Book review

Thursday

Tom Williams

No longer the tough guy

Only to Sleep is the third Philip Marlowe novel written by someone other than Raymond Chandler and while the authors of Perchance to Dream and The Black-Eyed Blonde both found freedom to play with Marlowe and explore his potential, it is Lawrence Osborne who has run the furthest with the source material. The novel opens in 1988, with Marlowe living in retirement in Baja, Mexico. He is 72, and enjoying a leisurely life in the sun, when he is asked to take on one last investigation into insurance fraud. A Reagan-era Marlowe unlocks an aspect that Chandler never considered. His Marlowe was ageless (he wrote that the detective was around

Wynn Wheldon

Curiosity – and cats

To Jan Morris, I am anathema. That goes, too, for David Attenborough. It is a word that this unarguably great writer likes: ‘It rolls well off the tongue.’ Why are your reviewer and the great broadcaster anathema, you ask. Well, we have been to the zoo. In this almost entirely enjoyable book no-one comes in for quite so much disapproval as those of us who have been to the zoo.I mention David because, when I was young, he took me to the zoo. However, despite this sinfulness, I would be surprised if Morris, who is a year older than Attenborough, does not recognise in David a confrère in the war

Peter Tatchell

Ever the trail-blazer

This is the story of the ‘other’ Harvey Milk. We all know about Harvey the San Francisco politician who was tragically assassinated less than a year after he became one of the first openly gay candidates elected to public office in the US. But now, thanks to Lillian Faderman, we also know about Harvey the secular Jew, who renounced his faith but remained influenced and inspired by liberal Jewish values. The grandson of Lithuanian immigrants to the US, Harvey was, for many years, more out as a Jew than as a gay man. We also discover the restless, wandering Harvey, who moved from state to state, man to man and

Lucy Jones

Guns and roses

During the civil war in Afghanistan in the late 1980s, Mr and Mrs Roami, a science professor and a nurse, sent their children away from Kabul to Europe for safety. Tragically, they lost the phone number of where the children had moved to and had no way of contacting them. The couple found solace in gardening. Despite the constant explosions of rockets and shells, they were unwilling to leave their home. They named flowers after their children, and tended and spoke to them. It gave them the hope that one day the family would be reunited. At one point, battle raged on all four sides and it was too dangerous

Robert Salisbury

A class act

‘I’m sorry to bother you, Peter, but you were a famously successful Leader of Their Lordships and I wondered whether you had any tips before I took it on.’ ‘All you’ve got to remember is that you are the headmaster of a second-rate public school.’ Lord Carrington’s answer to my enquiry was entirely characteristic: funny, and flattering, as though he knew you would instinctively understand the joke. You and he, he implied, belonged in the same place. It was a technique which he lavished with great success on those who worked for him. He was much loved in Their Lordships, at the Foreign Office and at the Ministry of Defence

Craig Raine

A recitation of wrongs

In 1923, a Frenchman, Emile Coué, persuaded millions of Americans to finger a piece of string with exactly 20 knots. It was an exercise in auto-suggestion. At each knot of this secular rosary, the user intoned: ‘Every day, in every way, I am getting better and better.’ Sylvia Plath’s letters — until they implode on p.790 when she discovers the affair between Ted Hughes and Assia Wevill — are a similar numbing iteration of optimism and self-improvement. Thereafter, the story changes, darkens. Up until then, her story is cropped for improvement: she takes her finals at Cambridge but the letters are silent on her degree result (II: i). She explains

Thursday

Jon Jolliffe

Man’s true best friend

This unusual book begins with an account of the author’s ten-year love affair with dairy farming and an attempt ‘to give a flavour of what our cattle do for us’. It then turns into a survey of the various British breeds of cattle. After poor A-levels, Philip Walling took odd jobs in his native Cumbria, such as building dry-stone walls, until he managed to acquire a small farm of his own. With great determination, he ran this single-handed, keeping both beef and dairy animals and raising poultry and a couple of pigs. They were, in retrospect at least, ‘ten years of almost undimmed joy’. But aged 30, discouraged by the

