Biography

Can W.H. Auden be called a war poet?

Nicholas Jenkins takes, as a point to navigate by in this rich and ingenious study of the early Auden, a remark by the poet’s friend Hannah Arendt. Auden, she said, had ‘the necessary secretiveness of the great poet’. You can’t always trust what Auden, in his prose and in his later interviews, claimed to have been getting at in the poems. And in Jenkins’s account, you can’t even trust what the poems think they’re getting at. Jenkins seeks to put Auden back in his own time, and embed the verse in his life. Auden said in public, for instance, that the first world war had little effect on him; and

Introducing Tchaikovsky the merry scamp

Some years ago, following a Christmas performance of Tchaikovsky’s Nutcracker, I sat in one of the dives near the theatre with a member of the corps de ballet, the gay son of close friends. The audience had been populated largely by children and teenagers, most of whom were either smitten by the intrepid, empathetic Clara or wanted to be her. Yet the mood perceptibly shifted when, at the end of Act I, the life-sized nutcracker doll transformed into a most handsome prince, all grace and gluts. ‘Do you think in that moment,’ I asked my dancer friend, ‘that a smattering of adolescent boys, out on a family treat, notice their

The enduring charisma of Brazil’s working-class president

A better title for this book might have been ‘Lula: A Drama’. In the first of two long- anticipated volumes, Fernando Morais has delivered an unconventional but riveting account of the key moments of tumult in the career of Brazil’s President Luiz Inácio Lula da Silva (2003-11; 2023-present). A veteran journalist, Morais is clinical in his detail of the underground union gatherings, abject poverty and family tragedy which formed Lula. He brings São Paulo’s working-class culture to life throughout, with popular car brands, pop songs and sessions of cachaça and gin rummy ever present. Lula’s upbringing was marred by hardship. Born in poverty in 1945, with a brutal, bigamist father,

Bogart and Bacall’s first film together might as well have been called Carry On Flirting

You must remember this… Harry Morgan is leaning on the bar wondering how the femme fatale and her wounded freedom fighter husband are doing. Then Slim walks in, wearing two wisps of black satin linked by a hoop around her navel. Harry tells her it’s time he checked on his patient. ‘Give her my love,’ says Slim. ‘I’d give her my own,’ says Harry, ‘if she were wearing that.’ And in real life, as the tabloids would say, he did. We are talking of To Have and Have Not (1944), in which Harry is Humphrey Bogart and Slim is Lauren Bacall. The director, Howard Hawks, said the movie was just

A marriage of radical minds: the creative partnership of Fanny and Robert Louis Stevenson

It is hard to imagine any Victorian man living a fuller life in a flimsier body than Robert Louis Stevenson – and he certainly wouldn’t have managed it without the support of his partner and wife of several decades, Fanny Van de Grift. Born in Edinburgh on 13 November 1850, Louis suffered from countless childhood illnesses that limited his activity to reading books, writing stories and staging ‘pasteboard theatre’ productions with his nanny, or else travelling to health spas in Marseille, Genoa and Naples. He strongly resisted his father’s efforts to enlist him in his own career as a lighthouse designer, and at Edinburgh University the only thing he excelled

The crusading journalist who lectured on Shelley to coal miners

‘The politics of Paul Foot are an extraordinary mixture of first-class reporting, primitive Marxism, family wit and fantasy.’ This judgment is taken from a review of Foot’s first book, The Politics of Harold Wilson (1968). The reviewer was well placed to assess it, and, according to this biography, he ‘tore the book apart’. As well as being an MP, he was Paul’s uncle, Michael Foot. Born in 1937, Paul Foot came from a political family. His grandfather, Isaac, and his eldest uncle, Dingle, were both Liberal MPs; his father, Hugh, was a distinguished diplomat who, as Lord Caradon, would become a foreign office minister; and his uncle Michael became a

Malice and intrigue in the shadow of Tom Tower

‘The House’ in the title of Richard Davenport-Hines’s engaging new book is Christ Church, by any reckoning the grandest of Oxford’s colleges. The place has always been, he notes, akin ‘to an autonomous duchy within a larger federated kingdom’, and thus ‘a separate realm of memory’. Notoriously, its teachers and researchers are referred to not (in the usual Oxford way) as Fellows but as Students. That fact may be thought as good an illustration of its eccentricity as of its charm. This book isn’t a history of the House, as such, but a more concentrated series of biographical essays about ‘a select and self-regulated group of men who taught modern

