Books

From half a shelf to a library: my life in books

‘Yes, I will have a coffee,’ said the van driver. He’d driven down to the south of France from Devon. I motioned him to take a pew at the kitchen table and asked him about himself. Ron was ex-army. Aged 17, he was faced with a stark choice: the building site or the army. Because he’d seen his builder father working in a trench all day with water up to his waist, he chose the army. He joined the Royal Engineers and trained as a driver. In the early 1970s he drove two SAS men around Belfast in an unmarked saloon car. That was the job. All day every day.

East Anglia is the place for birds

I first visited Orford in 1970, at peak Cold War when this stretch of the East Anglian coast was one of the most dangerous places to be, so that for three months of each winter living in Aldeburgh, I was perfectly positioned for maximum danger between Orford Ness with its secret atomic weapon testing, and Sizewell’s nuclear power station. I was too busy writing books to worry but Orford, bristling with military security and terrifying ‘Keep out’ notices, gave me nightmares. Now it is quiet save for some magnificent gales and rain battering the windows of this house overlooking the water. I am in mid-book as usual, and Orford Ness

Funny, tender and properly horrible: Channel 4’s Adult Material reviewed

A woman is eating a pie in her car as it gets an automatic wash. Careful to keep the pie out of shot, she then films herself on her phone pretending to have an orgasm, posts the clip online and drives to work. Once there, she’s constantly distracted by thoughts of domestic chores (‘Whites tonight, colours in the morning, hang them out before the school run’) — which mightn’t be so unusual, except that her work consists of having sex. But if the early scenes in Channel 4’s new porn-industry drama Adult Material suggested a cheeky, essentially light-hearted twist on female life-juggling, this soon proved deceptive. What followed was an

The most important book on black Britishness has one flaw: its author was white

How many black friends do you have? Do you have any? It’s likely that black people have more white friends than the reverse. In part that’s surely down to demographics and the size of the population. No matter your colour, you’re ten times more likely to bump into a white person than a black person, more or less, depending on where you find yourself, of course. The situation is not so pronounced as in the United States where residential segregation has reinforced social apartheid. In the UK black and white people may live cheek-by-jowl, but that doesn’t necessarily indicate knowledge or even empathy. Out of just over 100 households on

The gentle genius of Mervyn Peake

To be a good illustrator, said Mervyn Peake, it is necessary to do two things. The first is to subordinate yourself entirely to the book. The second is ‘to slide into another man’s soul’. In 1933, at the age of 22, Peake did precisely that. Relinquishing his studies at the Royal Academy Schools to move to Sark, in the Channel Islands, he co-founded an artists’ colony and took to sketching fishermen and romantic, ripple-lapped coves. He put a gold hoop in his right ear, a red-lined cape over his shoulders, and grew his hair long, like Israel Hands or Long John Silver. The incredible thing was that he had yet

A podcast about the literary canon that actually deepens your knowledge (sort of)

While most of life’s pleasures can be shared, reading is lonely. It’s more than possible for six friends to enjoy an exquisite meal, a bottle of wine and then settle down for a four- or five-hour orgy. Food, drink, sex: these things are better shared. But if, as dawn approached, someone cracked open Chaucer’s ‘Parliament of Fowls’ and intimated that it was time to really get down to brass tacks, it could only spoil the mood. Reading is lonely because so much of the reading that matters is hard. The books that change the world and shake the culture are rarely pure pleasure. The heaven sections of Paradise Lost. The

Unique and disturbing: Donmar Warehouse’s Blindness reviewed

Okay, I admit it. I have a girl crush on Juliet Stevenson. Ever since I first saw her in the 1990 film Truly, Madly, Deeply with Alan Rickman, I have loved her sexy, round and intelligent tones. Imagine how excited I was to discover, therefore, that you can have Juliet in your ear for a whole hour and 15 minutes while you sit through a so-called ‘sound installation’ — or rather an audio staging — of Blindness, the current offering at the Donmar Warehouse and the first opening since lockdown. Sitting in a darkened theatre studio, with strobe lighting and headphones, you are seated in your own space, and socially

