Book review

Saturday

Charlotte Moore

All shook up

Olivia Glazebrook’s first novel begins with a disaster. Olivia Glazebrook’s first novel begins with a disaster. Kit, painter of meretricious society portraits, has whisked Alice, his younger, pregnant girlfriend, off to Jordan for an indulgent weekend. Their car skids off a mountain road leaving Alice trapped inside. Kit behaves like an unheroic imperialist. ‘You bloody little man, Karim!’, he yells at the driver, but it is Karim who reminds him that they ought to be aiding Alice. They are rescued, but not all the artifice of a luxury hotel can prevent Alice’s miscarriage. Blood pours out of her ‘as if she were a vase, carelessly knocked over on a table.’

Anthony Daniels

The mind’s I

The quasi-religious zeal with which certain popularising neuroscientists claim that man is no different, essentially, from the animals, and that consciousness is but an epiphenomenon, strikes me as distinctly odd. The popularisers seem to take a sado-masochistic delight in it, in the way that some people get a thrill from envisaging the end of the world. They also seem to imply that we now understand almost everything about ourselves, apart from a few odd details to be filled in by ever-more-sophisticated scanners. In other words, man has finally come to understand himself. Here is an addition to the fast-growing genre of books that claim scientific authority for the idea that

Anne Chisholm

What did you do in the war, Mummy?

By tradition, ‘What did you do in the war?’ is a question children address to Daddy, not to Mummy. By tradition, ‘What did you do in the war?’ is a question children address to Daddy, not to Mummy. In this ambitious, humane and absorbing book Virginia Nicholson moves Mummy firmly to the centre of the stage as she chronicles, largely in their own words, the lives of British women during the second world war. It is dedicated to one of them, her own mother, Anne Popham, later Anne Olivier Bell, who as a young woman suffered agonising wartime loss but went on to marry and become one of the great

Richard Davenporthines

Victorian rough and tumble

Derby Day is meticulously plotted and written with bouncy confidence. It tells the story of a sordid, conniving rascal called Happerton who plots a betting swindle for a Derby of the 1860s. He marries the colourless but near-sociopathic daughter of a rich attorney, and cheats on her without noticing the intensity of her passion for him. The couple sedate the old man, reduce him to his dotage and raid his savings. Happerton also masterminds a raid on the strong-room of a City jewellers — echoes here of the jewellery raid in Taylor’s previous novel, At the Chime of a City Clock. All the while, with smug, relentless guile, he also

Anthony Sattin

Sixties mystic

The misery memoir is the fad of the moment. We seem to have a limitless desire to delve into other people’s hardships. Robert Irwin has gladly shown the way to a more enlightening type of memoir, that of the spiritual quest. But surely, I hear you say, the spiritual quest is nothing new? Think of Dante, half way along life’s path, looking for the right turning. For Dante, read the young Irwin, still a teenager, up at Merton College to read History and very much in need of direction. The year was 1965. But while others were tuning in and turning on, Irwin, as he confides in his first sentence,

Douglas Hurd

Backs to the wall

Susan Gibbs begins her book by describing the death from cancer of her first husband after 13 years of happy marriage. She ends with her farewell to Africa and her journey to Britain in 1983 with her second husband, Tim, and four children. Between these events she led a tense life farming in Zimbabwe, watching her children grow up, relishing the beauty of her surroundings and the company of friends, but always conscious that time was closing in and that one day they would be forced to leave the country they loved. They grew tired of the tension under which they lived, tired of the uncertainty, of wearing side arms,

Molly Guinness

Very drôle

It’s nice to know that the trees lining the roads in Paris have microchips embedded in their trunks, that the city council is controlling the pigeon population by shaking the eggs to make them infertile and that the Café Voisin served elephant consommé during the 1870 siege. It’s nice to know that the trees lining the roads in Paris have microchips embedded in their trunks, that the city council is controlling the pigeon population by shaking the eggs to make them infertile and that the Café Voisin served elephant consommé during the 1870 siege. But the pleasure of this learning comes at great personal cost. Where an innuendo can be

Saturday

Fay Maschler

Bookends: The voice of the lobster

In existence for over 250 millions years, lobsters come in two distinct varieties, ‘clawed and clawless’. Human predators tend to the flawed and clueless as they overfish and — since lobsters must be cooked live — kill them heartlessly. In existence for over 250 millions years, lobsters come in two distinct varieties, ‘clawed and clawless’. Human predators tend to the flawed and clueless as they overfish and — since lobsters must be cooked live — kill them heartlessly. Part of ‘the Edible Series’, dedicated to the global history of one type of ingredient, Lobster by Elisabeth Townsend (Reaktion Books, £9.99) considers the creature that inspired mosaic artists in ancient Pompeii,

A.N. Wilson

The way to dusty death

Beryl Bainbridge’s last novel is a haunting echo of her own final years, according to A. N. Wilson Some writers die years before bodily demise. They lose their grip. In the last five or six years of life, Beryl Bainbridge feared that this was happening, or had happened, to her. The books which had come in a steady flow from middle age onwards slowed to a trickle, and she was seized, not merely by illness, but by a black sense that the ‘bloody book’ on which she was engaged would not come. Yet her last book, all but completed, suggests something odder was happening in her case. A prescient friend

David Sexton

Dreaming of cowsheds

In 1999, Adam Nicolson published a very good book called Perch Hill: A New Life, about his escape from London and a break-down, after his divorce and a nasty mugging, to a farm in the Sussex Weald, close to Kipling’s house, Batemans. In 1999, Adam Nicolson published a very good book called Perch Hill: A New Life, about his escape from London and a break-down, after his divorce and a nasty mugging, to a farm in the Sussex Weald, close to Kipling’s house, Batemans. It’s one of the great descriptions of what embedding yourself deep in a patch of the countryside is like, truthful about both its solaces and its

Vernon Bogdanor

How do we get to Denmark?

