Books

Sunday

Haydn West

Lost in Mexico: in the stumbling footsteps of Malcolm Lowry

I had been kicking my heels in a dusty two-star hotel on a dual carriageway in Leon, central Mexico, for days. One afternoon, I spotted a battered old English language hardback in a junk shop window: Under the Volcano by Malcolm Lowry.  I had read the book before, half a lifetime ago, in maybe 1985, when I knew nothing about Mexico, failed relationships or alcoholism. Almost 40 years later, with a more than working knowledge of all three, I felt better placed to appreciate Lowry’s 1947 masterpiece. With nothing else to do or read, I bought it. I haggled the shopkeeper down to 100 pesos – about £4. Barely 24 intense hours later

Thursday

Damian Thompson

Are these performances of the Bach cantatas the best on record?

Three projects shedding light on the sacred music of J.S. Bach are nearing completion. The first consists of an epic 25-year project to record all the composer’s vocal works – passions, masses, motets and more than 200-odd cantatas – in electrifying performances supplemented by lectures and workshops. At the helm is a Swiss choral conductor renowned for his improvisatory skills – and surely the only baroque specialist to have played Sidney Bechet on a chamber organ. The second project is a guide to Bach’s church cantatas tailored at ‘cultural Christians’; that is, music lovers intrigued but intimidated by their Lutheran theology, unsure how to approach this treasure trove of, at

Wednesday

Jonathan Miller

Never write a book

I have just finished writing a book and am moping about the house at a loose end. The conventional advice to anyone thinking about writing a book is: don’t. Unless you’re one of the 1 per cent of authors who make 99 per cent of the money, it’s a mug’s game as far as making a living is concerned. Your cleaning lady earns more per hour. So my advice is only write a book if you have an alternative source of income. One of the hardest things about writing a book is stopping. The temptation to tinker persists until the publisher screams at you to stop and mutters that publishing

Sunday

Ruari Clark

The delightful melancholy of an antiques shop

Antique shops are melancholy places. The deep leather armchairs, Anglepoise lamps and bamboo bookshelves. They ask questions: who sat, worked or read using these? Banal questions, possibly, but life is generally banal, and no less poignant for that. It’s not an unpleasant sort of melancholia. Quite the opposite. If I had to create a word to describe the feeling, I’d say it was melanphoria: ‘a state of intense excitement arising from a feeling of deep sadness’. One feels both a nostalgia for the lives of strangers and a sense of life’s possibilities. If this is abnormal, I would ask any amateur psychiatrists to write to The Spectator offices. I am

Monday

Alec Marsh

The enduring charm of King Solomon’s Mines

How many people under 40 in Britain today do you think have read H. Rider Haggard’s King Solomon’s Mines? Five, six… 50? It’s hard to know. If you’re lucky – or unlucky, depending on your point of view – you might have bumped into the 1985 film version with Richard Chamberlain, Sharon Stone and Herbert Lom in the unloved crevices of the TV schedule when only insomniacs or household spiders are deemed to be a risk. I ask the question because this year marks 100 years since the death of Sir Henry Rider Haggard as he was then, having been knighted in 1919, apparently for services to the British Empire

Thursday

David Abulafia

Is the tide turning on restitution? 

When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary Aladdin’s Cave of anthropology, the Pitt-Rivers Museum, is perhaps a case in point. A Swedish academic, Staffan Lunden, has convincingly argued that Hicks is guilty of ‘distortion’ when writing about the British raid on Benin in 1897, which brought several thousand objects, including finely wrought brass statuettes, to museums across the world. Hicks published his uncompromising views in 2020 in a prize-winning book, The Brutish Museums: The Benin Bronzes, Colonial Violence and Cultural Restitution. His opinions about the Benin bronzes – which have been instrumental in the restitution movement –

Thursday

Craig Raine

What makes a good title?

Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth Higginson wished titles on Emily Dickinson’s poems, opposed by his fellow editor Mabel Loomis Todd. They didn’t stick. Maybe this is why Dickinson is acclaimed but unread. ‘I heard a Fly buzz’ is easier to remember than 465. We can express this truth by quoting Dickens on the Bible in Little Dorrit: ‘such hiccupping reference as 2 Ep. Thess. C. iii, v. 6 & 7.’ Or by remembering how often we forget our several PINs. For poets, titles can be a resource, a useful press release before the actual poem

Thursday

Spectator Life

What Spectator writers read in 2024

Rod Liddle The angels in Jim Crace’s Eden are tetchy and petty authoritarians, apart from one who can’t fly properly. This dissertation on freedom and mortality is rather wonderful – published two years ago but I caught up with it only this year. The best non-fiction book of the year is David Goodhart’s The Care Dilemma: Caring Enough in the Age of Sex Equality, which has the temerity to suggest that divorce rates and broken families might just have something to do with our epidemic of mental illness. How dare he? Lionel Shriver I’d recommend the novel Havoc by Christopher Bollen, set in an Egyptian hotel to which westerners have

Thursday

Kate Weinberg

How my father’s bedtime stories shaped my life

It’s half an hour before lights out when my dad arrives at my bedroom door holding Roald Dahl’s Danny the Champion of the World. He kicks off his shoes, loosens his tie and wedges himself next to me in my small single bed, his toes waggling in their socks as they regain freedom after a long day in the office. In the evening he smells of the menthol toothpicks he always carries in his top pocket (in the morning, when he drops me off at school, he smells of the spicy pink toothpaste which I once tried and which burned the roof of my mouth). I lie with my head

Thursday

Bruce Anderson

Advent is the season for revelling in fine wine

Crime. Fear not: none of us was planning to break the law, with the possible exception of hate speech. Where that is concerned, how would one start? But we were more concerned with crime and literature, and a fascinating perennial question. What is the distinction between crime fiction and novels? In the 1990s, I introduced one of the loveliest girls of the age to the delights of proper wine Crime and Punishment: no problem. So what about The Moonstone? There are very many supposed novels which I would rather read. Moving nearer our own day, we have Dorothy Sayers or P.D. James. More recently, Reginald Hill, Susan Hill and Ian

Thursday

Robin Oakley

My picks for Cheltenham and the Twelve

With farmers outraged, the nation’s biggest employers warning the Budget will bring increased prices and lost jobs and growth out of sight, Rachel Reeves has certainly confirmed that economics is the dismal science. It hasn’t got any easier either finding winners. For the previous two Flat seasons this column’s Twelve To Follow showed profits of £59 and £157 to a £10 level stake. The jumpers last winter rewarded us with a handsome £246. But currently I’m like a US senator unseated at an election. He called in his staff and declared: ‘That was an unmitigated disaster: so get out there and mitigate.’ Soaking wet gallops and soggy tracks didn’t help.

Thursday

D.J. Taylor

What will become of George Orwell’s archives?

The news that a vast cache of material by and concerning George Orwell is about to be cast to the four winds in the wake of a corporate sell-off has stirred predictable fury among Orwell buffs. As in all the best literary rows, the contending roles seemed to be clearly defined from the outset. There were the heroes (Orwell and his many acolytes); there was a principal villain – the publisher Hachette, which had decided to unload its archive, only to find that no single bidder could meet the asking price; there was the agent of their devilry (more about him in a moment); and even some subsidiary baddies, in

Thursday

Mary Wakefield

Why children have stopped reading

It’s only when you read the old stories again, to a child maybe, that you become aware of the extent to which the characters still live inside your mind, bobbing about just below the level of consciousness. I still find myself puzzling over the stories collected by the Brothers Grimm, decades after I first read them. How could Little Red Riding Hood have avoided being eaten? (We read the original, merciless version.) What should Hansel and Gretel have done? Any good book leaves its mark, but the characters from the books you loved as a child embed themselves. They inform the way you think as an adult, which is why

The Spectator

Who is your favourite character in children’s literature?

