Book review

Thursday

Rod Liddle

Everything in black and white

This is a quite remarkable book. Badly written, devoid of anything even vaguely approaching a methodology, patronising, hideously mistaken on almost every page — and yet it does, inadvertently, answer the very question posed in its introduction: why are certain sections of the white working class so angry about immigration and Islam? The author is a Taiwanese journalist from the metropolitan liberal left. Her MO is to venture — ‘bravely’, we are informed — into quite the most ghastly areas where working-class people live in their decrepit social housing, with their beer and their tracksuits. Her purpose is to find ‘racists’ and inquire as to why they are ‘racist’. And

Charlotte Moore

Mother courage

Helen Stevenson’s daughter Clara has cystic fibrosis. Love Like Salt is an account of living with the disease, but it is much else besides. Stevenson calls it a memoir, because it is an intensely personal version of events. It is also a scrapbook, a commonplace book, a series of meditations, an exercise in self-scrutiny. It is emphatically not a medical handbook. Stevenson is a writer, translator and musician; her husband Nico, ‘the kindest man on earth’, is a retired academic and translator of poetry. The book is structured like a piece of music. I’m too ignorant to give you the correct terminology, but there are three movements, and all the

Jason Webster

One of history’s saddest chapters

One afternoon in the early 1990s, an elderly gentleman from Alicante told me of the tragedy that had occurred at his city’s port on the last day of the Spanish Civil War. He pointed towards the docks and in a hurried whisper spoke of the many thousands of desperate Republicans who had gathered there at the end of March 1939, their eyes searching the horizon for the promised ships meant to carry them to safety abroad. The rest of their territory had fallen to Franco, his execution squads busy eliminating remnants of the ‘anti-Spain’; Alicante would be the last corner to fall into the caudillo’s hands. Yet as the hours

Hugh Pearman

Too high, too fast

You have to get nearly halfway through this book before it starts to show some life. Until that point, as Rowan Moore ambles in his wry manner through pages of familiar description of the capital’s built and social history, you find yourself wondering what it is all for. After all, if you choose to write a book about the architecture of London you are putting yourself in some pretty distinguished company. Ian Nairn, say, whose magnificently off-kilter, beer-goggled 1966 hymn to the city, Nairn’s London, has been reissued as a Penguin Modern Classic to universal acclaim. Or Peter Ackroyd, whose colossal 2001 London: The Biography is drizzled with lazy assumptions

Andrew Motion

A gift from beyond the grave

When Virgil died at Brindisium in 19 bc, on his way back to Rome from Greece, he left the Aeneid unfinished. When Seamus Heaney died in Dublin in 2013, his translation of Book VI was also unfinished, but like the whole of the original, his 1,222 lines were found to be in a publishable condition (‘final’, he wrote on the last draft, which allows for it not being ‘complete’). The coincidence is touching. So too is the fact that this book is concerned with news from the afterlife. Aeneas descends into the underworld to visit his father, Anchises, and receives there a history lesson that leads beyond the founding of

Thursday

Peter Frankopan

A devilish instrument of war

‘China is a sleeping lion,’ Napoleon reportedly remarked. ‘When it wakes, the world will tremble.’ There is no need to fear China, its current leaders are quick to stress — with President Xi Jinping claiming that the country’s rise will be ‘peaceful, pleasant and civilised’. Such words are of little comfort to hawks in the United States who watch the Asia-Pacific region with a growing sense of alarm — even if the Chinese economic slowdown of recent months has made it more likely that we will hear a growl rather than a blood-curdling roar as the lion awakes. This interesting new book asks why it is that China has been

Ysenda Maxtone Graham

About a boy

A boy, a car, a journey, a question: the first sentence of Elizabeth Day’s new novel goes like this: From the back seat of the old Chevette, heading north, the boy asked his question into the restless air. The restless air? The reader makes the mental adjustment: it’s not the air that’s restless, it’s the boy and probably his whole family. So why the transferred epithet at this early stage? It sets the tone for a transferred-epithet-filled novel so full of anguish and poetic touches that you’ll find yourself reading it in a hushed voice. Jim, the boy in question, ‘read the air around people, the calm or seasick air’.

