Biography

Exit the hero

It was in The Spectator, in 1954, that the Movement was christened, and its members’ stereotyped image was soon set: white, male (except for Elizabeth Jennings), non-posh poets who rhymed and scanned, hated Abroad, thought T. S. Eliot was arse, Didn’t Come From London, and disconcerted the students at the redbrick universities where they taught by wearing flat caps and scarves in lectures. Kingsley Amis cast them as a jazz ensemble: Jack Wain and the Provincial All-Stars Wain (tpt, voc) directing Phil Larkin (clt), ‘King’ Amis (tmb), Don Davie (alto), Al Alvarez (pno), Tommy Gunn (gtr), George (‘Pops’) Fraser (bs), Wally Robson (ds) It was at the time a highly

Living the pagan idyll

For years an intimate friend of my mother Rachel Cecil, Frances Partridge inhabits my memory from early childhood. Before she reached 50, her dark, delicate skin was already seamed with a thousand wrinkles like a very old woman’s, although she remained youthful all her prodigiously long life, retaining an acute power of sympathy. She would ask one searching personal questions and loved arguing, but good-humouredly, despite her strong pacifist and anti-religious convictions which were hotly contested in my home. Her youthfulness showed also in her birdlike gaze and musical, emphatic voice, the hallmark of the Bloomsbury circle with which she was so long associated. My childhood recollections include also her

Dilly-dallying romance

Translated to Borsetshire, John Constable’s courtship of Maria Bicknell would provide more material than any script editor could handle without straining audience impatience beyond endurance. Nine years it took, from initial yearnings and tacit engagement to get them to the altar at St Martin-in-the-Fields and even then, in October 1816, it was the quietest of weddings. Over those years Constable’s ardour was divided. ‘Deplorable as our case is, I would not be without it for the world’, he wrote to his beloved early on when she was at her most inaccessible. That left him plenty of time in which to obsess over his art. Martin Gayford has an eye for

A delicate talent

When, 15 years ago, Nicola Beauman embarked on this life of ‘the other Elizabeth Taylor’, the novelist and not the film star, she had been deprived of documents that would certainly have been of tremendous use to her. These were the letters that, over a period of some three decades, Taylor wrote regularly and at length to the novelist Robert Liddell, living in self-exile in Greece. Aware that she was terminally ill, she asked him to burn her side of their correspondence, and no less regrettably then destroyed his. Was he right to obey this injunction from a woman whom he himself described as the best letter-writer of the 20th

Tales out of school

The Old Boys’ Network, by John Rae At Westminster School, under the shadow of Big Ben and at the very centre of national life, 600 of the brightest, quirkiest and most stimulating boys and girls in the country spar with teachers of similar character. Results are spectacular. The difficulty for the headmaster, however, is that by long tradition some of the governors and a great number of those who teach at Westminster have little time for headmasters. So he treads a thorny path, saying to himself, as John Rae confesses to his diary: ‘I am lucky to be here, but my days are numbered.’ Actually Rae survived in the job

Puzzling out the past

How do you write an autobiography without referring to almost anyone else in your life? In The Pattern in the Carpet, Margaret Drabble has done just that, using her interest in jigsaw puzzles to create a ‘hybrid’ book, part memoir, part history. The device allows Drabble to reveal more about herself than any exposé or biographer’s dissection, whilst leading us through the museums and galleries of the world in the search for puzzle trivia. The mildest of pastimes is Drabble’s ostensible subject, but the book is lively with an anguish only partly alleviated by the correct placing of a cardboard shape. As a child, Margaret Drabble would lie on her

Lincoln’s legacy

Every so often American Presidents let people know that they are reading a book. When George W. Bush was seen clutching a copy of Andrew Roberts’s History of the English Speaking People, acres of newsprint appeared on this elegant apologia for neo-conservatism. Now his successor in the White House wants us to know that he has a well-thumbed copy of Doris Kearns Goodwin’s Team of Rivals; and just in case you missed that, the publishers have helpfully emblazoned the front of the UK paperback edition with the headline ‘The Book that Inspired Barack Obama’. He could have done much worse. For Team of Rivals is one of the best biographical

A thoroughly good egg

A friend who belongs to an old-fashioned London club tells me that all anecdotes related within its walls are met with one of only three accepted responses: Great Fun, Rather Fun and Shame. Stanley I Presume is rather fun. It would have been great fun if the author was less discreet and less loyal and less scrupulous, because his life story — the first 40 years of which makes up the present volume — has been crammed with incident. Stanley Johnson has worked as a spy, a pioneering environmentalist and a Member of the European Parliament. As a youth he rode from London to Afghanistan on a motorcycle, hitch-hiked across

In a class of his own

‘Voltaire and the Sun King rolled into one’ is how Elizabeth Longford has described her Oxford tutor Maurice Bowra. As Fellow and then Warden of Wadham College from 1922 to 1970 and successively Professor of Poetry, Vice Chancellor of the University and President of the British Academy, this short, powerfully built, unbeautiful, but magnetic man for years gave the tone to the university. He was a brilliant wit and a challenging and imaginative college tutor. Late in his career, he fought an intelligent rearguard defence of the University’s independence. His biographer, Leslie Mitchell, well-known for his works on Whig history, has drawn on years of local Oxford knowledge and unpublished

Now universally acknowledged

Jane’s Fame: How Jane Austen Conquered the World, by Claire Harman What does Mr Darcy look like? Anyone who has read Pride and Prejudice will be able to give an answer. I believe that he is tall, square-jawed, beetle-browed, slightly weather-beaten and dark-haired. Is any of that at all controversial? But on returning to the novel, we find a strange thing. The one feature in that list which I would have thought beyond dispute is that he has dark hair. This, however, is what Jane Austen has to say about his personal appearance. On his first entry, he is said to have a fine, tall person, handsome features, noble mien