Jason Burke

Lines in the sand

One of the many pleasures offered by Lords of the Desert, which narrates the rivalry between Britain and the United States in the Middle East from the end of the second world war through to 1967, is the quotations that are liberally strewn across its pages. They have been culled from memoirs or official documents unearthed in British or US archives and testify to the research that has gone into this dense but consistently fascinating account. Some reveal the deep complacency of influential individuals. Ralph Brewster, an American senator who undertook a round- the-world tour in August 1943 to investigate the progress of the war and report to President Franklin

Travis Elborough

There be dragons

Reflecting on the genesis of Treasure Island, the adventure yarn that grew from a map of an exotic isle he had drawn to amuse a bored schoolboy on a rainy day, Robert Louis Stevenson observed: ‘I am told there are people who do not care for maps, and I find that hard to believe.’ It’s fair to say that Thomas Reinertsen Berg cares very deeply about them, and his book, sumptuously produced with lots of full-colour images, is a kind of potted treasury of cartographical history that gleams with pieces-of-eight-like snippets of information. With a title that tips its hat to Theatrum Orbis Terrarum, the first modern atlas produced by

Brian Martin

All shook up

The polymath writer A.N.Wilson returns to the novel in Aftershocks, working on the template of the 2011 earthquake which devastated Christchurch, New Zealand. He protests that the setting is not New Zealand but, as he admits, there are many recognisable similarities. This is a novel about true love, its agonies, ecstasies, and eventual fulfillment, told in the voice of a young woman, Ingrid Ashe. She is the daughter of the female local radio broadcaster, Cavan Cliffe; and the mother/daughter relationship is almost unhealthily close. Ingrid’s is a lesbian love story in which her passion cannot develop until the earthquake upsets the structure of the city, destroys the cathedral and causes

Duncan Fallowell

Pondering the flowers

This new book, from the NYRB’s publishing arm, is in a non-fiction genre I love: short entries dedicated to an integrating purpose; approaching a subject via concentrated, separated stabs rather than extended unfolding text. In philosophy this is called the aphoristic technique. In wider literature, it can range from the concise notebook to prose poetry. It is a genre whose masterpiece in English is Cyril Connolly’s The Unquiet Grave, but it is more often found in continental literature; and the French especially have made it their own, where its progenitor is usually said to be Baudelaire’s Le Spleen de Paris, described as prose poems and published in 1869 after the

Olivia Williams

Something nasty in the coal cellar

Literary non-fiction demands that a respectable household is not really a respectable household — and the Bastendorffs of 4 Euston Square fully oblige. The family take in lodgers at their elegant townhouse in Bloomsbury and, just as they are sprucing it up to welcome their latest in May 1879, a mystery corpse is uncovered in their coal cellar. It would not spoil anything to say that the Bastendorffs turn out to be a pretty kooky bunch, headed up by Severin, the paterfamilias who started life in rural Luxembourg. Thanks to Severin’s heritage, we skip past the well-worn Disney Victoriana of gas lamps and sooty urchins and into the more unusual

James Bradley

A whiff of paranoia

In the immediate aftermath of 9/11 many writers spoke of feeling immobilised. The scale of the attacks and the world’s shared experience of the media event seemed to demand a response; but simultaneously writers such as Ian McEwan, Martin Amis and Jay McInerney described a sense that the tools at their disposal were inadequate — that the reality of what had taken place exceeded fictional representation. These three all recovered from their shock reasonably quickly, contributing to the flood of 9/11 fiction that poured into bookshops during the 2000s. In recent years this torrent of novels and stories has slowed, but as Christopher Priest’s eerily powerful An American Story demonstrates,

Andrew Taylor

A meditation on history

It is a truth universally acknowledged that a serious novel must be in want of a theme. Paris Echo soon makes it clear that it has several. It’s about the shifting nature of history and the mysterious footprints of the past in the present. It’s also concerned with the myriad and biased interpretations that we place on past events. Another preoccupation is the ambiguities of spoken and written French. Modern Paris, the novel’s main setting, allows Sebastian Faulks to explore his themes through two main viewpoints. There’s Tariq, a precociously self-aware 18-year-old Moroccan from a middle-class family in Tangier, who comes to Paris in search of himself, his mother’s French