Andy Miller

An innocent abroad | 10 March 2016

For those who read the weekly music press during the 1980s, David Quantick’s was a name you could rely on. Unlike some of the more Derridean elements at the NME, his reviews of new bands and LPs were both comprehensible and authentically funny. He has gone on to become a successful comedy broadcaster and writer for radio, TV and film: The Day Today, The Thick of It, Harry Hill’s TV Burp. Recently he was part of the team that won an Emmy for the US political comedy series Veep. The Mule is Quantick’s second novel (his first, Sparks, came out in 2012). It is narrated by an eccentric and somewhat

Benjamin Beasley-Murray

Away with the fairies | 10 March 2016

As an erstwhile obituarist, I pity the poor hack who had to write up the life of Laurence Oliphant — adventurer, diplomat, war correspondent, mystic, spy (and the subject of Bart Casey’s biography) — when he died, aged 59, in 1888. The first paragraph should (according to the well-seasoned formula) contain some characterising incident or achievement, giving the measure of the man, the impact he made on the world and those around him, and an indication of his interior life. The anecdote must — like cherry-picked quotations for a Shakespeare exam — inform more than one facet of a broader narrative. Any runner-up contenders can be dropped into paragraphs four,

Nicholas Lezard

A topsy-turvy world

‘A crane fell on top of me in Kladno in 1952, after which my writing got better,’ Bohumil Hrabal (who died in 1997) once wrote, with typical self-deprecation and comic timing; but there are other versions of what made him change from being an almost rococo engineer of magic realism (‘building my house from the roof on down’, as he put it) to the flawlessly brisk comic writer he became. (Another story: a dry-cleaner’s receipt which said ‘some stains can be removed only by the destruction of the material itself’). He was sent, along with tens of thousands of other white-collar workers, to a factory; in his case, the steel

Mark Fisher

Finders keepers

Isis’s blowing up of the Roman theatre at Palmyra should concentrate our minds: our world heritage is vulnerable. Not that we should need any such reminder after the depredations of the Taleban in Afghanistan, or Isis’s earlier rampage through the museum in Mosul and its attacks on sites at Hatra and Nimrud. A former director at the Institute of Ideas and a visiting fellow at the LSE, Tiffany Jenkins applies her considerable experience of cultural policy to construct an excellent survey that rehearses the issues. Who is responsible for the great examples of our shared heritage? Where should they be located: where they originated; where they have ended up; or

Sukhdev Sandhu

Fifty shades of blue

Like a lot of people, Olivia Laing came to New York to join a lover. Like a lot of people, she soon became unjoined. She stopped eating and drifted, moved from sublet to sublet, wandered the streets in a desperate daze. She craved intimacy and shied away from it, was painfully self-conscious but also anxious that she was in danger of vanishing. What does loneliness feel like? It feels, she says, ‘like being hungry when everyone around you is readying for a feast. It feels shameful and alarming, and over time these feelings radiate outwards, making the lonely person increasingly isolated, increasingly estranged.’ The Lonely City is memoir, art criticism

Craig Raine

Rich and fruity

F.R. Leavis once denounced the Twickenham edition of Pope’s Dunciad for producing a meagre trickle of text through a desert of apparatus, the trickle sometimes disappearing altogether. In this volume of T. S. Eliot’s letters, from 1932–1933, the footnotes, the infantry and the grunts, are the stars — shooting stars, flares with flair, illuminating apparently unpromising basic materials. For example, this is a letter to Auden in April 1932 in all its Spartan amplitude: Dear Auden, The modifications of the few passages which I discussed with you the other day have been agreed upon. As for the preface I felt myself from the beginning that it was not really desirable

