Book review

Saturday

Johnpaul Mccarthy

Jekyll and Hyde figure

Jonathan Swift’s Gulliver believed that the ideal British prime minister was a creature wholly exempt from joy and grief who applies his words to everything except to the indication of his mind. Swift’s dilation on the virtues of political froideur is only one of many ghosts evoked by Paul Bew’s riveting portrait of the man who seemed certain to be the first Irish prime minister of the Victorian age. In a characteristic confection of intimate portraiture and high-political history, Bew assesses the astonishing career of a lacklustre Protestant landlord who brought a Catholic populace to the threshold of parliamentary self-government in 1886. And ‘astonishing’ scarcely does justice to the political

Patrick Skene-Catling

A literary curio

Jean-Louis Lebris de Kerouac, better known as Jack Kerouac (1922-1969), the son of French-Canadians spiced with the blood of Mohawk and Caughnawaga Indians and subdued, no doubt, by migration from Quebec to Lowell, an old mill town in Massachusetts, eventually fulfilled his adolescent ambition to live the life of the eccentric ‘artist’ . . . a high form of aesthete who has nothing to do with this maddening world of Philistines. He hoped that ‘lingual spontaneity’ would enable him to achieve ‘Supreme Reality’. In fact, On the Road (1957) did indeed serve as a guide to all America for the Beat Generation of the Fifties and after. His closest boyhood

Anthony Cummins

What’s going on?

An early sentence in this collection of stories, first published between 1979 and the current issue of Granta, runs thus: We were in the late stages now, about 45 minutes out, and I was thinking it could still change, some rude blend of weather might yet transform the land, producing texture and dimension, leaps of green light, those waverings and rays, and the near consciousness we always seem to find in zones of overgrown terrain. [The speaker is a tourist in the back of a taxi on his way to an airport in the Caribbean.] It’s not hard to see why the Atlantic critic B. R. Myers, in ‘A Reader’s

Gary Dexter

Bookends: Not filthy enough

The Pursued (Penguin, £12.99) is a lost crime thriller by C. S. Forester, the author of the Hornblower novels. It was written in 1935, rediscovered in 2003 and is now published for the first time. Marjorie, a suburban wife and mother, comes home after a ‘jaunt’ in ‘town’ to find her sister dead in the kitchen on page four It is said to be suicide, but we have doubts. Towards the end of the book, Forester summarises the action: ‘It was a filthy business, a tale of lust and murder and revenge, unredeemed by any of the nobler qualities of mankind.’ Not a bad précis, though anyone who reads The

Anthony Mockler

Rumbled in the jungle

This book is a mess. Simon Mann may have been brought up on John Buchan, educated at Eton and Sandhurst, and taken Conrad and the Iliad with him on his African travels, but his style is appalling — a sort of demotic militarese. Short sharp sentences. Few verbs. Acronyms sprinkled like confetti. The third sentence reads: ‘Rock-crag fingers claw my arse.’ And we skip all over the place, between Angola, Equatorial Guinea, South Africa and Sierra Leone, with flashbacks and fast-forwards and no index. The publisher’s boast that identities would be revealed and the mighty shaken on their thrones turns out to be empty. ‘The Boss’ goes unnamed, as does

Ed Howker

… in the battle for London

Charlatan, fornicator, liar, inebriate, pugilist, Marxist, anti-Semite; Ken Livingstone has been called many things but never a writer. Actually, that’s a shame because his words following the 2005 London bombings were brilliantly defiant; perhaps the most powerful speech by a British politician in the last decade. He can be witty — the former leader of the Greater London Council abolished by Margaret Thatcher began his speech accepting the Mayoralty with the words: ‘As I was saying before I was so rudely interrupted 14 years ago …’ Even Tony Blair, who effectively forced Livingstone to leave the Labour party in order to stand, eventually admitted his misjudgment. Livingstone’s election in 2000

