Book review – biography

The making of Van Gogh as an artist came at a terrible cost

Six months before Vincent van Gogh’s death, the critic Albert Aurier, waxing poetical, wrote an article entitled Les Isolés on the then unknown painter. It raised to sainthood the solitary genius driven to insanity by an uncomprehending world. ‘Is he not one of the noble and immortal race which the common people call madmen but which men among us consider sort of saints?’ The man had already become myth. His life would be a sacrament and his suicide a reproach. It has remained that way ever since. Miles J. Unger thinks otherwise. He recasts our hero as the very opposite of isolé, a painter whose stylistic development was totally dependent

Julie Burchill

The pain of being a Bangle – despite sunshine through the rain

I must say that my feelings about the 1980s American rock band the Bangles were – unusually for me – moderate. I loved some of their hits while being left cold by others. They were pleasant. But after reading this book’s press release, I realised how sorely lacking in appreciation of their impact I’d been: It’s a story of the challenges faced by women attempting to follow their artistic dreams in a media and music industry ecosystem which seemed set up for their failure from the start… It is a long overdue corrective that restores the Bangles to their rightful place in music history as feminist trailblazers… As Debbi Peterson

Magnetic and manipulative – the enigma of Gala Dali

Salvador Dali’s wife Gala was born Elena Ivanova Diakonova in 1894 in Kazan, on the banks of the Volga. Her father was an abusive alcoholic who vanished when she was ten. Her mother, a midwife, moved the family to Moscow where Elena attended an exclusive school. But in 1913 she started coughing, so was sent to a Swiss sanatorium, Clavadel. There she fell in love with a fellow patient, Paul Éluard, who had just published his Premiers poèmes. They got engaged but had to wait until he turned 21 (she was 22) to marry – by which time she had adopted the name Gala. They had a daughter, Cécile, but

The mystical masterpiece from Stalag VIII-A

Olivier Messiaen was a French composer steeped in the solitude and ecstasy of Catholic mysticism: everything he wrote was dedicated to the greater glory of God. He was in thrall to the liturgical works of Stravinsky, but also to the percussive cling-clang of Javanese gamelan music and other eastern sonorities. His thirst for ‘un-French’ music sometimes put him at loggerheads with the Paris old guard who found him as fandangled and foreign as a pagoda. His ability to create new possibilities in sound was of course what made him modern. Messiaen was scarcely 20 when he wrote his hauntingly strange Préludes for piano in 1929 and the no less mysterious

The spy with the bullet-proof Rolls-Royce

‘Biffy’ Dunderdale (1899-1991) was a legend in his own lifetime within MI6. Born in Odessa to an Austrian countess and a British trader representing Vickers, his cosmopolitan upbringing endowed him with English, Russian, German, Turkish, French and Polish. His real first name was Wilfred, Biffy being acquired through youthful handiness with his fists. Biffy played an important role in smuggling the Polish copy of the Enigma cipher machine to London Education and family connections made him intimate with prominent Levantine trading families such as the Whittalls, Keuns and La Fontaines. Members of each served with him in MI6 and two into modern times. Early in the first world war he

What prompted Vivien Leigh’s dark journey into madness?

‘Vivien was barking mad from the word go,’ Laurence Olivier reflected in later life, and Lyndsy Spence’s biography would fully concur with the summing-up. At best, the actress was ‘suspended in a dream world’, unable to separate herself from the classic characters she played – Scarlett O’Hara, with her dark hair and flashing eyes, or Blanche DuBois (‘she is a tragic figure and I understand her’). At her worst, Leigh was, in her own words, ‘a thing, an amoeba, at the bottom of the sea’. Where Madness Lies is a sympathetic description of Leigh’s ‘perturbing nature’; an analysis of her numerous breakdowns, when she was in the grip of manic-depressive

The great French painter who had no time for France

In 1855, Paul Gauguin’s widowed mother Aline returned to her husband’s family in Orleans after seven years in Peru. She brought back her daughter Marie, eight-year-old son Paul and her collection of pre-Columbian artefacts. They had no commercial value but those strange objects, sprouting the heads of birds and animals, had a power that the westernised world had lost touch with. They sank deep into the imagination of her wild, headstrong boy, who often described himself as ‘a savage from Peru’. After the sensory overload of South America, France and school were grey, cold and miserable. With education over, Gauguin insisted on going to sea and served in the navy

No one could match Tess, to Thomas Hardy’s dismay

In her disillusioned later years Thomas Hardy’s first wife, Emma, bitterly reflected: ‘He understands only the women he invents – the others not at all.’ In Hardy Women, Paula Byrne sets out to recover the stories of the women in his life ‘who did not have a voice and who were often deliberately omitted from Hardy’s self-ghosted autobiography’, in order to reveal that ‘the magnificent fictional women he invented would not have been possible without the hardship and hardiness of the real ones who shaped his passions and his imagination’. She has not come up with anything that radically changes what we already know of Hardy’s background and what he

Nothing satisfies Madonna for very long

In 1994, Norman Mailer called Madonna ‘our greatest living female artist’. She was huge in those days. I remember teenagers like my daughters constantly asking ‘What would Madonna do?’ But my grandchildren haven’t even heard of her. She seems to have faded faster than most. Why? Perhaps it’s because, as often claimed, she’s the ‘queen of reinvention’. But people who reinvent themselves every few months, as Madonna always did, tend to leave other people behind. Her ‘rebel life’, as told here by Mary Gabriel, is a frenzied churn of friends, lovers, mentors and collaborators who were vital to her for a year or two and then discarded. Her first manager,

Love and loathing at Harold Wilson’s No. 10

If Marcia Williams is thought of at all today, it is in terms of hysterical outbursts, a mysterious hold over the Labour prime minister Harold Wilson and, above all, the ‘Lavender List’ – Wilson’s 1976 Resignation Honours List in which Marcia is believed to have played a significant part. Linda McDougall, the widow of the Labour MP Austin Mitchell, gives an infinitely more nuanced and sympathetic picture of this extraordinary woman. I found her biography gripping, with its insider knowledge of government, its picture of the emotional dynamics of Downing Street and its sensational claim that Marcia may have been drugged by Wilson’s own doctor.  She took Purple Hearts to