Exit the hero
It was in The Spectator, in 1954, that the Movement was christened, and its members’ stereotyped image was soon set: white, male (except for Elizabeth Jennings), non-posh poets who rhymed and scanned, hated Abroad, thought T. S. Eliot was arse, Didn’t Come From London, and disconcerted the students at the redbrick universities where they taught by wearing flat caps and scarves in lectures. Kingsley Amis cast them as a jazz ensemble: Jack Wain and the Provincial All-Stars Wain (tpt, voc) directing Phil Larkin (clt), ‘King’ Amis (tmb), Don Davie (alto), Al Alvarez (pno), Tommy Gunn (gtr), George (‘Pops’) Fraser (bs), Wally Robson (ds) It was at the time a highly