Books

There’s something rather wonderful about the idea of settling down for the night in the spot where one of your favourite writers once slept, played or dreamed up a plot. There are a range of hotels across London with a vast array of bookish associations: some have played host to writers both famous and infamous, while others have been commemorated in novels, poems and short stories. Their present-day owners are all too happy to show off their literary heritage, should you ask nicely. Here are six with the most interesting tales to tell. Hazlitt’s There are few London hotels with so existential a literary connection as Hazlitt’s on Frith Street

‘In her big, white dress the Queen looks like a balloon that’s about to float up to the roof of Westminster Abbey and bob about up there amongst the gilded arches and roof bosses. To prevent this happening people keep weighing her down with cloaks and robes, orbs and spectres, until she’s so heavy that bishops and archbishops have to help propel her around.’ This is the coronation of Elizabeth II in 1953 as described by one-year-old Ruby Lennox in Kate Atkinson’s Behind the Scenes at the Museum. These observations might seem preternaturally advanced from a narrator not yet old enough to walk and talk, but that is consistent for

A recently published novel, Becky by Sarah May, is the latest in a long tradition of fiction based on journalism – and a good excuse to think again about the great books from that sub-genre. May’s is a curious hybrid of the life story of News UK CEO Rebekah Brooks and a repurposing of Vanity Fair. George Cochrane, reviewing it for The Spectator, called Becky ‘a good novel dwarfed by a great one’.  He was referring to the Thackeray, but he might just as easily have been talking about another classic English novel: Evelyn Waugh’s Scoop. That comic masterpiece from 1938 is the book against which all other fictional evocations of journalists and journalism are judged

During a recent family trip to South Africa, there was one book from my holiday reading pile that I simply couldn’t put down. It had everything: suspense, mystery, humour, fantasy, plot twists, heroes, villains and, ultimately, a happy ending. It also contained talking animals, unicorns and fauns. Because this wasn’t the latest bestselling crime or psychological thriller – my usual genres of choice. It was The Lion, The Witch and The Wardrobe, the children’s story by C.S. Lewis that I’d first read almost 40 years earlier. Given that I have a nine-year-old son who adores books, you might imagine that my motivation for re-reading it was to do so aloud to

With the recent news that Kindle and other e-readers are automatically updating Roald Dahl’s books to sanitised versions, an entire era has come to an end for readers like me. Who in future will feel safe buying an electronic copy of anything? Publishers’ plans here may be modest, but the point about the puritan is that their work is never done. Martin Amis, Evelyn Waugh, Nancy Mitford, George Orwell, Charles Dickens – any one of them feels vulnerable now. If in copyright, the author and their estate can be strong-armed by the publishers; if out of copyright, laying your hands on the right edition will be a minefield. Nor does

Sensitivity readers have been busy lately, first rewriting the works of Roald Dahl, and then trimming Ian Fleming’s James Bond novels, ostensibly making them less offensive to modern readers. So what will they edit next – and how might they bring it into line with modern mores? Winnie-the-Pooh by A.A. MilneA honey-loving bear goes on a macrobiotic diet, and his best friend Eeyore is prescribed anti-depressants. Christopher Robin receives anti-psychotic medication to alleviate the delusion that animals are talking to him. Othello by William ShakespeareA black military commander is tricked into believing that his wife Desdemona has been unfaithful, so they both enter couples’ counselling, and he undergoes anger management

When I was a philosophy student at King’s College London in my early twenties, I came across a book called Confessions of a Philosopher by Bryan Magee. A history of western philosophy told through the story of the author’s relationship with it, it opens with a three- or four-year old Magee trying to catch himself falling asleep every night. Try as he might, he can never experience himself crossing the threshold from wakefulness into unconsciousness, a conundrum that keeps him in a state of ‘active mystification’. Magee spent the rest of his life like this, wrestling with the mysteries inherent in everyday experience. Far from being a fusty academic discipline

The anticipation surrounding the release of a certain memoir today obscures a bigger question about the changing face of our publishing industry. Why does every Tom, Dick and Prince Harry think they can write a book these days? Figures last week showed the number of independent bookshops in Britain reached a ten-year high in 2022, thanks to a reading frenzy fuelled by pandemic lockdowns, the mushrooming of book groups and, perhaps most of all, the incessant, unstoppable march of the celebrity (not to mention royal) author. It is good news that there are now more than 1,000 independent bookshops in Britain and Ireland, the culmination of six years of growth

