Children's books

The art of Beatrix Potter

‘I will do something sooner or later,’ wrote Beatrix Potter in the secret diary she kept in a private code. It was March 1883 and 16-year-old Potter, still mostly confined to the nursery of her parents’ house in South Kensington, had made a second visit to the Winter Exhibition of old masters at the Royal Academy. She did not identify the ‘something’ she had in mind, but it almost certainly referred to art. Although a painting by Angelica Kauffman stiffened her resolve and bolstered her confidence, the statement was one of intent above conviction. ‘It shows what a woman has done,’ she reassured herself. By the end of the decade

I always defended Michael Gove. Then I met him

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_13_March_2014_v4.mp3″ title=”Toby Young and Fraser Nelson discuss Michael Gove’s personality and the attacks from all sides”] Listen [/audioplayer]A few weeks ago, I was a guest at a huge tea party for children’s authors, publishers and commentators at the South Bank, but the atmosphere, over the cupcakes and finger sandwiches, was decidedly frosty. There were three keynote speakers and their speeches all targeted a man so vile and destructive that the audience visibly recoiled every time his name was mentioned. He was, of course, Michael Gove — and I wasn’t sure I should tell anyone that I had always rather admired him and, moreover, was about to interview him for this

Alexander McCall Smith’s diary: Meeting Babar’s creator

As any author will tell you, literary festivals differ widely. If you are invited to Willy Dalrymple’s Jaipur Festival, with its renowned final party, you say yes within minutes of receiving the invitation. Other invitations you might take a little longer to accept. The Key West Literary Seminar, which took place a couple of weeks ago, is one of the glamorous ones. I was ready for Florida, as Scotland had been visited by gale after gale and accompanying driving rain. As luck would have it, we arrived in Key West at exactly the same time as the polar vortex that had frozen the entire United States, including a normally balmy Florida.

The best children’s books for Christmas

Animal stories for children are always tricky; as J.R.R. Tolkien observed in his essay on fairy stories, you can end up, as in The Wind in the Willows, with an animal mask on human form. Watership Down has been described as a nice story about a group of English public schoolboys with occasional rabbit features. But if you get too true to nature, the animals don’t have much to say to us, and no reason why they should. Admittedly, The Wind in the Willows does try to capture some of the mole-ness of Moley (he perks up underground) and the water-rattiness of Ratty (restive away from the River). And, as

Children’s Books: Myth and magic

It was the second week of term and my grandson’s birthday. He had just started at primary school and the only alternative to social suicide seemed to be to invite the whole class to his party. With a few old friends that made a total of 30. They ran yelling in various enjoyably noisy games up and down the church hall, then they departed, and my daughter was left confronting a table groaning with 30 presents, some of them embarrassingly expensive. How do you give 30 presents to one five-year-old? The same problem comes up every Christmas, and the answer, it seems to me, is books. It may not be

Bad lads and Bogwoppits

Juliet Townsend selects the best of this year’s reading for toddlers through to teenagers In these straitened times one can only be grateful for the excellent value offered by picture books for young children, which have remained at the same price for several years. Since the migration of their production to the Far East, some have become ever more elaborate, with pop-up versions accompanied by sound effects, resulting in something which is more a toy than a book. There are, however, many excellent writers and illustrators represented this Christmas. For the youngest children, Christmas Time by Alison Jay (Templar, £10.99) with minimal text and colourful and original pictures, takes us