Books

Petroc Trelawny, Gareth Roberts, Tom Lee, Leyla Sanai and Iram Ramzan

28 min listen

On this week’s Spectator Out Loud: Petroc Trelawny reads his diary for the week (1:14); Gareth Roberts wants us to make book jackets nasty again (6:22); Tom Lee writes in defence of benzodiazepines (13:44); Leyla Sanai reflects on unethical practices within psychiatry, as she reviews Jon Stock’s The Sleep Room (19:41); and, Iram Ramzan provides her notes on cousin marriages (24:30).  Produced and presented by Patrick Gibbons.

Bring back gory book covers!

Looking for a light, breezy read? If you happened to be browsing the bestseller bookshelves this summer your eye might be drawn to a cover that shows two colourful beach chairs under wafting palms on a bright, sandy shore. The shadows cast by the chairs become those of two children – maybe it’s a story about a holiday romance, a couple who knew each other when they were younger and reunite under the Seychelles sun. If you somehow didn’t know that Stephen King was a horror writer you might not realise that this book, You Like It Darker, is his most recent short story collection. One of those stories is

Wonderfully intimate: The Drawings of Victor Hugo, at the RA, reviewed

You feel so close to Victor Hugo in this exhibition. It’s as if you are at his elbow while he sighs at his standing desk at the top of his house on Guernsey, where he held France constantly in view as he worked. Here, frustrated by Les Misères (working title), he has thrown down his pen and moved to his art table, sloshing great washes of sepia ink across paper to form lowering clouds. And there, daydreaming, he has cut out a stencil of a castle, and placed it on a cloud of ink. (Hmm, ‘castle on a cloud’ – could make a nice lyric for a song one day…)

I just don’t get P.G. Wodehouse

I have a confession to make, which may upset many readers. Having only a passing acquaintance with his books, I’ve long experienced a faint allergic reaction to the works of P.G. Wodehouse. It is, I think, to do with the mannered, heavily whimsical nature of his world; the circumlocutory sentences; the ‘right-ho’s and ‘dash it’s and choreographed mix-ups; and the inexplicably passionate adoration of his many fans, among whom I count a number of my family and friends. But before dismissing something that so many intelligent people hold in high esteem, it’s worth considering whether I’ve missed a trick. And so, in the hope that enthusiasm is contagious, I’ve been

Lionel Shriver

Don’t write off literary fiction yet

I don’t intend to start a feud. Most of Sean Thomas’s essay on The Spectator’s website last week, titled ‘Good riddance to literary fiction’, I agree with. It’s true that the high-flown heavy hitters of the book biz get far less attention than in yesteryear – though ‘litfic’ has never been a big money-maker in publishing. It’s true that no one reads book reviews any longer, and I should know because I write book reviews. I’ve no use for fiction exclusively powered by plot. If the words are flat and lifeless, I can’t read the book It’s true, too, that literary prizes don’t trigger the massive surge in sales they

Good riddance to literary fiction

In case you hadn’t noticed, the London Book Fair has been gracing our nation’s capital this week, down in Earl’s Court. There, the publishers, agents and buyers of the literary globe (London is second only to Frankfurt in ‘book fair importance’) have been feverishly buying and selling the rights to hot new titles, hot new authors, maybe the odd lucky midlister, while identifying the trends, writers and genres that conceal the ultra-precious kernel of hotness to come. In today’s market it’s likely that buyers have been looking for visually rich comic books for children – enjoying a resurgence – and anything in a newish genre called ‘romantasy’ (think Fifty Shades

The comfort of curling up with a violent thriller

Tsundokists of the world, unite! You have a new champion in Lucy Mangan, whose follow up to her entrancing memoir of childhood reading (Bookworm) is an unabashed paean to the pleasure of acquiring more books than you could ever possibly read in your life. That does not stop Mangan from trying, and this is a whirlwind tour through her voracious, encyclopaedic adult reading habit, one that not so much offers evidence of ‘how reading shapes our lives’, but how life shapes our reading. The ‘forced march’ of patriarchal school set texts in Mangan’s teens is relieved when she inherits a Maeve Binchy doorstopper and first encounters a book that is

The dark side of World Book Day

What began in 1998 with Tony Blair standing in the Globe Theatre to announce a new celebration of books has morphed into something much bigger. Along with Black History Month or World History Day, tomorrow’s World Book Day is now a full member of the woke calendar. This calendar has grown – largely thanks to the UN, which spends millions inventing such initiatives – into a global non-profit industry. In March alone, we have Zero Discrimination Day, World Wildlife Day, and World Day for Glaciers. As an author of several books, I’m all for celebrating reading, poetry and especially book buying. This World Book Day, I’m quite proud of my

Lost in Mexico: in the stumbling footsteps of Malcolm Lowry

I had been kicking my heels in a dusty two-star hotel on a dual carriageway in Leon, central Mexico, for days. One afternoon, I spotted a battered old English language hardback in a junk shop window: Under the Volcano by Malcolm Lowry.  I had read the book before, half a lifetime ago, in maybe 1985, when I knew nothing about Mexico, failed relationships or alcoholism. Almost 40 years later, with a more than working knowledge of all three, I felt better placed to appreciate Lowry’s 1947 masterpiece. With nothing else to do or read, I bought it. I haggled the shopkeeper down to 100 pesos – about £4. Barely 24 intense hours later

Are these performances of the Bach cantatas the best on record?

