The depth of Edmund de Waal
“I’m very, very proud of making pots,” says Edmund de Waal. “I don’t call myself a conceptual artist.” He is putting the finishing touches to an exhibition of ceramic sculptures at Gagosian’s Beverly Hills gallery. Around the walls are sleek, tiered vitrines filled with porcelain vessels, along with a sequence of smaller gold-painted boxes – “reliquaries,” as de Waal calls them, inspired by the early Renaissance master Duccio. “I hate the word minimalism. I find it completely useless as a term.” In the last 20 years, de Waal has risen from the status of a humble ceramicist to become one of Britain and America’s leading contemporary artists, best known for
