Briseis

Odysseus is tossed on the sea when he notices a rock and clings to it. ‘As when an octopus is drawn out of its lair and bits of pebble get stuck in its suckers,’ says Homer, ‘so his skin was stripped from his brave hands by the rock.’ There is such elegant tricksiness in that simile. Homer still sits at the apex of western literature thanks to the beauty and influence of his verse. Robin Lane Fox has been teaching the epics for 50 years and studying them for many more. His lifelong fascination with the texts has bred a sort of feverish passion in him that makes him declare

What are myths for? Do they lend meaning and value to this quintessence of dust? Like religion, perhaps they help us battle through. In weighing this issue, Charlotte Higgins demonstrates again why the Greek variety have never lessened their grip on the western imagination. She structures her material around eight women — Athena, Alcithoë, Philomela, Arachne, Andromache, Helen, Circe and Penelope — and in particular around the scenes they weave. ‘I wanted the form of my chosen stories to be expressive in itself,’ she writes in the introduction. And it is. She draws in particular on the rich visual culture that has survived in ceramics, sculpture and frescoes. She also