Andrew Taylor

A leap in the dark

The first and most important thing to say about The Drowned Detective is that it’s a very good novel and (which is not always the same thing) a pleasure to read. After that, it gets more complicated. The book defies tidy categorisation. Set in a nameless eastern European country, it opens in the literary territory of the crime thriller, with private investigators on the trail of a government minister on the way to visit his rubber-clad mistress. One of them, the narrator Jonathan, is English. He’s furiously jealous of his employee Frank, a hunk who has had a fling with Sarah, Jonathan’s archaeologist wife. In another case, the parents of

Julie Myerson

The ultimate nightmare

On an April morning in 1999, two teenagers, Eric Harris and Dylan Klebold, walked into Columbine High School in Colorado and murdered 12 fellow students and a teacher, wounded many others, then turned their guns on themselves. Among the many questions fired at Klebold’s stunned parents in the wake of this appalling event, two were especially hard for them to hear. Did they ever hug their kids? And — this from one of the many bereaved — ‘Were you a family that ever spent much time at the dinner table together?’ When brutal and frightening things happen, people want brutal and frightening explanations: the need for causality becomes paramount. If

Tim Martin

Foreign body count

China Miéville’s work is invariably clever, inevitably dense and usually interwoven with hard-left political and social concerns, but its author rarely loses sight of the delightfully mind-warping possibilities of his chosen genres. Last year’s story collection, Three Moments of an Explosion, offered brief slices of imaginary futures in which icebergs floated above London streets, archaeologists hauled crystal statues from the Mediterranean earth and urban hipsters attended parties wearing the heads of butchered animals. Railsea (2012), his most recent full-length novel, was a rewrite of Moby-Dick in which steampunk adventurers roamed the deserts on locomotives hunting giant ferrets and moles; previous work has featured twin cities occupying the same geographical space

Ian Thomson

Wild man of the woods

The other day I visited a psychic medium in Croydon, south-east London. Mavis Grimstick (not quite her real name) boasted an ability to hear the dead — ‘clairaudience’. Her front room, hung with plastic foliate Green Man gargoyle motifs and photographs of Stonehenge, was grimly inimical to mediumship and made me want to make a joke about striking a happy medium. ‘Have you been meditating of late? No? ’Cos I’m getting a gorgeous greenish light off of you, and it’s making me feel ever so sunshiny.’ She fluttered her hands. ‘Yes, I like the psychic aura that you have, but why do I see Stonehenge?’ (The roar of an airplane

Keith Miller

A choice of first novels | 10 March 2016

At the beginning of this year I underwent a complete literary detox: an absolute, cold-turkey abstention from cutting-edge fiction of every stripe. I subsisted on police procedurals and grown-up Ladybird books, and watched a lot of TV. It was tough, but you’ve got to defrag the old hard drive once in a while. And it was worth it: when this new batch of first novels was helicoptered in, I felt ready to approach the gig in a spirit of optimism and can-do. I’m not even going to rant about the tendency of publishers to overmarket new writers, to box them up, underplay their strangeness and render them safe and familiar.

Daniel Swift

Wonderful waffle

It is hard to explain the contents of Karl Ove Knausgaard’s vast series My Struggle because not much happens. Or rather: a lot of things almost happen. In these strange and unquantifiable books, which feel like a spiritual autobiography but read like trashy fiction, Knausgaard recounts his ambiguous relationships with his brother and parents and wives; he describes terrible-sounding meals which he cooks (he eats a lot of pasta with dubious sauces) and the rambling, incomplete conversations he has with acquaintances. He discusses books he has read and books he would like to write. He goes out, meets girls, gets drunk, feels sorry for himself, and then goes back to

Ruth Scurr

Fighting for progress

It is very difficult to uncover accurate connections between ideas and events in history. A.C. Grayling is a philosopher and polemicist with a particular story to tell about the rise of freedom in the 17th century. In the introduction to his new book he writes: I hope the sketches offered here will illustrate the claim that the 17th century is truly the moment that history changed course so profoundly that everything before it is another world, and that it and the times since are our world. He replaces the conventional division of history into everything that happened before the birth of Christ and everything that has happened afterwards, with a