Rod Liddle Rabbits, always rabbits. I remember at age 13 forcing my poor parents to trudge despondently across hilly downland on the borders between Berkshire and Hampshire, with me jubilantly pointing out stuff like: ‘Look, it’s the combe where Bigwig met the fox!’ and ‘I think this could be the Efrafa warren!’ For a while, Watership Down jostled uneasily with the grown-up stuff I was just beginning to enjoy – Jack Kerouac, James Thurber, Ray Bradbury – but it still held a big claim on me and does today. Better than On the Road, isn’t it? Watership Down also took me back from the awkwardness of puberty to the safety

Jacqueline Wilson

The rise of the competitive book list

I’m a hopeless technophobe. I dislike the stylish laptop I’m using and its subdued pad pad pad. I still long for the clatter and ting of my old typewriter. It was a sturdy soul, utterly obedient, only needing a new ribbon occasionally. It lived for 40 years before being interred in a quiet corner of my attic. I’ve had several computers since and they have all been tricksy. I often fantasise about tracking down another ancient typewriter that could be coaxed back into service. There are still several writers determinedly tapping away. The American novelist Danielle Steel has achieved a billion sales by working on a 1946 typewriter. Jilly Cooper

Thursday

Daisy Dunn

Rushdie on how the best magical realism transcends fantasy

Ask the man in the street to quote a line from one of Salman Rushdie’s novels, and he might struggle. Ask him whether he’s heard the phrase, ‘Naughty but nice’, specifically in the context of cream cakes, and you will probably make his day. It was Salman Rushdie who came up with that slogan in his early career as an adman. Remember the ‘irresistibubble’ tag for Aero chocolate bars? He was responsible for that, too. ‘I feel at bottom that I’m still that boy from Bombay and everything else has been piled on top of that’ If there’s any embarrassment on Rushdie’s part (and why should there be?) that some

Thursday

Alison Kervin

Why I self-publish my books

Trying to publish a book used to be straightforward. You came up with an idea, spent months, if not years, writing it, then sent it off to an agent or publisher who rejected it by return. Life was simpler back then. We all knew where we were. Rejection wasn’t necessarily based on the quality of the work. Literature is a subjective business. Lord of the Flies earned William Golding 20 rejections. James Joyce, Jack Kerouac and Joseph Heller suffered similar fates. Marcel Proust was rejected so many times that he decided to pay for publication himself. The much-repeated industry statistic is between 1 and 2 per cent of manuscripts are

Wednesday

Adrian Dannatt

‘You cannot begin by calling me France’s most famous living artist!’: Sophie Calle interviewed

‘You cannot begin by calling me France’s most famous living artist!’ Thus Sophie Calle objected to the first line of the obituary I wrote for her, commissioned for the enormous exhibition, À toi de faire, ma mignonne (‘Over to you, sweetie’), that currently occupies the whole Musée National Picasso-Paris. But modesty aside, it is a fact that no other French artist alive today is so celebrated, loved, debated, denounced and, indeed, imitated, around the world as Calle. Having long mined her own life for her work, Calle now happily mines her death This year is the 50th anniversary of Picasso’s death and that his most important museum should officially mark

Hannah Tomes Hannah Tomes

Comedy of the blackest kind: Boy Parts, at Soho Theatre, reviewed

There’s something mesmerising about watching a good mimic. And Aimée Kelly, who plays fetish photographer Irina Sturges in Soho Theatre’s Boy Parts, is a very good mimic. Across the 80 minutes of this one-woman performance, she inhabits the bodies of dozens of characters, each a carbon copy of the worst kind of person: oleaginous city bankers; shrill, hysterical twenty-something women; ‘Andrew Tate-core’ men. An unnamed boy ends up as nothing more than a severed head Her sneering representations of these characters instruct us to see them (whether we want to or not) as Irina does: pathetic and deeply undesirable. It’s uncomfortable. Irina is a narcissist which is enforced, immediately, by

Tuesday

Olivia Potts

With John Nichol

35 min listen

John Nichol is a former RAF Tornado navigator who, during the first Gulf War in 1991, was famously shot down, paraded on television and held prisoner by Saddam Hussein. John wrote movingly about his experience in his first book, ‘Tornado Down’, and has gone on to write fifteen more best-selling books. His latest, ‘Eject, Eject’, is out now. He also loves food, is very fond of cooking and often posts pictures on social media of his many and varied culinary creations. Presented by Olivia Potts.Produced by Linden Kemkaran.