Child abuse

Tasty meals and epiphanies: that’s what Banana Yoshimoto mostly deals in. It’s no accident that her most famous book is entitled Kitchen. Sometimes the epiphanies come by way of the tasty meals; at other times they are triggered by effects of light playing over rivers, trees, landscapes, as if we had suddenly found ourselves inside a print by Hiroshige. And loneliness. She’s the supreme poet of solitude, and how it can grip even in the middle of one of the world’s busiest cities; even alongside a loving partner. And sudden death. But that’s making Yoshimoto’s graceful work sound far too depressing. There are always the epiphanies, and cake, and chicken

In the course of British history there have been few royals with a childhood as traumatic as that of Elizabeth I. She endured the torment of her mother Anne Boleyn’s execution, her father’s death, the comings and goings of four stepmothers, sexual abuse from a stepfather (who was executed soon after), the death of a half-brother, imprisonment and the death of a half-sister before finally acceding to the throne. All this by the age of 25. Throughout her young life, Elizabeth veered from sole inheritrix of the crown to hated bastard child Not many could cope with such a relentless identity crisis. Throughout her young life, Elizabeth veered from sole

For two and a half years, as Britain adjusted from normality to the most disorienting collective trauma of our lifetimes, Will Ashon trawled the country for strangers’ stories. He wrote letters to random addresses, went hitchhiking, talked to the drivers and followed chance connections in pursuit of glimpses into other people’s lives. Once they had consented to speak, he asked some to tell him a secret and others to answer a question from a list. The resulting anonymous confessions, reminiscences, philosophical reflections and anecdotes were obtained via interviews, emails or voice recordings. They form a quietly remarkable study of the state of the nation, in which fragments piece together into

If the last quarter of 2020 saw a glut of novels published, of which there were winners (Richard Osman) and losers (in a just world, Piranesi would still be at number one), January is a less frenzied time for new writers to launch. Even so, there are often hyped and hot new books — among which this year Girl A is one. It comes with excitable reports of huge international sales and an insistence that it will be everywhere. The accompanying blurb also manages to mention repeatedly that the author got a double-first at Cambridge, which, frankly, in these days of being ruled by Oxbridge inadequates who think that being

Orhan Pamuk, writing about Vladimir Nabokov’s masterful memoir Speak, Memory, noted that there was a particular ‘thrill’ for the writer who calls ‘something wholly autobiographical fiction, something wholly fictional autobiography’. When Nabokov did this, Pamuk said, it changed ‘the secret centre of the story’. The fertile interplay of fact and fiction animates a pair of books by the Korean American author Alexander Chee: one a collection of essays, the other Chee’s debut novel, published in the US in 2001 but appearing in Britain for the first time. There’s something strangely nostalgic about reading Edinburgh (it’s set in Maine; the title is a reference to a book that features in the

In 1988, James Joyce’s grandson Stephen destroyed all letters he had from, to or about his aunt Lucia Joyce, the novelist’s daughter. Many saw the destruction of documents pertaining to Lucia, who had spent the majority of her life in asylums and had been close to her father, as the destruction of keys to understanding her father’s work. Stephen replied: ‘No one was going to set their eyes on them [the letters] and re-psychoanalyse my poor aunt.’ Stephen, still alive today, appears — though with his name blacked out — in this novel, an imagining of the life and legacy of Lucia. ‘A silly old cunt,’ he is called by

Stephen Bernard has led an institutionalised life. Behind the doors of the church presbytery, at public school, on hospital wards after repeated suicide attempts, in therapists’ offices, at Oxford University — he has sought protection and cure. Some institutions woefully failed, while others revived Bernard from the appalling child abuse inflicted by Canon T.D. Fogarty, Latin teacher, priest and rapist. An account of the open wounds left by years of assault, Paper Cuts is also a memoir about the anxiety of seeking to belong, yet as a survivor never quite finding a part. We follow Bernard for a day, now aged 40 and an Academic Visitor at Oxford’s Faculty of

Charles Duff’s memoir tells a sad tale of cruelty and betrayal with spry wit rather than bitter resentment. Notwithstanding the subtitle’s threat of earnest Welsh soul-searching, Charley’s Woods is tart, arch and crisp. It recalls a strange, lonely childhood with brisk frivolity and a ruthless perception of other people’s oddities, vices and humours. Duff was born in Battersea in 1949. His mother, Irene Gray, was a Dublin social worker who pioneered role-play therapy in Ireland, and became pregnant by an Irish don of French-Jewish descent. After her son’s surreptitious birth, she hastened back to Dublin. In a hugger-mugger fashion, without legal formalities, two collateral royalties, the Marchioness of Carisbrooke and

Just over halfway through this grim and gripping book, the author describes herself and her girlfriend ‘lying on my bed kissing’. She says: ‘I love kissing her.’ And: ‘We kissed and kissed, and soon my hands were at her shirt and I was tugging it off.’ And: ‘I kissed her again.’ And: ‘I reached down between her legs.’ And: ‘She reached down to touch me and then we were moving together and it felt good and I moaned and it felt good again.’ Then she says: ‘And then it didn’t.’ The sex feels good. Then it doesn’t. Something has happened to the author, deep in her past, and it comes

This may seem an odd thing to say about a writer who’s been officially declared a National Living Treasure in his native Australia, and was shortlisted for the Booker Prize three times before winning it with Schindler’s Ark — but I sometimes think Thomas Keneally is badly underrated. After all, Schindler’s Ark won that Booker Prize 35 years — and 19 Keneally novels — ago, and since then his reputation appears to have settled down into that of a solid craftsman: the sort of novelist who rarely lets you down, but who never quite hits the literary heights either. As to how this wildly unjust verdict has come about, my

She was a foundling in her own family, shunted to adoptive parents for two years, then to the edge of China, to a fishing village on the East China Sea, and to a furious, alcoholic grandfather and a grandmother sold at 12 into marriage for some pottage, and never given a name. Is that colourful enough for you? But there is more: the life story of the young Chinese filmmaker and novelist Xiaolu Guo makes Cinderella’s seem bland. The hovel she lived in until she was seven was on Anti-Pirates Passage. Her grand-father, a failed and bitter fisherman, lost his livelihood in the 1970s, when the Chinese state collectivised fishing

When I was 22 I met a man called Yisrayl Hawkins who said his coming had been prophesied in the Book of Isaiah. Yisrayl (born Bill) lived with his many disciples and several wives in a compound carved out of the red dirt scrub near Abilene, Texas. His cult was called the House of Yahweh, and as a sign of their commitment, his 400 followers had all changed their names to Hawkins. Yisrayl was a narcissist, as most cult leaders are, and this made him tremendously boring. As he droned on about being chosen, and his conviction that Satan was in fact female, I watched the ferrety little Hawkins children