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This year is the centenary of the birth of Iannis Xenakis, the Greek composer-architect who called himself an ancient Greek stuck in the contemporary world. His instrumental music at times suggests an alien species trying to communicate with us through our musical instruments, his electronic music a distressed animal on the receiving end of amateur dentistry. For his part, Xenakis said that music ‘must aim… towards a total exaltation in which the individual mingles, losing his consciousness in a truth immediate, rare, enormous and perfect’. Of all the post-war European firebrands, Xenakis remains the most influential today. ‘Xenakis opened many fields of inquiry that are still vital, undiscovered, and brimming