Beryl Cook

Thursday

Laura Gascoigne

Suppress your groans: this women-only show is fascinating

In a Victorian art dealer’s shop a woman waits with her young son while the supercilious owner examines her work; behind her two top-hatted gents interrupt their inspection of a drawing of a dancer in a tutu to give her the once-over. The woman’s shabby umbrella, propped against the counter, awaits reopening in the rain outside. She knows what the dealer will say, and so do we. Every picture tells a story, and Emily Mary Osborn’s ‘Nameless and Friendless’ (1857) summarises the plot of Tate Britain’s latest exhibition, Now You See Us. Unlike her picture’s protagonist, Osborn was herself a successful artist in a field dominated by men – not

Thursday

The Spectator

Letters: how to get the uni protestors out

Soft left Sir: I read with a certain wry amusement in Yascha Mounk’s piece that ‘activists’ occupying Columbia were demanding the university administrators should supply them with food and water (‘Preach first’, 11 May). How times have changed. In winter 1976 I was the president of the student body at Edinburgh University. A group of ultra-left activists occupied a building of the social science faculty. The administration sent two members of staff to speak to me in the hope that I might be able to dislodge them. I explained very patiently to them that given my own unashamed Conservatism, there was unlikely to be any meeting of minds on this

Thursday

William Moore

Drama students: how universities raised a generation of activists

39 min listen

This week: On Monday, tents sprung up at Oxford and Cambridge as part of a global, pro-Palestinian student protest which began at Columbia University. In his cover piece, Yascha Mounk, a professor at Johns Hopkins University, explains how universities in both the US and the UK have misguidedly harboured and actively encouraged absurdist activism on campuses. Yascha joined the podcast to discuss further. (01:57) Next: Bugs, biscuits, trench foot: a dispatch from the front line of the protests. The Spectator’s Angus Colwell joined students at tent encampments this week at UCL, Oxford and Cambridge. He found academics joining in with the carnival atmosphere. At Cambridge one don even attended with their

Julian Spalding

The brilliance of Beryl Cook

Nobody claims Beryl Cook was an artistic genius, least of all the artist herself. ‘I think my work lies somewhere between Donald McGill [the saucy postcard artist that George Orwell wrote so lyrically about] and Stanley Spencer,’ she once told me. ‘But I’m sorry to say I’m probably nearer McGill.’ She was, as ever, being modest. I actually think she’s nearer Spencer – and Hogarth, come to that. Cook’s paintings make us laugh but that doesn’t stop them from being art. (Few would say Shakespeare’s comedies are as profound as his tragedies, but they’re brilliant creations, nevertheless.) Though Victoria Wood dubbed her work ‘Rubens with jokes’, there aren’t actually any