The world of big brother

If the past is a foreign country, who governs it? Who has the right, particularly in dealing with his parents and siblings, to patent very private memories, and sell them to the public? These are questions that generally nag at the readers of family memoirs, and it is a measure of the quality of The Music Room that it does not provoke them. William Fiennes is driven neither by self-indulgence nor a desire to rub salt into old wounds, but by an urge to comprehend and dignify the past, in its joys and its sorrows; to give it shape and meaning. This is, essentially, a prequel to The Snow Geese,

Opposites attracted

Privately printed books are now all too often castigated as ‘vanity publishing.’ But at a time when publishers pay vast advances for the ghosted memoirs of people ‘celebrated’ for kicking balls around or howling into microphones but refuse to take a minuscule financial risk on one as elegantly written and entertaining as this one, that old pejorative must surely be abandoned. Lord (Anthony) Quinton is a distinguished academic, the breadth of whose interests is indicated by the title of a previous book of his, From Wodehouse to Wittgenstein. His American wife Marcelle is a talented painter. In this collaborative work they each give accounts of their lives before they met

Old gipsy-man

Who reads Ralph Hodgson’s poetry today? Probably few people under the age of 40 have even heard of this strange Englishman who died in 1961 in a small town in the American mid-west. His most famous poems are those once learnt by schoolchildren like ‘Time you old Gypsy Man’ or ‘The Bells of Heaven’, both little more than pleasant rhymes. But in his day Hodgson was admired by (among others) Robert Lowell, Siegfried Sassoon, Stephen Spender and T. S. Eliot, who wanted him to illustrate the book that he had partly inspired — Old Possum’s Book of Practical Cats; the lazy Hodgson could have made a fortune from the project

Barking up the wrong tree?

The Vanishing Face of Gaia: A Final Warning, by James Lovelock He Knew He Was Right: The Irrepressible Life of James Lovelock and Gaia, by John Gribbin and Mary Gribbin James Lovelock is an English scientist, recip- ient of many awards, and he is a pleasant writer, moderate in tone and conciliatory towards his critics. In the late 1960s he became famous in New Age circles for his Gaia theory. The name, which is that of the old Greek goddess of Earth, was suggested to him by William Golding, his neighbour and pub companion in their Wiltshire village. It was immediately popular, and so was the image that Lovelock attached

The mother’s tale

‘I’m sick of this story of yours, this idea that it’s about drugs. If you want that to be the story then go away and write one of your f***ing novels about it, OK?’ says the angry son towards the end of The Lost Child, which goes nowhere slowly, despite the rollercoaster ride of publicity it has received. It is hard not to think that the boy has a point. Why didn’t Myerson do the decently indecent thing and write a novel? Plenty of writers — good writers — make little up, but nontheless deploy the mask of fiction which also provides protection for traduced parents, children, lovers and friends

Wit and wisdom | 14 March 2009

Judicial biography is out of fashion: Lord Chancellors apart, the lives of the bewigged great and good are confined within the narrow boundaries of the Dictionary of National Biography. Judicial autobiography is too often driven more by the self-esteem of the authors than the intrinsic interest of the subject. Anthony Lentin convincingly establishes his subject’s claim to resurrection. Born John Andrew Hamilton and of Mancunian middle-class origins, the future Viscount profited from an education at two great forcing houses of talent, Manchester Grammar School and Balliol. Called to the Bar by the Inner Temple, he was no instant success either in London or on the Northern Circuit. For many years

Member of the In and Out

Most MPs who start writing diaries do so in order to prove to themselves how central they are to the political process. But by the time the diaries come to be published, they tend to prove the opposite. The effect is either comic or tragic, depending upon one’s point of view.     Who wrote this, for example? ‘I will have a crack at the leadership as soon as I can, partly because I am in touch with real people, partly because I can offer some leadership.’ The answer? Edwina Currie. It comes in her diary entry of 7 October 1988, when she was a parliamentary under-secretary. ‘I look at rivals

Heroes and villains

This book falls into two distinct parts. The first is the author’s account of his own life until he left Oxford in disgrace. John Joll- iffe, the son of Lord Hylton, passed his childhood and youth at Mells, in Somerset, the home of the Asquith family, and at neighbouring Ammerdown, the seat of the Hyltons. Children in large houses were shoved upstairs to the nursery. In his father’s world, Jolliffe writes, the gap between generations ‘was deep in a way that would be unthinkable today, where parents and children live at such close quarters from the start’. This may have been a sea-change in the mores of the upper class,

More gossip with less art?

To say that this first volume of Samuel Beckett’s collected letters is a puzzle and a disappointment is to suggest that one might have had specific expectations of it. Where did this cryptic and poetic writer come from? What did so very affectless an author sound like when he was talking in his own voice to his intimates? And, considering the remote relationship most of his writing bears to the world, how did he look at it? Added to this specific anticipation is the knowledge that Beckett, in tthe Thirties, had an exceptionally interesting life. He was an intimate of the Joyce household, trusted by all members of it. He

From palace to cowshed

Madame de la Tour du Pin’s Journal d’une Femme de Cinquante Ans, with its vivid descriptions of her experiences during the French Revolution and the Napoleonic Empire, is one of the most enthralling memoirs of the age: a hard act, one would think, for a biographer to follow. Caroline Moorehead succeeds in doing so triumphantly in a rich and satisfying book which not only adds to our appreciation of her story but brings the whole tumultuous period and its characters to life. Born in 1770 into the highest reaches of the French nobility, Lucie-Henriette Dillon spent a lonely and unhappy childhood, brought up by a tyrannical grandmother after her mother’s