Mark Mason

Opening salvos …

When a man is tired of Johnson, he’s liable to vote for Livingstone. Boris has decided to head Londoners off at the pass by writing a book about them, or rather about 18 of their famed predecessors. From Boudica and Alfred the Great, through Shakespeare and Robert Hooke to Winston Churchill and Keith Richards, we meet people who shaped the city of their birth and/or residence. The stories of both the subjects and the city are brilliantly told. It just so happens that, in passing, we learn such facts as ‘London’s buses are carrying more people than at any time in history’. When Boris visits the Midland Grand Hotel he

Juliet Townsend

Children’s Books: Myth and magic

It was the second week of term and my grandson’s birthday. He had just started at primary school and the only alternative to social suicide seemed to be to invite the whole class to his party. With a few old friends that made a total of 30. They ran yelling in various enjoyably noisy games up and down the church hall, then they departed, and my daughter was left confronting a table groaning with 30 presents, some of them embarrassingly expensive. How do you give 30 presents to one five-year-old? The same problem comes up every Christmas, and the answer, it seems to me, is books. It may not be

Philip Hensher

Pure and simple

It might be that the stage musical is now pretty well over as a form. Certainly, the gloomy parade of ‘juke-box’ musicals through the West End doesn’t give one much hope for the future. It is difficult to pick out a worst offender, but the Ben Elton We Will Rock You, confected from the Queen catalogue, is as bad as any. Its premise, of taking the work of a curious-looking, homosexual, Parsi, excessive genius like Freddie Mercury and turning it into an idiotic story about two clean-cut stage-school kids Putting the Show on Right Now says something truly terrible about the musical: it says that it can only deal with

Saturday

Martin Jacomb

High-class fraud

You can always find a thief in financial markets. That is where the money is. Most frauds are quite dull affairs, and some are never uncovered. A few, however, are spectacular. The scale of loss, or the glamour of the perpetrator, or the failure of the ‘system’ to spot and prevent the crookery, may contribute to make a good story. One case, almost within living memory, which has all of these elements, was that of Gerard Lee Bevan. He was born in 1869 into a highly respected City banking family. The Bevans were among the founders of Barclays and continued to be involved in the management of the bank until

John Preston

Winning words

If you want to see what an ambivalent attitude we have towards rhetoric, you have only to look at the speeches of Barack Obama. Before Obama became President, when he was out on the stump, there was no holding him back rhetorically: he soared, he swooped, he lifted his eyes to the hills and found all kinds of inspiring imagery there. But the moment he took office something strange happened. All that silver-tongued stuff dropped away and instead he started sounding as if two trucks had collided in his mouth. The message was plain: rhetoric is for the posters, for the promissory notes. When it comes to actually doing the

Nicholas Lezard

Pea-soupers and opium dens

So: does Moriarty exist, or not? Well no, not really, and not just in the literal sense of being a fictional character. He’s hardly even that. We have no evidence beyond Sherlock Holmes’s word, and if you look at Holmes’s behaviour in ‘The Final Problem’ you can see an almost classic case of paranoia — brought on, no doubt, by a heavy cocaine binge. Michael Dibdin, in his The Last Sherlock Holmes Story, therefore proposes that Holmes and Moriarty are the same person, which does redeem Holmes’s otherwise hasty and implausible dispatch by his creator over the Reichenbach Falls. Anyway, he appears here, in the same year (as far as

Bevis Hillier

Art Books: A sumptuous tour

In 1930 Evelyn Waugh, already at 27 a famous novelist, spent two days in Barcelona. He came upon one of the art nouveau houses designed by Antonio Gaudí, who had died four years earlier. Waugh was captivated by the swooshing ‘whiplash’ lines of the building. He hired a taxi and asked the driver to take him to any other buildings in the same style. So he saw a number of Gaudí’s fantastical creations, including his church (often mistakenly called a cathedral), La Sagrada Familia. It took an extra-ordinary leap of taste for Waugh to admire this flamboyant architecture at the height of the Modern Movement, with its insistence on ‘clean

