Book review

Thursday

Adam Nicolson

Fizmer, feetings, flosh, blinter – enjoy these words and forget them immediately, advises Adam Nicolson

Wolfsnow is a dangerous blizzard at sea; slogger the sucking sound made by waves against a ship’s sides; ammil the sparkle of morning sunlight through hoar-frost; af’rug the reflection of a wave after it has struck the shore; blinter is a cold dazzle; sutering the cranky action of a rising heron; èit, a Gaelic word, is a piece of quartz placed in a moorland stream so that it glimmers in the moonlight and in that way attracts salmon in late summer and autumn; summer geese is steam that rises from the moor when rain is followed by hot sunshine; fizmer the noise of wind rustling in long grass; may-blobs are

Thursday

David Crane

Murder in the dunes: the ‘26 Martyrs’ of Baku and the making of a Soviet legend

In the pre-dawn hours of 20 September 1918, a train, its headlamp off, heading eastwards out of Kransnovodsk on the Caspian sea, came to an unscheduled standstill among the lonely desert dunes of Transcaspia. From one of the two carriages stumbled a group of bound and blindfolded prisoners, who were pushed and dragged up to the crest of a nearby dune, and there gunned down and their bodies hastily covered with sand. In the context of the times and the area — 15,000 men, women and children had just been slaughtered in Baku on the other side of the Caspian — the political execution of 26 Bolsheviks might not seem

Marcus Berkmann

Count Basie, Aretha Franklin, Elvis, Bob Dylan – all the greats ultimately owe their fame to the faceless ‘record men’

The crucial thing to remember about the music business is that it’s a business. If you happen to be creating great art as well, that’s a bonus, but it has never been compulsory. Only in the music business could someone who hates music as much as Simon Cowell clearly does become so rich and powerful. And for a group like Westlife to have enjoyed a 15-year career of uninterrupted chart success without recording a single song anyone can remember, or even name, is something we have to admire. It was only ever about the money. To be fair to them, they have never pretended otherwise. At the same time, though,

Susie Boyt

‘Another terrible thing…’: a novel of pain and grief with courage and style

Nobody Is Ever Missing takes its title from John Berryman’s ‘Dream Song 29’, a poem which I’d always thought related to Berryman’s strange sense of guilt over his father’s suicide. At the heart of Catherine Lacey’s novel there is another suicide that brings with it enormous pain and grief, that of the heroine Elyria’s adopted sister Ruby, six years earlier. This is a novel of extremes — to put it mildly — charting Elyria’s slide into a derelict state. It is a witty, knowing and lyrical work that takes as its subject the thoughts and feelings of a woman who has suffered more misery than most humans can take. The

Julie Burchill Julie Burchill

Emer O’Toole is a joyless bore compared with my heroine Caitlin Moran, says Julie Burchill

Looking at the brightly coloured front cover of this book, I felt cheerful; turning it over and seeing the word ‘gender’, my heart sank. When I was a kiddy in the early 1970s, the word (especially when combined with ‘bending’) seemed full of fun and flighty possibilities — David Bowie in a dress, Marc Bolan flouncing about on Top of the Pops like a little girl at her birthday party, Danny La Rue making my mum snort Snowball down her nose on a Saturday night. Now gender-bending appears to have boiled down to a bunch of hatchet-faced transsexuals demanding to use the Ladies, ‘no-platforming’ veteran feminists who have worked all

Alan Judd

The gripping story of the failed NKVD officer who fooled the FBI and the CIA

This is not quite another story about a man who never was. But it is about a man who certainly wasn’t what he said he was. The context is Russian intelligence operations of the 1930s, especially those of the NKVD (known later as the KGB) during the Spanish civil war. In Britain we tend to see 1930s/1940s espionage through the prism of the Cambridge spies — Philby, Burgess, Maclean, Cairncross and Blunt, the so-called Ring of Five — but, as Boris Volodarsky points out, the full picture is much wider. By 1937, he reckons, the Russians had over 100 agents and collaborators in Britain alone, with many more in other

Anna Aslanyan

Both lyricist and agitator: the split personality of Vladimir Mayakovsky

Why increase the number of suicides? Better to increase the output of ink! wrote Vladimir Mayakovsky in 1926 in response to the death of a fellow poet. Four years later, aged 36, he shot himself. What drove the successful author, popular with the public and recognised by officialdom, to suicide? Bengt Jangfeldt provides some clues to this question in his detailed, source-rich biography. Mayakovsky came to poetry as a Futurist, co-authoring the 1912 manifesto A Slap in the Face of Public Taste, which granted poets the right ‘to feel an insurmountable hatred for the language existing before their time’. That the new era demanded a new language was a principle

