Biography

Saturday

Judith Flanders

The pen was mightier than the brush

Of the making of books about the Pre-Raphaelites, it appears, there is no end. Like the Bloomsberries, most of the PRB are more interesting to read about than the study of their work would suggest: a few towering talents stalk the mountaintops, while many lesser ones lurk in valleys and foothills. George Boyce was one of those lesser talents — a watercolourist of some small fame among his colleagues (although he was 52 before he was elected to full membership of the Old Water-Colour Society). His friend Henry Tanworth Wells had more worldly recognition, if not the esteem of the avant-garde: as a portraitist he painted the great, the good,

Saturday

Zenga Longmore

Going to the fair

Why would anyone want to buy this dreadful book? The frightful Simon Cowell appears to have co-operated with the author, and it is littered with repellent photographs — chiefly of a smirking Simon surrounded by beautiful ‘ex-girlfriends’. (Cowell is keen to inform us that he has had lots of girlfriends. He is not gay. Not. Gay.)    Surely, if one wanted to read about Cowell and gaze at pictures of his over-indulged, hairy body, why not just browse the internet? The websites featuring comments such as, ‘Simon Cowl is reelly horibel and rood’ are far more amusing than Tom Bower’s repetitive biography. I would forgive the author if his book

Saturday

Sam Leith

Hero of his own drama

Sam Leith is enthralled by the larger-than-life genius, August Strindberg — playwright, horticulturalist, painter, alchemist and father of modern literature When I’m reading a book for review, it’s my habit to jot an exclamation mark in the margin alongside anything that strikes me as particularly unexpected, funny or alarming. I embarked on Strindberg: A Life with — I’m ashamed to confess — the expectation of a weary plod through 400-odd pages of lowering Scandinavian neurosis, auguring a low exclamation-mark count and a high number of triple zeds. But by the end, there was an exclamation mark beside almost every paragraph. If it hadn’t been for the occasional ‘hahaha’ and ‘bonkers’,

Marcus Berkmann

Bookends: A life of gay abandon

Sometimes, only the purest smut will do. Scotty Bowers’s memoir, Full Service: My Adventures in Hollywood and the Secret Sex Lives of the Stars (Grove Press, £16.99) is 24 carat, 100 per cent proof. Now rising 89, Scotty (pictured above in his youth) was for years the go-to guy in Tinseltown for sexual favours. Black, white, short, tall, same sex, opposite sex: he could supply it all. But this was no prostitution ring he was running, good lord no. He didn’t charge for his services. He just liked ‘to help folks out’. And he was winningly discreet — until now, that is. His book is Hollywood Babylon and then some,

Saturday

Minoo Dinshaw

A feast of vanities

The name of Savonarola slides off the tongue as if concocted for an orator’s climax. But when it came to names, whether by melody or reputation, the Florence he knew offered aggressive competition. Pico della Mirandola, Lorenzo ‘il Magnifico’ de’ Medici, Botticelli, Michelangelo and Machiavelli all shared his era. In an unexpected and sympathetic conclusion to the radical friar’s latest biography, Donald Weinstein defends one of George Eliot’s least loved novels, Romola: Eliot’s success in bridging the 400-year historical and cultural divide between herself and Savonarolan Florence was remarkable, and her judgment of the Frate himself nuanced and independent. But ‘Savonarolan Florence’, Weinstein contends, has always been a work of

Ian Thomson

Godfather of rap

At a funeral in New Orleans in 1901, Joe ‘King’ Oliver played a blues-drenched dirge on the trumpet. This was the new music they would soon call jazz. A century on, from the hothouse stomps of Duke Ellington to the angular doodlings of Thelonious Monk, jazz survives in the vocal inflections of rap. To its detractors, rap presents black (increasingly, white) people to the world in terms the Ku Klux Klan might use: illiterate, gold-chain-wearing, sullen, combative buffoons. (‘Life ain’t nothing but bitches and money’, harangued the Los Angeles combo N.W.A. in a reversal of Martin Luther King’s ‘black improvement’.) Yet Bob Dylan had offered an early version of rap

