How ever did the inbred Habsburgs control their vast empire?
In 1960, Felipe Fernández-Armesto and Manuel Lucena Giraldo tell us, Lucian Freud went to the Goya Museum in Castres in search of a particular painting. He wanted to create portraits that were character studies and ‘not mere likenesses’, and Goya’s collective portrait ‘La Real Compañía de Filipinas’,a study in human nullity that represented ‘absolutely nothing’, was just what he was looking for. Fernández-Armesto explains: The work belongs in the tradition of what might be called Spanish ‘anti-portraiture’, from Velázquez’s ‘Las Meninas’ to Goya’s own devastatingly candid royal family group, ‘Familia de Carlos IV’, moral as well as physical delineations of regal vacuity. King Ferdinand VII appears amid the company’s directors,
