, ballerinas pirouette; for some reason Bryn Terfel hovers in the roof of the Floral Hall. The Royal Opera House is back in the game, bringing the uplift of live music-drama to an opera-starved Britain, and if you’re watching it online, the only remaining question is whether the offering on stage can possibly live up to the energy, colour and sheer affirmation of the Royal Opera’s on-screen intro. Don’t be silly. What we get is New Dark Age — a double bill that takes its name from its second