Billie eilish

Finneas has little to offer without his sister Billie Eilish

No truth is more self-evident than that there are those whose best emerges only when they are paired with others: Lennon and McCartney, Morecambe and Wise, Clough and Taylor. And it’s perhaps even harder for a behind-the-scenes collaborator to step out in their own right. Jack Antonoff, for example, is one of the creative powerhouses of modern pop: he co-writes and produces songs for Taylor Swift, Lana Del Rey and Lorde, who plainly regard him as intrinsic to their success. His work probably reaches more ears than any other songwriter on Earth. But when he writes and produces those songs for himself? The magic vanishes. The band he fronts, Bleachers,

Hugely unmemorable: Billie Eilish’s Happier Than Ever reviewed

Grade: C+ Time to get the razor out again — Billie’s back. The slurred and affected can’t-be-arsed-to-get-out-of-bed vocals. The relentless, catatonic introspection, self-pity and boilerplate psychological insights. The queen of sadgurls has a new album — and yes, of course, the title is the closest Billie has ever come to making a joke. Of course she’s not happy — that would be her schtick sold down the river. If Billie ever professed herself really happy her fans would quickly go elsewhere to slake their misery jones. Eilish has talent, along with the over-weening narcissism that comes with affording your every feeling a sense of great, dramatic import. But it is