Bbc

Expert witness

Recent events in Egypt have exposed not just the chasms in our understanding of what’s been going on in the countries of the Middle East, but also the effects of changes in how the BBC is spending the licence fee on reporting ‘fast-breaking’ stories. Recent events in Egypt have exposed not just the chasms in our understanding of what’s been going on in the countries of the Middle East, but also the effects of changes in how the BBC is spending the licence fee on reporting ‘fast-breaking’ stories. Instead of ‘stringers’ in the field, kept ticking over in foreign parts on a modest retaining fee to become deeply versed in

Save the World Service

All this talk about cuts might not be such a bad thing, if it forces us to think about what really should not be left to rot and wither away for lack of funding. Take the BBC’s World Service. Do we really need it in these post-imperial times? After all, it was set up in 1932 so that the King could keep in touch with his subjects, day and night, around the globe, wherever they might be. Those first broadcasts rather touchingly suggested that the King and his representatives in Whitehall actually cared about what happened to the peoples of Togo, Tanganyika and Christchurch, NZ. But, as The King’s Speech

Al-Jazeera is not a new BBC World Service

Egypt has made al-Jazeera English. The Qatari satellite channel has been the “go-to” channel; it has had more reporters on the ground than the BBC and CNN; and it has used technology in ways that make Western media look like they belong to a different era. Newspapers from the New York Times to the Wall Street Journal have talked about the channel’s role in the protests. And all this despite its broadcasts being banned in Ben Ali’s Tunisia and blocked in Egypt. Facing these constraints, the TV channel switched to social media like Facebook, Twitter, and YouTube. Its website posted Live Messages — audio messages recorded from phone calls placed

Writerly magic

A frock that shocks, a terror-filled red coat and diamonds of seductive power are all promised next week in an alluring late-night series on Radio 3 (produced by Duncan Minshull). Listener, They Wore It gives us five 15-minute essays about clothes. Not a subject I would normally bother with, never being someone noted for my sartorial elegance or originality. But by chance I opened up one of the preview discs and was hooked immediately. The novelist Tracy Chevalier is talking about the impact on her teenage self of Guy de Maupassant’s short story ‘The Necklace’. Chevalier based an entire novel on a pearl necklace so she knows the value of

Single vision

There’s been much grumbling in the shires about Radio 3’s 12-day Mozart marathon. There’s been much grumbling in the shires about Radio 3’s 12-day Mozart marathon. Why burden us with so much baroque? Where do you go if you can’t abide all those notes? But actually there’s something wonderfully cleansing about knowing that what you’re going to hear at any time of day or night on the music station is bound to have a K number attached to it. It’s like going on a diet after too many mince pies and brandy butter. Hearing nothing but Mozart is certainly a test of the composer’s mettle, but as the Bach and

A day of gaffes

You really couldn’t make this up: it wasn’t Michael Moore’s PPS who was on the World at One resigning but someone impersonating him. The actual PPS, Michael Crockart, is still trying to make up his mind. I suggest that he doesn’t try and call in to a radio show to announce his decision. (Who would have thought we have lived to see the day when Lib Dem PPSs have impersonators?)   One has to feel sorry for Radio 4 today. It had the whole Jeremy Hunt business this morning on the Today Programme and Start the Week, and now it’s other flagship news programme has been very publicly duped.  

Tendentious drivel

It told the story of two best mates, Frankie and Peter, serving in an unidentified northern regiment in Afghanistan where Peter quickly discovers he can’t cope under fire — and as a punishment is made the unit’s ‘camp bitch’ by the sadistic Lance Corporal Buckley (Mackenzie Crook). ‘Our interest’s on the dangerous edge of things. The honest thief, the tender murderer, the superstitious atheist.’ So I suppose you could argue that  Jimmy McGovern was merely following the fine tradition of Robert Browning when he wrote his drama about cowardice, bullying and murder among British soldiers on the frontline in Afghanistan. But I wouldn’t. I think Accused (BBC1, Monday) was despicable:

Strike out

Spark up those Roman candles, the firefighters have called off their strike for today and tomorrow. According to the general secretary of the Fire Brigades Union (FBU), it’s all because “we’ve listened to the concerns about public safety and we were extremely concerned about the capabilities of the private contractors being brought in to cover our strike” – which is awfully thoughtful of them, considering that they previously stoked those “concerns about public safety” by threatening to strike over Bonfire Night. Oh, and they appear to have won some concessions too: the London Fire Brigade will no longer sack any firefighters who refuse to accept contracts that include the disputed

Dimbleby Fail

I didn’t watch Question Time last night, but there seems to be some stushie over David Dimbleby’s refusal to allow Nicola Sturgeon to talk about fiscal autonomy. “This is for a UK audience!” squawked our host, shutting down any discussion of a matter that, whatever he may believe (if he knows anything about the subject) is not in fact of merely local, tartan interest.  I don’t quite agree with everything Joan McAlpine writes here but many of her points are well-made. Dimbleby’s attitude – assuming it has been reported correctly – reflects a London-based parochialism that does neither him nor the Corporation any credit. This is not a Scotland vs