‘I am haunted by waters’: Norman Maclean and his lyrical ‘little blue book’

Although in his later years Norman Maclean was renowned for his nuanced and often lyrical autobiographical novella A River Runs Through It (subsequently filmed by Robert Redford, and known in angling circles – with mixed feelings – simply as ‘The Movie’), by all accounts he could be forbidding and ornery in person. He informed one Hollywood shyster: ‘When we had bastards like you out west we shot them for coyote bait.’ The novelist Pete Dexter once described him as ‘an old man who obviously takes no prisoners, looking at you as if you’d just invented rock’n’ roll’ – and that was only from a photograph. There are indeed some moody

Tall tales of the Golden East: the fabulous fabrications of two 20th-century con artists

Have literary deceit and spiritual self-invention ever been this entertaining? The question arises on almost every page of this galloping exposé of two men who were exceedingly relaxed about not telling the truth throughout their professional lives. They would have called it ‘storytelling’. Those who questioned the reliability of their often outlandish claims were dismissed as academic nonentities. One minute Ikbal’s journey across the Middle East was 15,000 miles, the next it was 25,000 miles Sirdar Ikbal Ali Shah was the great-grandson of Jan Fishan Khan, a 19th-century Arab nobleman who had supported the British in Afghanistan and been rewarded with an Indian title, palace and pension. Ikbal failed to

Why Joni Mitchell sounded different from the start

What makes Joni Mitchell’s music special? The lyrics alone put her on 20th-century music’s Mount Rushmore, alongside her cultural mirror Bob Dylan and her brief lover Leonard Cohen. But for me it’s her phrasing, her tunings and her sense of time. Decades on, her music remains endlessly surprising. Think a line is going in a certain direction? Think again, as Mitchell bends it away; or shifts key; or arcs her voice into its celestial sphere, only to suddenly plummet, like a plane in turbulence. And yet the swerves feel somehow right, inevitable.  Enlisting the help of jazz greats from Wayne Shorter to Herbie Hancock, Mitchell invented her own musical grammar:

The irrepressible musical gift of Huddie Ledbetter

Huddie Ledbetter, better known by the prison moniker Lead Belly, was a musical genius born in the southern United States just as Jim Crow laws were starting to bite. He fell foul of an unapologetically racist legal system and ended up serving on a chain gang in 1915, later doing time in state penitentiaries in Texas (1918-25), Louisiana (1930-34) and at Rikers Island in New York (1939). Sheila Curran Bernard takes as her focus the years 1933 to 1935 when, after years of imprisonment, Ledbetter took an academic, John Lomax, to be his manager and organise his entrance into the larger musical world of northern America. She reveals for the

Dedicated to debauchery: the life of Thom Gunn

In 1876, writing to his friend Gertrude Tennant, Gustave Flaubert set down a principle that artists and writers should live by: Soyez réglé dans votre vie et ordinaire comme un bourgeois, afin d’être violent et original dans vos œuvres. (Be regular in your life and ordinary as a bourgeois, in order to be violent and original in your work.) The life of the English poet Thom Gunn had its disciplined aspect (he managed to hold down a job at least), but, overall, it was so dedicated to debauchery and excess that it’sa wonder it lasted as long as it did. The story, told in detail by Michael Nott, makes even

Paris is perhaps the greatest character in Balzac’s Human Comedy

Open one of the major novels by Honoré de Balzac and you are likely to encounter a sentence such as this, from Cousin Bette: ‘Towards the middle of July, in the year 1838, one of those vehicles called milords, then appearing in the Paris squares for the first time, was driving along the rue de l’Université.’ Or this (from César Birroteau): ‘On winter nights there is no more than a momentary lull in the noise of the rue Saint-Honoré.’ It is the same story in Père Goriot (rue Neuve-Sainte-Geneviève), Cousin Pons (Boulevard des Italiens) and others. From the first words of the tale, the reader is cast into the drama

