Dusting off the past
Visiting Pompeii, it is hard to miss the garden of the fugitives. It is on every other postcard in the gift shop: an excavated garden with 13 bodies twisting in an agonising tableau of pain, caught at the instant of their death. They are frozen in history and separated from the onlooker by a glass wall and museum labels — a human moment presented with the cold distance of an archaeological exhibit. Ceridwen Dovey’s third novel is anchored in Pompeii and chooses the garden as its focal point. She tells the story of two characters, Royce and Vita, their rejections by their individual loves and attempts to find meaning after
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