One hundred years of Theodore Dreiser’s An American Tragedy
The novel is as much a historical artifact as a work of fiction
The novel is as much a historical artifact as a work of fiction
Sorry, New York: you’ve got serious competition
In The Voyage Home, she takes the infrastructure of legend and invests it with brutal realism
In Ingrained, Callum Robinson’s aim is not simply to convey his love of working in his chosen way, but to evoke his craft warts and all
Our writers weigh in
Why did the Being There writer’s life come to resemble a fairground rollercoaster?
The author skewered the pretensions of would-be intellectual travelers
Our staff and regulars help you spread goodwill to all men
In Elaine , Self has shown that understanding is possible, across generations and across time
Lesley McDowell restores Lord Byron’s young lover and Mary Shelley’s step-sister to thrilling, palpitating life
The book’s primary focus on military detail and power-brokering is both a strength and weakness
Since its publication in September 2004, Susanna Clarke’s novel has sold millions of copies worldwide
Prose style matters less than access to toxic love, pain and suffering… and a light smattering of suicide and violent death
One of The Haunted Wood’s great strengths is Sam Leith’s awareness of just how important children’s literature is
Creation Lake is a book about how humans deal with what is deemed to be Other
Decline, divorce and Democrat disaster
A best-selling author, an entrepreneur and an art collector himself, Magnus Resch has written and commented on the art market for years
To have been born there and live there all your life? It is hard to imagine any author having a greater privilege
As it stands, its place as a literary locus in the American canon is a fraught one
What drives people’s interest in art is profoundly linked to what makes us human