The weird and wonderful world of hotel carpets

Consider the carpet. In all likelihood, you usually don’t. It’s simply something beneath your feet, soft or scratchy, bright or beige, thick or thin. But in a new book, Bill Young asks you to pause and really look at a particular genre of floor-padding: the carpets in the hotels around the world. In Hotel Carpets, the long-neglected designs pop from the pages. Young, a corporate pilot, would often send pictures of hotel carpets to his wife and daughter while he was travelling. ‘Because I spend most of my life in hotels, that’s just one thing that was sticking out,’ Young says, in a video interview from his home in Dallas,

Why is Robert Burton’s masterpiece Anatomy of Melancholy being sold as self-help?

The BBC has been having a good pandemic. Stuck at home, a generation raised on podcasts and YouTube has discovered the comfort of a radio that babbles quietly in the corner. The concerts from the empty Wigmore Hall, streamed live on YouTube once a day, have been the first classical concerts of my life that could honestly be described as cultural events. And in the initial terror of the disease’s spread, everyone reverted to watching the BBC simply to find out what would happen next. Perhaps our vaunted passion for fake news was only a fad of convenience given that, when our lives depended on it, we really listened to

The art of the incel

Let’s say you have a diagnosis of autism, depression or anxiety. You sleep too much or too little. You masturbate too often. You play computer games and don’t open the curtains. You have no money and you are often profoundly lonely and frequently bored. From this unedifying starting point, can you, let’s say, weightlift your way out of misery? Can you trick yourself into being sociable? Can you ultimately get beyond your fantasy that a woman will save you (she won’t) and learn to live with everyday misery? Alex Lee Moyer’s documentary TFW NO GF, internet-speak for ‘that feel(ing) when no girlfriend’, is the first attempt to make cinema out

There’s no point in bishops – Covid has shown us so

It is a relief to parents that young children are allowed out a bit now as the length of the lockdown has wreaked havoc with tempers. Birthdays have been particularly difficult. Zoom parties, with every guest in their little on-screen box like stamps in an album, are a poor substitute for a roomful of overexcited kids eating jelly. My granddaughter was eight last week and at last could meet her best friend, who lives next door, in the new paddling pool. They have managed uncomplainingly via walkie-talkies through a window so this was a joyful reunion. But what about the other would-be dressed-up party guests, not to mention gift-bearers? Allow

Why is it that age limits never apply to men?

I’d never have thought I’d be good at doing nothing. Or rather walking the dogs, loafing in the sun, trying to match Paul Hollywood’s tête de brioche (third time of trying), doing jigsaws and reading hefty books. But I’m lovin’ it. The only thing that stresses me — indeed brings me out in lower-deck language most unbecoming to an octogenarian — is doing live shows or podcasts on Zoom or Skype while our broadband buffers, stutters or crashes. And some poor presenter is trying to fill the gap, desperate for me to make the technology work. Calls to Relate have tripled under lockdown I’m told because seeing too much of

The Literary Disco podcast made me want to throw my laptop at the wall

One of the stranger things that happened in the period just before lockdown was the sudden disappearance of audiences from TV and radio shows. Late-night hosts told jokes to silent rooms in front of a white background, dutifully pausing for a laugh that never came; panel shows were broadcast without so much as the sound of tumbleweed. Punchlines flopped, charisma evaporated. It was as if Earth’s comedians had been banished to some purgatorial realm, where they would be forced to tell jokes to no one as a form of penance. Comedy needs an audience. It’s not clear that the same is true of short stories. In Selected Shorts, well-known actors

Adapting Wodehouse for the radio is a challenge – but the BBC has succeeded brilliantly