Saturday

Richard Davenporthines

A horrid story of intellectual corruption

The death of a great author often causes interminable displays of corrosive envy. Heirs, acolytes, interpreters and academics resent one another’s claims on the literary estate or cultural heritage. They try to engross the dead talent for their own. They claim privileges, and make spiteful stabs at people with whom they have the closest affinities. It was inevitable that this would be the fate of someone of the momentous stature, but sometimes arcane significance, of Henry James. Yet, as Michael Anesko recounts in this reflective and graceful monograph, the problem was aggravated by James’s conduct during the last decade of his life when he doctored family correspondence, made bonfires of

Saturday

Lewis Jones

Bookends: An unreal world

Even by Hollywood standards, Carrie Fisher is pretty crazy. She was born a Hollywood princess, and remembers her parents — Debbie Reynolds and Eddie Fisher — as ‘not really people in the traditional sense’. Nor, obviously, was her stepmother Elizabeth Taylor, let alone her friend Michael Jackson. And nor is she herself, shackled, as she feels, to the image of ‘a stern-looking girl wearing some kind of metal bikini lounging on a giant drooling squid’, as Princess Leia in Star Wars, aged 19, while these days looking, as she sportingly repeats, more like Elton John. The drink and drugs did not help, particularly the LSD, and nor did analysis or

Saturday

Lewis Jones

Settling old scores | 10 December 2011

As a boy, Brian Sewell was unimpressed by opera but enraptured by pantomime which, he reveals in Outsider, sowed in him ‘an undying ambition, never fulfilled, to play the Widow Twanky in Aladdin’. Panto’s loss has been art criticism’s gain for, his tremendous erudition and exquisite prose aside, Sewell is surely the funniest art critic of our time, and easily the campest. In his ‘Prelude’ he remarks that he has ‘dug deep into indiscretion’, and ‘some may say that I have dug deeper still into prurience’. They would have a point. The first chapter, which is about his mother, or ‘principal demon’,  sets the tone. She ‘had, I think, as

Saturday

Jonathan Croall

Forthright to a fault

Her mother was Ellen Terry, the most admired actress of the day. Her brother was Edward Gordon Craig, the celebrated stage designer. Little wonder then that Edith Craig was overshadowed for most of her life by two such towering figures. Yet her theatrical achievements were substantial. She was a talented costume designer and maker, the founder of the radical theatre group the Pioneer Players, and an indefatigable producer and director of countless plays and pageants. She was also an important figure in the suffrage movement, staging many feminist plays, and lived in a famous artistic lesbian ménage-à-trois. After her mother’s death she turned her cottage, Smallhythe Place in Kent, into

Jane Rye

Lust for life | 3 December 2011

Seduced by the hayseed hair and the Yorkshire accent it’s tempting to see the young David Hockney as the Freddie Flintoff of the painting world: lovable, simple, brilliant, undoubtedly a hero, and delightfully free of angst. In this enjoyable book, which sets out to to ‘conjure up the man he is and in doing so to put his paintings and drawings in the context of his extraordinary life’, Christopher Simon Sykes provides us, naturally, with a more complex story. Hockney is a hero if course — not least to homosexuals, for blazing a stylish and courageous trail to emancipation in the 1960s, and more recently to beleaguered smokers in his

Saturday

Victoria Glendinning

A man who quite liked women

It is noticeable that the kind of young woman that a clever public man most likes talking to is intelligent but totally unchallenging. This is pleasant for both. She gets to pick up useful knowledge, while he can hold forth, happy that she doesn’t have the inclination or firepower to disagree, argue or interrupt.    Dr Johnson was a bit like that. He wanted women to be equal ‘but not too equal’.  Hannah More, a successful playwright young enough to be his daughter, had too much natural self-belief for him, and he did not admire her dress sense. He was wary and in awe of the confident poet Elizabeth Carter,

Saturday

Ian Thomson

Cocktail Hour Under the Tree of Forgetfulness by Alexandra Fuller

There is always a special risk, says Alexandra Fuller, when putting real-life people into books. Not all those who recognised themselves in her terrific memoir of 1960s and 1970s white-ruled Africa, Don’t Let’s Go to the Dogs Tonight, had appreciated their transformation. The author’s own mother, Nicola Fuller, was disquieted to find herself as a character in that ‘awful book’ (as she refers to it today). Was she really that flaky and drunk? Or was that how others perceived her? Most writers make life more interesting than it is; I suspect that Alexandra Fuller is among them. In Cocktail Hour Under the Tree of Forgetfulness she returns to the Africa