Thursday

Frank Wynne

The translator as spy

Translators are like bumblebees. In 1934, the French entomologist August Magnan pronounced the flight of the bumblebee to be aerodynamically impossible, and though long since scientifically disproved, this factoid is still routinely trotted out. Similar pronouncements about the impossibility of translation have dogged practitioners since Leonardo Bruni’s De interpretatione recta, published in 1424. Meanwhile, bees, unaware of these deliberations, have continued to flit from flower to flower, and translators continue to translate. As a distinguished translator whose labours have brought English-language readers to works by Marguerite Duras, Gustave Flaubert and the Nobel winner Patrick Modiano, Mark Polizzotti gives short shrift to the idea that translation is impossible, quoting the great

Joanna Blythman

A pint of contention

For tens of thousands of years, humans have been domesticating other mammals — cows, buffaloes, sheep, goats, camels, llamas, donkeys, yaks, horses — and keeping them for their milk. This has generated myriad products, from yoghurt and buttermilk through butter and cheese to toffee and ice cream, in many varied, culturally specific and resourceful forms. A sign of the elemental importance of this foodstuff is that our galaxy is called the Milky Way — and indeed the word ‘galaxy’ is derived from the Greek word for milk, gala. In Ancient Greek mythology, the Milky Way was formed when Hera, the goddess of womanhood, spilled milk while breastfeeding. Each drop became

James Walton

The fault was in his stars

In 1957, aged 13, Jimmy Page appeared with his skiffle group on a children’s TV programme dedicated to ‘unusual hobbies’ — skiffle apparently qualifying as one. During the show, he was interviewed by Huw Wheldon who, following an old-fashioned BBC lunch, arrived in the studio with a hearty cry of ‘Where are these fucking kids then?’ Asked what he planned to do when he grew up, Page gave a perhaps unexpected reply: find a cure for cancer. As we now know, this plan failed — but already, it seems, the young Jimmy wasn’t lacking in the swaggering self-confidence that true rock stars are required to possess (or at least to

Diana Hendry

Too much American angst

In ‘A Prize for Every Player’ — one of 12 stories in Days of Awe, a new collection by A.M. Homes (Granta, £14.99) — Tom Sanford, shopping with his family in Mammoth Mart, soliliquises (loudly and nostalgically) about the America he remembers, and finds himself with an audience of shoppers who nominate him as the People’s Candidate for President. Absurd? Not quite so absurd perhaps as in pre-Trump days. Days of Awe (the title comes from Rosh Hashanah, the ten days of repentance in the Jewish calendar) is Homes’s third collection and her first book since winning the Women’s Prize for Fiction in 2013. The stories balance on a narrative

Philip Hoare

When will the slaughter end?

Nick Pyenson, curator of fossil marine mammals at the Smithsonian Institute in Washington, is quick to tell us he’s not a ‘whale hugger’. ‘I didn’t fall asleep snuggling stuffed whales or decorate my room with posters of humpbacks suspended in prismatic light.’ Pyenson sees whales through their ancestral bones, and their contemporary entrails, digging up their past or scrying their future. Spying on Whales begins its surveillance in the fossil-rich site of Cerro Ballena (‘Whale Hill’) in the Atacama desert. Here, in the Miocene layers, he uncovers an entire pod of ancient, stranded whales, stilled in the moment of their deep-time death. It’s an Indiana Jones moment. He may disavow

Stanley Wells

The play that goes on giving

The role of Hamlet is, Max Beerbohm famously wrote, ‘a hoop through which every eminent actor must, sooner or later, jump’. In this book, and in its online supplement, Jonathan Croall charts the flight through that hoop of pretty well all of the ‘eminent actors’ — male and female, young and not so young, white and black — who have taken the leap in British performances, from Michael Redgrave with the Old Vic company in 1950 to Andrew Scott at the Almeida in 2017. The trajectory of the actor’s flight is of course different in every production. No play text is complete until it is performed, and every time it