A long goodbye to Berlin

Christopher Isherwood pioneered what is now known as ‘autofiction’ long before it acquired that label. His best known work, Goodbye to Berlin (1939), which later inspired the musical Cabaret, was based on the diaries he kept while living in the Weimar Republic in his twenties. He’d already used the material before in Mr Norris Changes Trains (1935), a brilliant black comedy thriller that deserves to be read alongside more supposedly serious works of modernism. Forty years later, he reworked the experiences yet again in Christopher and His Kind (1977), in which he finally made explicit, for the new gay liberation era, what had been suppressed in the earlier works: his

The recklessness of George Mallory

George Mallory bookended the 20th century history of Everest with his pioneering attempts in the 1920s to climb the mountain – and with the spectacular discovery, in 1999, of his body high up on the North Face, preserved by the ice for 75 years after he had failed to do so. His flip remark to a journalist that he was climbing Everest ‘because it was there’ became mountaineering’s most celebrated quote, while masking other less noble reasons. Mick Conefrey has become one of our finest gazetteers of the Himalaya, with successive books on K2, Kangchenjunga and later exploits on Everest. Now he turns his attention to a great conundrum of

Agent Zo: the Polish blonde with nerves of steel

In recent years, far from diminishing, the number of books on the Nazis, Occupied Europe and the Holocaust – events that now lie three quarters of a century in the past – seem only to grow. New archives are opened and attics are raided for forgotten diaries and letters. One historian who has mined them with great skill is Clare Mulley, the author of books on spies and Hitler’s pilots. She has now unearthed a story about a bold and resolute Polish agent, Elzbieta Zawacka, who went by the name of Zo. Her adventures are extraordinary, and their background is no less fascinating. Agent Zo is as much a book

Edwin Lutyens: the nation’s remembrancer-in-chief

In unduly modest remarks at the opening of this immaculate book, Clive Aslet, one of our most distinguished architectural historians, notes that there have been substantial biographies of Sir Edwin Lutyens, and he does not pretend to emulate them. His achievement, however, is considerable. Aslet has spent more than 45 years in intense and enthusiastic study of ‘Ned’ and his works, and has not merely an encyclopedic knowledge of what Lutyens built, but two other invaluable qualities. First, he appreciates the sort of man Lutyens was, the influences upon him, and how he interacted with his family (especially his wife Lady Emily) and his clients. Second, he has a deep

The identical twins who captivated literary London

The dazzlingly beautiful identical twins Mamaine and Celia Paget were born in 1916 and brought up in rural Suffolk – not the greatest springboard, you would think, for lives at the intellectual heart of the mid-20th century. Yet the list of their friends reads like a roll call of literary notables: Dick Wyndham, Peter Quennell, Cyril Connolly, Bertrand Russell, Sacheverell Sitwell and Laurie Lee. Between them, the twins were proposed to by, among others, Arthur Koestler and George Orwell; had liaisons with Albert Camus and the formidably clever Oxford philosopher Freddie Ayer; quarrelled with Jean-Paul Sartre and Simone de Beauvoir; and received love sonnets from the historian and poet Robert

The circus provides perfect cover for espionage

The hall was before me like a gigantic shell, packed with thousands and thousands of people. Even the arena was densely crowded. More than 5,600 tickets had been sold. Cyril Bertram Mills started his circus career accompanying his father to European horse fairs in the 1920s. The two of them were soon familiar faces on the German circus scene, travelling between shows to recruit acts for London. The Munich Circus was a particular draw; but sometimes they hired out their circular wooden building to other local acts. The opening quote of this review comes from Adolf Hitler. Mills was at first dismissive of the Munich Nazi party leader, pointing out

Four female writers at the court of Elizabeth I

Almost a century ago, in A Room of One’s Own, Virginia Woolf claimed that if William Shakespeare had had an equally talented sister the obstacles to her sharing his vocation would have been insurmountable. Woolf’s argument that a woman needs ‘money and a room of her own’ in order to write proved persuasive. ‘Shakespeare’s sister’ has become a pop-cultural trope. So perhaps it’s unsurprising that the distinguished American scholar of the Renaissance Ramie Targoff should borrow the phrase for a study of four woman writers. Her title offers a shortcut to understanding how significant this immensely accomplished quartet is for readers and writers today. Not that Targoff’s elegantly readable, immaculately