Cambridge

One should not rise to the bait, but the latest little ‘Rhodes must fall’ type story makes it hard. Cambridge University, of which Jan Smuts was once Chancellor, has removed his bust from public display. According to John Shakeshaft, the deputy chairman of the university’s governing council, Smuts has ‘uncomfortable contemporary significance’, as ‘part of the system that led to apartheid’. No mention that the party that Smuts led was the fierce opponent of the National Party, which introduced apartheid in South Africa. True, Smuts, like virtually every white leader of his generation, did not want full democratic rights for black people in South Africa, but there are other things

I return often to Cambridge and was there recently. Julian Glover, my partner, was talking to the History Society at Trinity about his new biography of Thomas Telford, the 18th-century roads, bridges and canals engineer. We spent the night at Trinity, and I had time to update my acquaintance with this fast-changing city. ‘Fast’ hardly does justice to the speed of change. ‘Silicon Fen’ may be a smart-Alecky sobriquet, but something huge is happening here, something very much of our time. Though the university nucleus remains reassuringly familiar, the river Cam sits at the centre of the biggest and most sustained expansion and boom I’ve ever seen in England. A

To me, the strange words ‘Marsh Gibbon’ once meant I was nearly home. My heart lifted as we creaked and shuddered into the little station at Marsh Gibbon and Poundon, on the slow and pottering line between Cambridge and Oxford. Usually it was dusk by the time we got there, and I can remember seeing the gas lamps lit and flaring, a pleasing moment for anyone who likes a little melancholy. But equally remarkable was the lowness of the platform. Had it actually sunk into the marsh after which the desolate little halt was named? I recall a withered, gloomy porter in a peaked cap carefully setting steps by the

My old college, formerly known as New Hall, is women-only for its undergraduates. But now the term is expanding, as so often these days, to include anyone who, at the time of application, ‘identifies as female’, as well as the non-binary, those who really can’t make up their minds. During my time in college, I shared a room with another girl; quite what it would have been like to share with someone aspiring to being a woman I don’t know…presumably entirely non-threatening but a bit odd. The point about this women-only college is that it was meant to provide a bit of gender balance to the male majority in the

Oxbridge is an ivory-tower state of mind, perhaps, or at least two ancient rival universities, but how about this: in the future the word could describe a fully connected English economic region, a rival both to London and to the great midlands and northern cities. This is the aim of the National Infrastructure Commission, headed by Lord Adonis. This advisory body, a legacy of the Osborne chancellorship, wants to create a 130-mile economic corridor linking the two varsity towns and their hinterlands just beyond the Chilterns. It is running a competition to glean ideas as how to best make the new places in it. A fast cross-country road is planned,

Christmas, for many people, begins at exactly 3 p.m. on Christmas Eve. It’s the moment when everything stops, frantic present-wrapping, mince-pie making and tree-decorating ceases and calm briefly takes hold. The reason? A single boy treble whose voice, clear and fragile as glass, pierces through the chaos with those familiar words: ‘Once in Royal David’s city/ Stood a lowly cattle shed…’. The service of Nine Lessons and Carols from King’s College, Cambridge, and its annual broadcast on BBC Radio 4 is as essential a part of contemporary Christmas folklore as stockings and Santa Claus, plum pudding and presents. Ageless and timeless, it seems as though there must always have been

A few columns ago, I told the mortifying story of how I totally died at the Oxford Union. Today I’m going to tell you how I managed to avoid the same fate on a more recent trip to the Cambridge Union, where I spoke in a debate and opposed the motion: ‘This house would open its doors to refugees.’ Partly, I was just better prepared. One of the benefits of a public-speaking disaster is that it makes you particularly loath ever to repeat the horror. I can’t say I spent any longer on my speech. What I did do, though, was co-ordinate much more with the rest of my team

Most modern biographers feed off celebrity like vampires let loose in a blood bank. That is why their books sell: they give readers the illusion of intimacy with people they will never know. Alexander Masters is different. He specialises in what one might call ‘marginal biography’, devoting hundreds of pages to individuals who live on the frayed edges of society, and often seem to be on the edge in other ways besides. In Stuart: A Life Backwards, he wrote about a sharp-witted down-and-out whose life had been damaged beyond repair; with Simon: The Genius in My Basement, his focus switched to a dropout mathematician who spent his days eating tinned

At first glance, Emma Thompson’s intervention in the Brexit debate earlier this week didn’t make much sense. Asked at the Berlin Film Festival whether the UK should vote to remain in the EU, she said we’d be ‘mad not to’. She went on to describe Britain as ‘a tiny little cloud-bolted, rainy corner of sort-of Europe, a cake-filled misery-laden grey old island’. She added that she ‘just felt European’ and would ‘of course’ vote to remain in the EU. ‘We should be taking down borders, not putting them up,’ she said. I think I get the bit about Britain being ‘rainy’. That’s true, obviously, and some people dislike our islands