Downton Abbey: the new Brideshead

Lots of discussion of ITV’s Downton Abbey on Radio 4’s Broadcasting House and in the Sundays. There is a fascinating piece by Simon Heffer in the Sunday Telegraph extolling its virtues. It turns out that two of his friends are involved: writer Julian Fellowes and actor Hugh Bonneville. He concludes that the acting is excellent and the 1912 setting assiduously accurate. He adds that it is a shame that the series will only run to seven episodes. As I look forward to tonight’s fourth episode, I have to agree with him on all counts.  But there is much more to the success of Downton Abbey than mere technical excellence behind and in

Privatization revisited

The similarities between now and the early years of the Thatcher government can easily be overplayed. Yes, there are parallels: a public sector grown fat on government profligacy, unions leaders stirring up resentment, and a government unsure about quite how radical it wants to be. But there are clear differences too: the political dynamics, the industrial landscape, and, indeed, the magnitude of the fiscal crisis. Nevertheless, there is at least one successful Thatcher-era policy that is desperately due a comeback: privatisation. It won’t have escaped many CoffeeHousers’ notice that, despite the tough talk on the deficit, the government is still borrowing almost £20m per hour. The cost of servicing our

BBC Tory conference strike suspended

The warnings from Auntie’s leading hacks have been heeded – the strike has been cancelled. There is no done deal and the government is still in the union’s crosshairs: the strike has been delayed to the 19th and 20th October, the day of the comprehensive spending review, pending further consultation. All this raises a few points. First, Ed Miliband scores by having urged the NUJ to drop its plans in favour of impartiality – very New Politics, now matter how opportunistic the initial impulse to further debase the moniker ‘Red Ed’. The BBC has, for the moment, denied its detractors a major publicity coup, not that I think that Jeremy

An example of union hostility against people who want to do their jobs

Amongst BBC political staff, there’s mounting concern about the plans for a strike during Tory conference. One of them said to me at Labour conference that they just didn’t know what to do, they had been put in an impossible position by the decision to call the strike on such politically important days. These journalists fear that striking during Tory conference would undermine the corporation’s reputation for impartiality. So, a whole host of them wrote to their union rep asking him to make representations on their behalf. His reply shows just the level of hostility these people — who are just trying to do their job — are up against:

What it is to be British

What is it about the British and flag waving? I ask after watching last night’s superlative BBC Proms, a brilliant end to the best season for years. On HD and wired to the hifi, it was all the better. As the end approached, my Czech mother-in-law asked: if this is Britain’s flagship musical event, why are there so many foreign flags? It’s hard to explain. Britain has a mutating relationship with flags and nationality. Twenty years ago, the Union flag was used in England matches, then devolution came and the St George’s cross made an emphatic comeback. I’m sure I saw a Cornish flag last night, and at least one

Round x of Hunt versus Thompson

Jeremy Hunt has responded to Mark Thompson’s MacTaggert lecture, the contents of which have been reviewed by Paul Goodman at Con Home. You can watch Hunt here. He’s becoming as repetitive as the talking clock: the BBC must be live on the same planet as everyone else, the licence fee is not off limits and competition (both for programming and platforms) is a good thing and that the licence fee is not a muscle for the BBC to expand its activities ever further. As usual, he reserved ire for the BBC’s lack of transparency, which has led to excess in executive pay. But Hunt is an adept performer and realises

Disquiet at the Beeb

Well, well, it seems like there’s some internal disgruntlement about the changes at the Beeb. We’ve been forwarded this image of a message which has appeared on screens across Television Centre today. Look to the bottom line:       

Democracy in the BBC

What is that quote at the end of King Lear?  I think it is something like “the wheel has come full circle”. I felt a sense of that wheel with the announcement by Mr Miliband yesterday that the BBC should be democratised and become some sort of mutual co-operative. I have been campaigning for democratisation of the BBC licence fee for a while now, first writing about it on ConservativeHome in 2008 and most recently tabling an Early Day Motion, only a couple of weeks ago. Inevitably a few brickbats were thrown. My idea was loftily dismissed when I suggested it to BBC staff and Danny Finkelstein called it the

Miliband’s Big Society

Paul Waugh has already noted David Miliband and Tessa Jowell’s proposal to turn the BBC into a co-op. But the language they use to outline the idea is striking in itself. Here’s an excerpt: “In confronting the big challenges ahead of us, whether it’s rebuilding our economy, tackling climate change or protecting frontline public services – the need for collective action is greater than ever. This is a moment for mutualism, which offers us the opportunity to take collective action in step with individual aspiration, drawing on the values and practices of the cooperative movement and today’s Coop party. Underpinned by principles of trust, reciprocity and common ownership – co-operative

Gove kills two birds with one stone

Michael Gove may be a pip-squeak but he has an imperious voice and that formidable quality of both sounding and being enormously clever. With a faint note of arrogance, he bossed a potentially difficult interview on the Today programme this morning. Tired of defending himself against Ed Balls’ dishonest maxim that what’s good for bureaucratic process is good for children, Gove changed tactics. He described his bill as a ‘permissive piece of legislation’ and linked it directly to the Blair-Adonis Academy reforms, which were frustrated by a regressive coalition wedded to the educational status quo. Gove emphasised that the cuts to the school building fund (drawn up by Balls in