Molly Guinness

Chagrin d’amour

The horror of love: Nancy Mitford’s first fiancé was gay; her husband, Peter Rodd, was feckless, spendthrift and unsympathetic, and her great amour, Gaston Palewski, was endlessly unfaithful. She met him during the war in London and was in love with him for the rest of her life. Palewski was Charles de Gaulle’s right-hand man. He organised the French Resistance in London and commanded the Free French forces in East Africa. After the war, he was appointed De Gaulle’s chief of staff and he became known as the sinister éminence grise behind De Gaulle’s presidency. He and Nancy shared a love of France, beauty and jokes. He was never faithful

Paul Johnson

The meanest flowers that blow

Sarah Raven comes of a botanising family. Her father John, a Cambridge classics don, travelled all over the British Isles studying wildflowers. Like his own father, Charles Raven, he was a gifted watercolourist, and between them they drew almost every plant in the British flora. Sarah still possesses 18 volumes of their watercolours. Nevertheless, to illustrate her huge, learned and comprehensive book of 500 wildflowers, she chose a photographer, Jonathan Buckley. This was partly because she had written with him before on other books, but mainly because they could travel and work together. They visited over 100 sites to track down the specimens, often 20 or 30 in one favoured

Victoria Glendinning

A man who quite liked women

It is noticeable that the kind of young woman that a clever public man most likes talking to is intelligent but totally unchallenging. This is pleasant for both. She gets to pick up useful knowledge, while he can hold forth, happy that she doesn’t have the inclination or firepower to disagree, argue or interrupt.    Dr Johnson was a bit like that. He wanted women to be equal ‘but not too equal’.  Hannah More, a successful playwright young enough to be his daughter, had too much natural self-belief for him, and he did not admire her dress sense. He was wary and in awe of the confident poet Elizabeth Carter,

David Gilmour

A cult of virility and violence

Mussolini’s brutal sex-addiction makes for dispiriting reading, but provides material for a fine psychological study, says David Gilmour Bunga bunga may be a recent fashion, but adultery for Italian prime ministers has a long history. The first of such statesmen, Count Cavour, had affairs with married women because he was too nervous of being cuckolded to risk having a wife of his own.  One of his successors, Francesco Crispi, suffered such amatory turbulence that the police were often called to break up screeching rows between his wives and his mistresses; in old age he was accused by the press of trigamy because he had fathered children by two women in

Saturday

The Spectator

Books of the Year | 12 November 2011

A further selection of our reviewers’ favourite reading in 2011 Richard Davenport-Hines Amidst the din, slogans and panic of modern publishing, my cherished books are tender, calm and achieve a surpassing eloquence by dint of tightly controlled reticence. Anthony Thwaite’s Late Poems (Enitharmon, £10) are written by a man of 80. Each of them is word-perfect: some recall dead parents; others foreshadow Thwaite’s death; and throughout there is the clear, crisp wisdom, pensive sadness and absence of confessional self-pity that show a mastery of language and feeling. Amos Oz’s Scenes from Village Life (Chatto, £12.99) is set in an Israeli pioneer village which is being chi-chied with boutique wineries as

Lewis Jones

Bookends: About a boy

The Go-Between was L.P. Hartley’s best novel, Joseph Losey’s best film, and probably Harold Pinter’s best screenplay. In the novel, the Norfolk house and estate are fairly incidental but, as Christopher Hartop’s charming and generously illustrated Norfolk Summer: Making The Go-Between (John Adamson, £12.99) reminds us, they dominate the film. As a local historian and cinéaste, Hartop recreates the cloudy summer of 1970 — made to seem sunny mainly by sound-effects, of buzzing insects and so on — at Melton Constable Hall, where Losey, Julie Christie, Alan Bates and Edward Fox were visited by various Cokes and Barkers (Elspeth and Raffaella were extras in the cricket match). Made under the

Richard Bradford

The legacies of Jennifer Johnston

Cross the soaring Foyle Bridge from the East and take the route to Donegal. Shortly before you cross the border — now completely imperceptible — you will find the grand, imposing gates to a country house. As you descend the drive, the hum of traffic subsides and the years, centuries, roll back. Had it been built a few miles to the west it might, like many others, have been consumed in the vengeful aftermath of 1916. Partition protected it from that, but half a century later its Georgian windows shook to bomb blasts from the city. That Jennifer Johnston has spent most of her writing career in this place is