Everyone knows a Lord Emsworth. Mine lives south of the river and wears caterpillars in his hair and wine on his shirt and has just occasionally written for this magazine. That doesn’t much narrow it down. When you look at him, you understand a little better why P. G. Wodehouse is topping the lists of authors to read during lockdown. It’s not just that the books are funny. With an Emsworth or a Bertie Wooster you’re guaranteed that idling and dithering will land you somewhere. Even if it is in the soup. Adapted for Radio 4 this fortnight, Leave it to Psmith, the second in Wodehouse’s Blandings series, sees the

Susan Hill

The lost world of lockdown

It started when, the day after the announcement of some lockdown easing, I drove five miles along the coast road. For seven weeks there had been barely another car, and now it was like a normal pre-pandemic morning. Our little town was no longer deserted, and there were queues for newsagent and bank. Many holiday and second homes are apparently occupied, though no one is actually allowed to be here of course. Nevertheless, agencies are merrily advertising: ‘Come and lock down in beautiful, safe North Norfolk.’ The paths to the beaches are open again, and if the wind had not swung round to blow a vicious north-easterly they would have

Europe’s eye-popping first glimpse of the Americas

Coronavirus has cast a dampener over this year’s Mayflower 400 celebrations due to a hidden enemy with which the Pilgrim Fathers were all too familiar: within months of their arrival in America more than half of them had died of a disease whose principal symptom was violent coughing. There was no official artist on the Mayflower. Its ragtag party of Separatist Puritans had only been granted a charter on condition that their religious affiliation, banned in England, was not formally recognised. So we can only imagine how the New World looked to the cabin-feverish colonists who made landfall at Plymouth in December 1620, lustily shaking ‘the desert’s gloom/With their hymns

The author who made a living measuring the legs of lice

Wilhelm Nero Pilate Barbellion, real name Bruce Frederick Cummings, earned his living measuring the legs of lice in the Natural History Museum. ‘To the lay mind how fantastic this must seem!’ he exclaimed in his journal, before enumerating his enthusiasms for Burton’s Anatomy of Melancholy, names like ‘Mr. Hogsflesh’ and ‘Pickle Herring Street’, and Petticoat Lane on Sunday mornings. The young naturalist had a habit of landing himself in embarrassing situations. He once spotted a pretty woman at the theatre and composed a notice for the classifieds in a bid to find her. The editor sent his missive back supposing he was a white-slave trafficker. Another time, a new mother

How to go clubbing without leaving your living room

To my surprise, what I miss most about life before the lockdown are parties. As others pine for restaurants and theatres, I am longing for sticky floors and 4 a.m. Ubers. Give me plastic cups and music so loud you feel it in your kidneys. Sylvia Plath wrote disparagingly of the ‘shrill tinsel gaiety of parties with no purpose’. It’s precisely that shrillness and pointlessness that I’m yearning for: drunk young bodies cramming together for no reason other than to be close to one another. At the weekend, my longing finally spilled over and I decided to make do online. I put on a nice top and loaded my lashes

In the Covid era, age isn’t just a number

When I told my seven-year-old granddaughter, over Zoom, how much I missed being with her, I added: ‘Maybe it won’t be much longer before I can see you.’ But she said that it would be some time, as ‘the government are going to stop old people seeing anyone because of the virus’. Asked what was meant by ‘old people’, she said: ‘I think anybody more than 54.’ Clearly some misunderstanding. At nearly 25 years beyond 54, I am correctly classed as old; some days I feel it, most days I don’t, but I am well, have most of my marbles and am working hard. Age is just a number. Except

William Boyd on the miraculous snaps of boy genius Jacques Henri Lartigue

What must it be like for an artist to achieve success only at the end of a long, relatively ignored career? The word ‘bittersweet’ seems particularly apt. Yet, late recognition is better, I suppose, than dying in oblivion like Vincent van Gogh, Franz Kafka or John Kennedy Toole. One of my favourite photographers, Jacques Henri Lartigue (1894–1986), did manage to savour the sweet smell of success in his old age. Lartigue’s late flowering was down to New York’s Museum of Modern Art and its then director of photography, John Szarkowski. There’s a very good argument to be made that during Szarkowski’s tenure at MoMA (1962–91) his shows transformed 20th-century photography.