Ruth Scurr

When the money ran out, so did the idealism in post-Revolutionary France

For his holiday reading in the summer of 1835, the literary and political journalist John Wilson Croker packed the printed lists of those condemned to death during the Reign of Terror in revolutionary France. The several thousand guillotined in Paris after the establishment of the Revolutionary Tribunal (10 March 1793) and before the fall of Maximilien Robespierre (27 July 1794), were accused of crimes ranging from hoarding provisions or conspiring against the republic to sawing down a tree of liberty or declaring ‘A fig for the nation!’ In horrified disbelief Croker asked the question that has never gone away: how could this have happened? How could the progressive revolutionary optimism

Elisa Segrave

Alexandra’s Fuller’s parents are the stars even when their daughter is divorcing, in this sequel to the bestselling Don’t Let’s Go to the Dogs Tonight

‘Double ouzo, hold the Coke,’ Mum ordered at the Mkushi Country Club bar, during spanikopita night. ‘My daughter’s a lesbian.’ The Greek farmers blinked at her uncomprehendingly. ‘Oh, don’t pretend you don’t know what I’m talking about. You bloody people invented it.’ Alexandra Fuller’s wild parents make good copy, as was clear in Don’t Let’s Go to the Dogs Tonight, her bestselling 2002 memoir about her chaotic, often tragic, childhood in Zimbabwe (then Rhodesia). In this new book, purportedly about her divorce after a 20 year marriage to a ‘calm’ American she thought would be her protector — ‘plus, I was so in love’ — Fuller’s parents again, almost by

Thursday

Charlotte Hobson

How Putin turned Russian politics into reality TV

‘We all know there will be no real politics.’ A prominent Russian TV presenter is speaking off the record at a production meeting in 2001. ‘But we still have to give our viewers the sense that something is happening. They need to be kept entertained. Politics has got to feel … like a movie!’ When Peter Pomerantsev, a Brit of Russian descent, sat in on this meeting he had recently graduated and moved to Moscow to work as a TV producer. A decade in Russian television has now provided him with the material for his chilling first book. Nothing is True… is more than an evocative travelogue or an insight

Allan Mallinson

The madness of Nazism laid bare

‘If the war is lost, then it is of no concern to me if the people perish in it.’ Bruno Ganz, who not so much portrays Hitler as becomes him in Bernd Eichinger’s 2004 film Der Untergang (Downfall), spits the Führer’s nihilist venom so convincingly that the fundamental insanity of Nazism is at once laid bare, even to his closest collaborators. The madness of Nazism is now merely Hitler himself, and when on 30 April Ganz/Hitler, entombed in the Führerbunker, shoots himself, the film’s tension is at once gone. What follows is just rats fleeing the hole; and the rest, as it were, is silence. But it was not. VE

Susan Hill Susan Hill

Anne Tyler’s everyday passions

There was nothing remarkable about the Whitshanks. None of them was famous. None of them could claim exceptional intelligence, and in looks they were no more than average….Their family firm was well thought of. But then, so were many others. But like most families, they imagined they were special. So, you know what you will get in this novel, which Anne Tyler says will be her last, and that is the stories of three generations of the Whitshanks, a straightforward, unexceptional Baltimore family. We have been here before. Tyler takes the minute details of everyday life — food, furniture, work, outings — and makes them remarkable, makes them stand for

Philip Collins

Even the people who make political adverts aren’t sure they work

It is a common prejudice about modern politics that it is all focus groups and spin, all public relations and advertising. The rather heartening conclusion from Sam Delaney’s history of advertising in politics is that this is a calumny on the political trade. Delaney has spoken to everyone involved in political advertising since the phenomenon began in earnest with Wilson in 1964 and can hardly find a soul who is certain that advertising does anything more than varnish good ideas. Maurice Saatchi, for example, credited Margaret Thatcher’s proposals, rather than his talent for a pithy slogan, for her electoral victories. Chris Powell, a leading figure in Labour’s Shadow Communications Agency,

Andrew Taylor

Cybersex is a dangerous world (especially for novelists)