Three projects shedding light on the sacred music of J.S. Bach are nearing completion. The first consists of an epic 25-year project to record all the composer’s vocal works – passions, masses, motets and more than 200-odd cantatas – in electrifying performances supplemented by lectures and workshops. At the helm is a Swiss choral conductor renowned for his improvisatory skills – and surely the only baroque specialist to have played Sidney Bechet on a chamber organ. The second project is a guide to Bach’s church cantatas tailored at ‘cultural Christians’; that is, music lovers intrigued but intimidated by their Lutheran theology, unsure how to approach this treasure trove of, at

Never write a book

I have just finished writing a book and am moping about the house at a loose end. The conventional advice to anyone thinking about writing a book is: don’t. Unless you’re one of the 1 per cent of authors who make 99 per cent of the money, it’s a mug’s game as far as making a living is concerned. Your cleaning lady earns more per hour. So my advice is only write a book if you have an alternative source of income. One of the hardest things about writing a book is stopping. The temptation to tinker persists until the publisher screams at you to stop and mutters that publishing

The delightful melancholy of an antiques shop

Antique shops are melancholy places. The deep leather armchairs, Anglepoise lamps and bamboo bookshelves. They ask questions: who sat, worked or read using these? Banal questions, possibly, but life is generally banal, and no less poignant for that. It’s not an unpleasant sort of melancholia. Quite the opposite. If I had to create a word to describe the feeling, I’d say it was melanphoria: ‘a state of intense excitement arising from a feeling of deep sadness’. One feels both a nostalgia for the lives of strangers and a sense of life’s possibilities. If this is abnormal, I would ask any amateur psychiatrists to write to The Spectator offices. I am

The enduring charm of King Solomon’s Mines

How many people under 40 in Britain today do you think have read H. Rider Haggard’s King Solomon’s Mines? Five, six… 50? It’s hard to know. If you’re lucky – or unlucky, depending on your point of view – you might have bumped into the 1985 film version with Richard Chamberlain, Sharon Stone and Herbert Lom in the unloved crevices of the TV schedule when only insomniacs or household spiders are deemed to be a risk. I ask the question because this year marks 100 years since the death of Sir Henry Rider Haggard as he was then, having been knighted in 1919, apparently for services to the British Empire

Is the tide turning on restitution? 

When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary Aladdin’s Cave of anthropology, the Pitt-Rivers Museum, is perhaps a case in point. A Swedish academic, Staffan Lunden, has convincingly argued that Hicks is guilty of ‘distortion’ when writing about the British raid on Benin in 1897, which brought several thousand objects, including finely wrought brass statuettes, to museums across the world. Hicks published his uncompromising views in 2020 in a prize-winning book, The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution. His opinions about the Benin bronzes – which have been instrumental in the restitution movement –

What makes a good title?

Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth Higginson wished titles on Emily Dickinson’s poems, opposed by his fellow editor Mabel Loomis Todd. They didn’t stick. Maybe this is why Dickinson is acclaimed but unread. ‘I heard a Fly buzz’ is easier to remember than 465. We can express this truth by quoting Dickens on the Bible in Little Dorrit: ‘such hiccupping reference as 2 Ep. Thess. C. iii, v. 6 & 7.’ Or by remembering how often we forget our several PINs. For poets, titles can be a resource, a useful press release before the actual poem

What Spectator writers read in 2024

Rod Liddle The angels in Jim Crace’s Eden are tetchy and petty authoritarians, apart from one who can’t fly properly. This dissertation on freedom and mortality is rather wonderful – published two years ago but I caught up with it only this year. The best non-fiction book of the year is David Goodhart’s The Care Dilemma: Caring Enough in the Age of Sex Equality, which has the temerity to suggest that divorce rates and broken families might just have something to do with our epidemic of mental illness. How dare he? Lionel Shriver I’d recommend the novel Havoc by Christopher Bollen, set in an Egyptian hotel to which westerners have

How my father’s bedtime stories shaped my life

It’s half an hour before lights out when my dad arrives at my bedroom door holding Roald Dahl’s Danny the Champion of the World. He kicks off his shoes, loosens his tie and wedges himself next to me in my small single bed, his toes waggling in their socks as they regain freedom after a long day in the office. In the evening he smells of the menthol toothpicks he always carries in his top pocket (in the morning, when he drops me off at school, he smells of the spicy pink toothpaste which I once tried and which burned the roof of my mouth). I lie with my head

Advent is the season for revelling in fine wine

Crime. Fear not: none of us was planning to break the law, with the possible exception of hate speech. Where that is concerned, how would one start? But we were more concerned with crime and literature, and a fascinating perennial question. What is the distinction between crime fiction and novels? In the 1990s, I introduced one of the loveliest girls of the age to the delights of proper wine Crime and Punishment: no problem. So what about The Moonstone? There are very many supposed novels which I would rather read. Moving nearer our own day, we have Dorothy Sayers or P.D. James. More recently, Reginald Hill, Susan Hill and Ian

My picks for Cheltenham and the Twelve

With farmers outraged, the nation’s biggest employers warning the Budget will bring increased prices and lost jobs and growth out of sight, Rachel Reeves has certainly confirmed that economics is the dismal science. It hasn’t got any easier either finding winners. For the previous two Flat seasons this column’s Twelve To Follow showed profits of £59 and £157 to a £10 level stake. The jumpers last winter rewarded us with a handsome £246. But currently I’m like a US senator unseated at an election. He called in his staff and declared: ‘That was an unmitigated disaster: so get out there and mitigate.’ Soaking wet gallops and soggy tracks didn’t help.

What will become of George Orwell’s archives?

The news that a vast cache of material by and concerning George Orwell is about to be cast to the four winds in the wake of a corporate sell-off has stirred predictable fury among Orwell buffs. As in all the best literary rows, the contending roles seemed to be clearly defined from the outset. There were the heroes (Orwell and his many acolytes); there was a principal villain – the publisher Hachette, which had decided to unload its archive, only to find that no single bidder could meet the asking price; there was the agent of their devilry (more about him in a moment); and even some subsidiary baddies, in