After a fair-to-middling 2022, it’s not unreasonable to hope that 2023 will see several stars burn brightly in the literary firmament. Whether what promises to be the most talked-about book of the year, Prince Harry’s Spare (out tomorrow with Bantam), is included in this number remains to be seen. On the plus side, the Prince has the estimable J.R. Moehringer as his ghostwriter; on the negative side is the fact that his every public appearance over the past few years has been so combative that we might expect little more than a 416-page exercise in score-settling. More reliable pleasures await. Pamela Anderson’s memoir Love, Pamela (Headline, January) should be a revelatory and fascinating dive

Literature presents many different ways of observing the new year. Much like real life, the options range from big parties to quiet stay-at-home gatherings… and existential crises. In Louisa May Alcott’s Little Women, Meg and Jo March attend a New Year’s Eve party at the home of their family friend Mrs Gardiner. ‘Down they went, feeling a trifle timid, for they seldom went to parties, and informal as this little gathering was, it was an event to them.’ This is the moment that Jo converses with Laurie for the first time and sparks fly as they watch the New Year’s Eve party from their shared point of refuge in a

Claire Keegan’s Booker-shortlisted Small Things Like These this year revived the tradition of Christmas short fiction. It’s a deftly done parable about cruelty and kindness in the run-up to Christmas, with actual snow – and tears.   Although Keegan’s novella eventually lost out to Shehan Karunatilaka for the Booker, it perhaps served a greater purpose than prizes: it was a reminder of the value of stories that connect us with our humanity, particularly around this time of year.  It was also a reminder that cultural consumption at Christmas needn’t merely be about overloading on films. There’s much to be said for the quiet refuge from festive overload offered by reading – and

The best stocking-filler present I received last year was the bumper Christmas edition of The Spectator. But it wasn’t the only erudite reading matter crammed into a moth-eaten ski sock. Nestled under a mouldy tangerine and some chocolate money destined to be stolen by my children were: How it Works: The Dad (Ladybird for Grown-Ups); You Do Have the Authority Here!: #What Would Jackie Weaver Do?; and The Best of Matt, 2021. They now jostle for space in a downstairs loo sprinkled with other half-read stocking fillers chronicling the past two decades: Schott’s Original Miscellany; The Curious Incident of the WMD in Iraq; Does Anything Eat Wasps?; Crap Towns; Fifty

Those overstuffed shelves of the latest releases aren’t always the best place to start when you’re shopping for a book to read (or to give as a Christmas gift). You can find plenty of out-of-print books with timeless appeal that are worth snapping up – if you know where to look.   Elizabeth von Arnim’s Introduction to Sally, for example, is almost 100 years old, but is a very enjoyable read if you can find a copy. Mr Pinner is a shopkeeper and he and his wife have longed for a child for years, so they are thrilled when their daughter is born. Mr Pinner wants to call her ‘Salvation’

Picture the scene: it’s 8 p.m. on a Tuesday. You’re sitting on the sofa in the home of someone you barely know, gulping supermarket wine, making inane chitchat with friends of friends as you all put off the inevitable: discussing a book only a third of the women – always women – in the room have actually bothered to read. In your head, you’re counting the minutes until you can excuse yourself for the last train home, wondering what’s happening on tonight’s Bake Off and engineering a strategy to quietly remove yourself from the group WhatsApp without appearing rude. You stifle a yawn and subtly check your watch while necking

It’s hard to beat escaping into a book – but for bookworms looking for an escape that jumps off the page, there are plenty of hotels that cater to a love of all things literary. From a Cornish coastal retreat that’s been immortalised in fiction to a book-strewn adults-only resort on a South Pacific island, here are eight of the best hotels in the world for book-lovers. The only question that remains is what holiday reading to take with you. Carbis Bay Hotel, Cornwall A luxury beachfront resort just outside St Ives, Carbis Bay Hotel appears as The Sands Hotel in two of Rosamunde Pilcher’s novels, The Shell Seekers and

As soon as I picked up the parcel, my heart sank. The sheer weight of it gave the game away. Already I could unhappily picture myself struggling to hold it in one hand without straining a wrist while standing on the Piccadilly Line. I’d ordered it after coming across a couple of positive references to it in quick succession: Lonesome Dove by Larry McMurtry. Written in the 1980s, set in the 1870s, it’s a cowboy story that won a Pulitzer in its day and still has its enthusiasts. I just hadn’t thought to check its length. In fact the paperback isn’t much smaller than a box of Kleenex and runs