Bbc

It’s not just the BBC’s well-paid stars who didn’t like hearing that the licence fee will be abolished. Labour MPs have been spitting feathers at Nadine Dorries’s audacious move to phase out the existing system by 2028, with many standing up in the House of Commons today to proclaim their dismay. Lucy Powell, Dorries’ opposite number, wailed that the government’s ‘cultural vandalism’ risked ‘destroying everything that is great about Britain.’ As the creator of the Ed Stone, she’d know all about that. Powell doubled down on Twitter, claiming the abolition of the licence fee was ‘the end of of the BBC as we know it’. Strong stuff and Powell’s colleagues were quick to retweet in

It seems the government reset isn’t going exactly to plan. Michael Gove, Boris Johnson’s trouble-shooter, was due to appear on Radio 4’s Today programme in the coveted 8:10 a.m slot this morning to explain how he has finally solved the long-running cladding crisis as part of his housing brief.  But what should have been a moment of triumph turned into an episode of farce. For, in scenes straight out of W1A, the Minister for Levelling Up appears to be unable to, er, go up a level, as he spent more than half an hour trapped in one of the Corporation’s lifts. An embarrassed BBC presenter Nick Robinson was forced to explain the unfolding drama live on

Some accuse Britain of being a mawkishly sentimental nation. So what better rejoinder could be offered to that than the BBC’s New Year’s Eve fireworks display, when an army of drones spelled out the letters ‘NHS’ in the sky. As Big Ben struck midnight yesterday, actor Giles Terera recited a poem more twee than a tea commercial, eulogising the country’s supposed ‘achievements’ in 2021. For nothing screams progress like a Hamilton actor performing a YouTube star’s piece about COP26 on the Millennium Bridge.  Emphasising every word as if it were crafted by Shakespeare himself, Terera did his best with a structure that managed to rhyme ‘vaccination’ with ‘nation’ and Tom Daley’s ‘cardie’ with ‘camaraderie.’ All the usual

‘In many ways, Phileas Fogg represents everything that’s alarming and peculiar about that old sense of British Empire. Potentially, it’s a story about an England that should elicit very little sympathy,’ says David Tennant, explaining, better than any review ever could, exactly why every fraction of a second’s time spent watching him in Around the World In 80 Days (BBC1) is life spent utterly squandered. Truly if David Tennant had been offered the role of a giant, steaming dog turd, he could hardly have approached it with less enthusiasm than he gives to his sour, bloodless, joyless impersonation of Jules Verne’s upper class English adventurer. So unbearably lame is his

Parliament has packed up for the holidays, with MPs and peers spending their final days in SW1 desperately dodging the omnipresent Omicron variant. But Mr S was intrigued to see an interesting intervention in the Lords on the day that recess was declared. Crossbench peer Baroness Finlay popped up to grill Foreign Office minister Lord Ahmad about China’s treatment of Uighurs in Xinjiang, an unusual topic for the professor of palliative medicine to raise.  She told Ahmad that she understood the BBC ‘has film evidence of the atrocities’ that have been addressed in the Uyghur Tribunal, but that the Corporation has been ‘reluctant to show the programmes to date, having set the evidential test so unrealistically

‘Always look on the bright side of life’ sang Monty Python. But it seems that for at least one of the legendary sextet, such sentiments are now a thing of the past. For the octogenarian John Cleese has today announced he will complain to the BBC over an interview conducted with one of their reporters. What heinous crime did the journalist in question commit? Which unfortunate anchor is to blame? How much trouble is the Corporation in this time? Well, judging from the footage in question, the answer to Mr S seems, er, not a lot. Cleese was riled earlier by an interview with BBC World News presenter Karishma Vaswani who chose to ask him about his

The BBC has produced its annual 100 Women list, a showcase for women who have done interesting, important things. There’s a lot to like about this year’s list: half the women on it come from Afghanistan; some of them, tellingly, can’t be pictured for their own safety. Perhaps if fewer British resources had been deployed getting Pen Farthing’s dogs out of Kabul in the summer, some of those women wouldn’t live in fear for their lives. But that’s another debate. There’s something else interesting about the BBC’s 100 Women, which says something about the Corporation’s ongoing struggle for impartiality. At least two of the people on the 100 Women list

There was an exchange in the House of Commons on Thursday afternoon that ought to be a scandal but won’t. It ought to be a scandal because it involves a Cabinet minister undertaking to do something that, in any other context, would bring waves of condemnation from across the House. It won’t because the scandalous thing the minister pledged to do is endorsed by Good People with Good Intentions and could only be decried by Bad People with Bad Intentions. The minister was Priti Patel and she was being questioned about the deaths of 27 migrants who attempted to enter Britain via the English Channel. The SNP’s Brendan O’Hara said

This morning saw a profound breakthrough in the trans debate. I say that on the basis of an interview Nancy Kelley, Stonewall’s CEO, did with the BBC’s Emma Barnett on Woman’s Hour.  What’s important is not really anything that Kelley said, though some of that was indeed interesting and I’ll come to it in a second. What matters is that the interview took place at all, since that constitutes a significant shift in the way Stonewall does its work. Stonewall’s instinct has been to largely avoid mainstream media and other political debates about its work on trans issues that is now its primary focus. Kelley has given a handful of interviews