Francis Fukuyama is rare amongst scholars in being unafraid to ask large questions. He first achieved fame, if not notoriety, by his thesis that, with the collapse of communism, we had reached the ‘end of history’. The rise of terrorism and the return of authoritarianism in parts of the Soviet empire led to this thesis being caricatured as implying the end of all political conflict. What Fukuyama meant, however, was that, for the first time, there were no longer ideological challenges to the dominance of liberal democracy. He reasserts this conclusion in The Origins of Political Order: ‘Liberal democracy as the default form of government has become part of the

Honor Clerk

Ransacking the world

Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Jacqueline Yallop’s book is firmly in this vein, deploying an astonishing breadth of research to reveal, in a blend of narrative, contextual history, museology and biography, some of the forgotten stories that

Charlotte Moore

The nature of evil

Simon Baron-Cohen has spent 30 years researching the way our brains work. His study of autism led to The Essential Difference, which asked, ‘Are you an empathiser or a systemiser?’ The book was highly influential; its ‘male-brain’ and ‘female-brain’ definitions have entered common parlance. In Zero Degrees of Empathy he aims to move examination of the nature of evil ‘out of the realm of religion and into the realm of science.’ Will this project also prove persuasive? ‘Extremes of evil are typically relegated to the unanalysable,’ he says, but they shouldn’t be. Evil, he believes, is best understood as absence of empathy. We are all situated at some point on

Saturday

Mark Mason

Bookends: Unbalanced chorus

Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can ‘see the reality of the web of synchronicity in my life’. Showing off her special jewellery that ‘helps balance the chakras’, she reveals that ‘because I had a high metabolism and moved around a lot, I had no real [weight] problem until I was about 50’. Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can

Alex Massie Alex Massie

Redefining the war

There are more than 100,000 American and Allied troops in Afghanistan. That is, there are more than 1,000 troops for every suspected al-Qa’eda ‘operative’. Not for the first time in Afghanistan means, ways and ends appear to be out of kilter. There are more Nato troops than are needed to combat al-Qa’eda but not enough to build a proper, ordinary country. No wonder Afghanistan has become a grimly expensive halfway house — neither wholly occupied, nor treated with a light touch. Tim Bird and Alex Marshall’s brisk, broad survey of the war is drily un- impressed by American strategy. It is sub- titled ‘How the West Lost its Way’, and

Susan Hill Susan Hill

The villain as hero

Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. When they reach adult estate, most writers prefer their early work to be forgotten. But publishers have long ferreted about to unearth the juvenilia of anyone with half a name.Though the reading public has never been so easily conned, such works are appreciated mainly by scholars of an author’s entire ouevre, wanting to trace early influences. So, if you could buy only one book this week, would it be The Doll, which contains a dozen very early short stories by Daphne du Maurier, and one rather

Adam Nicolson

Enchanting waters

This is a book which is sometimes so private that reading it seems very nearly like an act of invasiveness. There is nothing salacious or rude in it, but its tone of voice is whispered, intimate, as though the reader were an interloper, a clumsy stumbler into the most secret thoughts of the author. Its occasion is a walk down the River Ouse in Sussex, from its source in the High Weald to the sea at Newhaven, but its substance is only marginally to do with that simple and very ordinary bit of geography. The river becomes the thinnest of wire coat-hangers on which almost anything can be hung. The

James Walton

Freudian slip

At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. The first three, now called the Some Hope trilogy, took Patrick from an upper-class childhood where he was raped by his father from the age of five, through his understandably drug-addicted youth and on to the nervous beginnings of recovery at 30. Somehow, though, the result was a joy to read: full of dazzling phrase-making, terrific black comedy and stirringly vicious satire on the

Matthew Parris Matthew Parris

Precious little warmth

There’s something wrong with these diaries. There’s something wrong with these diaries. This is not to disparage the scholarly efforts of their editor, Dr Catterall, nor the skill with which he seems to have pruned the original papers (twice the length) into the greatest coherence achievable, nor his helpful contextualisation and calmly rational explanatory notes. Nor is it to question the importance for modern historians of the whole painstaking enterprise, to observe that the general reader will plough onward from summit, to cabinet, to dinner party, to pheasant shoot, to bilateral meeting, with a half-formed question growing in his mind. Who was Harold Macmillan writing all this for? For himself?

John Gimlette

The mark of cane

Sugar transformed our world. From its origins in New Guinea, this tall sappy grass initially made slow progress around the globe. It reached India in 500 BC, and then travelled harmlessly to Persia, arriving 1,000 years later. But, in the early 15th century, it reached Europe, and suddenly everything changed. Sugar would become the catalyst for the greatest and most rapacious expansion that humankind has ever seen. Europeans couldn’t get enough of it, and were soon rearranging the world. No longer was foreign adventure a matter of pilfering and persecution; by the early 1600s, the newly emerging seapowers were competing for land. Huge tracts of South America and the Caribbean