Few first novels are as successful as S.J. Watson’s Before I Go to Sleep, which married a startling and unusual premise to a tightly controlled and claustrophobic thriller. Its only drawback was that it was a hard act to follow. Novelists tend to dump all their brilliant ideas into their first book, and the white heat of originality compensates to some extent for any want of craft. Second novels lack both advantages, and have the additional problem that readers come to them laden with expectations. Like its predecessor, Second Life is a slice of domestic noir with a woman narrator. It is set mainly in affluent corners of London, with

Roger Lewis

They sought paradise in a Scottish field — and found hunger, boredom and mosquitoes

Dylan Evans, the author of this book, was one of those oddballs who rather looked forward to the apocalypse, because it promised ‘challenging times ahead’. If, in the not too distant future, famines and droughts more or less wipe us out, that will be our own fault for allowing population levels to reach an unsustainable nine billion — the predicted figure for 2050. How much better the planet will be with a select handful living in their villages of yurts, log cabins, teepees and straw-bale huts, the children gambolling happily ‘amidst the bracken and the trees’. The air will be cleaner. Wildlife ‘will make a comeback’. Neighbours will help each

Tom Holland

Darius III: Alexander’s stooge

In 1891, George Nathaniel Curzon, ‘the very superior person’ of the mocking Balliol rhyme, and future viceroy of India, arrived at Persepolis. Torched in 330 BC by Alexander the Great, it had once been the nerve-centre of an empire that stretched from the Aegean to the Hindu Kush. For Curzon, whose tour of Iran had already taken him all over the country, the ruins of the great palace were a particular highlight. The Persia of the Achaemenids, the ruling dynasty of the ancient empire, was, so he declared, ‘immeasurably superior to medieval Persia in its attributes and even now more respectable in its ruins’. Coming from a man who was

Thursday

Sara Wheeler

The greatest American Arctic disaster

In the course of the 19th century, various flotillas of expeditions hastened to the polar regions in little wooden ships which sooner or later expired in the pincers of an ice floe while crewmen ate their shoes. These stories bear retelling for our own age, and Hampton Sides does well to identify the gruesome story of the USS Jeanette, which ended in the greatest American Arctic disaster ever. The idea began with James Gordon Bennett Jr, the proprietor of the New York Herald (the largest circulation daily in America) and a flamboyant character who enjoyed riding round Manhattan in the nude. He had already sponsored numerous expeditions and popularised the

Stephen Bayley

From classical to post-modern: a beginner’s guide

My career at school and after was greatly enhanced by a series of books called The Bluffer’s Guide to….These gave mischievous advice, often on the reliable when-in-doubt-confuse-the-issue lines. A favourite of mine, still in use in emergencies, was: ‘I think Jack Kerouac was more a Franciscan Christian than Buddhist, don’t you?’ Martin Kemp’s Art in History is several clicks up the ratchet of sophistication, but, being a beginner’s guide, retains something of the character of a prop for the indolent. The curious title betrays a little uncertainty. It is one of the publisher’s ‘Ideas in Profile’ series which includes Shakespeare, Criticism and Politics. But why the preposition between ‘art’ and

A.D Miller

The fallen idol: seeing Putin in a new light

The way to think about Russia, Bill Browder told me in Moscow in 2004, using a comparison he recycles in Red Notice, is as a giant prison yard. Vladimir Putin, he argued then, had no choice but to destroy Mikhail Khodorkovsky, the yard’s top dog and country’s richest man. One of a tribe of Western financiers who traversed a hermetic circuit of offices, guarded apartments, upscale restaurants and the airport, Browder would berate reporters for banging on about human rights abuses or atrocities in Chechnya. Putin was already Putin, for anyone who cared to notice — autocratic, corrupt, nationalistic — but, for Browder, Russia was an oil-powered success story, and

Nigel Jones

From prince to pauper: a dramatic overview of Britain on 18 June 1815

Of all the big battalions of books marking the bicentenary of the battle of Waterloo that have come my way, this has to be the best. David Crane has used the bloody campaign as a telescope, bringing into sharp focus not just the carnage along the Brussels road, but the state of Britain itself: a country on the cusp of vast, irreversible change. He achieves this within the compass of a single summer’s day — Sunday, 18 June 1815 — devoting a chapter to each hour and cutting cinematically between the three armies slaughtering each other in Belgium and the citizens at home. Some anxiously await news of triumph or