Andrew Rosenheim

Steve Jobs: The Exclusive Biography by Walter Isaacson

America has always idolised its entrepreneurs, even when it has proved a thankless task — if you can glamorise Bill Gates, you can glamorise anyone. Especially Steve Jobs, whose death from pancreatic cancer has been greeted as the loss of Mammon’s Messiah. Is any of this justified? Well, yes and no. Jobs did as much as anyone, with the possible exception of Gates, to bring digital change into the mainstream, and this makes his biography as much a history of a digital revolution as a personal story. It’s this fittingly binary quality that makes Walter Isaacson’s biography so worthwhile, since Jobs himself emerges from it as an unattractive, even repellent

Sam Leith Sam Leith

Martin Amis: The Biography by Richard Bradford

Where’s Invasion of the Space Invaders? That’s what I want to know. Only by consulting Richard Bradford’s bibliography would you know that in 1982 Martin Amis published a book — subtitled ‘An Addict’s Guide’ — on how to win at Space Invaders, and that he (presumably) hasn’t let it come back into print. An entire book! That seems to me worthy at least of a paragraph in the body of a 400-odd-page writer’s biography. It tells you something, doesn’t it? I mean, apart from the fact that Martin Amis once liked Space Invaders, which is amusing if not crucial. Anything a writer disowns is of interest: particularly if it’s a

Saturday

Nicholas Lezard

Low Life: One Middle-Aged Man in Search of the Point by Jeremy Clarke

Some may question whether a review of a columnist’s work in the magazine in which that columnist’s work appears can ever be impartial. It can, and not just because this particular magazine is, as far as I recall, honest about this kind of thing. It’s because it’s in my interests to be hard on Jeremy Clarke. I write what you may describe as the equivalent column for your anti-matter counterpart, the New Statesman; moreover, I am engaged in the business of bunching my selected columns into a book, rather as he has done here. One does not want to encourage the competition. Furthermore, I knew Clarke’s predecessor, the late Jeffrey

Juliet Townsend

Georgette Heyer: Biography of a Bestseller by Jennifer Kloester

Those of us who have spent an embarrassing number of hours immersed in the Regency novels of Georgette Heyer have learned to live dangerously. We have been overturned in high perch phaetons, held up innumerable times by highwaymen, been kidnapped and spirited across the Channel, lost several fortunes at Faro or Bassett and have even witnessed and survived every moment of the Battle of Waterloo. The same cannot be said of the author, whose life was somewhat less eventful. Heyer was a creature of habit and for many years followed a regular annual routine: two novels published, one detective story and one Regency romance, a summer holiday in the same

Carey Schofield

Pakistan: A Personal History by Imran Khan

Imran Khan’s Pakistan: A Personal History describes his journey from playboy cricketer through believer and charity worker to politician. His story is interwoven with highlights from Pakistan’s history. At times he seems to conflate his own destiny with that of Pakistan, and at others to be writing a beguilingly honest personal account. Khan describes how youthful hedonism eventually gave way to faith. His cricketing life led him to realise that talent and dedication were no guarantee of success. In the end, he says, it comes down to luck. ‘Over the years I began to ask myself the question — could what we call luck actually be the will of God?’

Saturday

Hugo Williams

The short life of Tara Browne

I received a call from the Irish writer Paul Howard, who, as Ross O’Carro-Kelly (‘Rock’) has written a number of popular satires about Ross and the Celtic Tiger, a series now necessarily discontinued. Howard is presently embarked on a new project — a biography of Tara Browne, who famously ‘blew his mind out in a car’ in the Beatles’ song ‘A Day in the Life’, the one that begins ‘I read the news today oh boy/ About a lucky man who made the grade’. (He was similarly elegised in ‘Death of a Socialite’ by The Pretty Things.) I knew Tara well during the Paris phase of his brief trajectory and

Lewis Jones

What is it about Stieg Larsson?

Stieg Larsson was a rather unsuccessful left-wing Swedish journalist who lived off coffee, cigarettes, junk food and booze, and died aged 50 after climbing seven flights of stairs, having recently sold to a publisher the series of crime novels now called The Millennium Trilogy. It was originally called The Men Who Hate Women, and in Sweden the first of the series was published under that prize-winningly awful title. The Millennium Trilogy is an improvement, but hardly has the ring of a hit. Nonetheless, it has sold millions of copies and inspired a global cult. The sales are due entirely, I should think, to the infinitely sexier titles Larsson’s publisher came