Bbc

Radio review: Coronation Day Across the Globe

Coronation Day 1953 could have marked the end of radio as we know it. No one wanted to listen to the commentary from Westminster Abbey. Everyone wanted to see what was going on. Hearing could not, it was thought, be as effective an act of witness as viewing the glittering diamonds, the gleaming satin, the pageantry, the pomp and the extraordinary sight of the weight of royalty, both physical and metaphysical, being bestowed on so slight a young woman. Those who had the money rushed out to buy a Regentone table TV or a Baird Townsman. Those who couldn’t afford to buy or rent a TV begged a neighbour to

Spectator Play: The highs and the lows of what’s going on in arts this week

Christopher Purves began his musical career playing doo-wop and rock and roll with the band Harvey and the Wallbangers . These days however, the stages of Glyndebourne and La Scala are his new stomping ground. In this week’s magazine, Julian Flanagan chats to the baritone about his transition from pop to opera, the pivotal events of his opera career, and the ambitions he has yet to fulfil. In his latest role, Purves plays Walt Disney in Philip Glass’s The Perfect American at the ENO, which has proved to be a physical challenge for the singer. But ‘I’ve never gone for the easy life’, he tells us. His career path so far

Portrait of the week | 30 May 2013

Home Ten men were arrested in connection with the public, daylight murder of Drummer Lee Rigby near his barracks in Woolwich. The two chief suspects, Michael Adebolajo, 28, and Michael Adebowale, 22, Britons of Nigerian descent and converts to Islam, had waited in the street after the hacking to death of the soldier until armed police arrived, and were then shot. Adebolajo had made some statements recorded on a mobile phone. The two men were taken to different hospitals with wounds said not to be life-threatening, and Adebowale was discharged into police custody after six days. MI5 was said to have previously attempted to recruit Adebolajo, who was found to

Why does the BBC so love lefty journalists?

My response to the appointment of Ian Katz, deputy editor of the Guardian, to the editorship of BBC2’s Newsnight has been one of disbelief and amusement. Of course there’s nothing new in the Beeb hiring a paid-up Guardian-ista. It’s what we have come to expect. But one might have expected its new director-general, Tony Hall, to tread a little more carefully. Newsnight has a long history of Tory-bashing, and it disgraced itself last November with an orgy of false accusations against Alistair McAlpine, claiming without any evidence that he was a paedophile. Can one doubt that the programme threw caution to the wind at least in part because Lord McAlpine

A point of order, Your Royal Highness

The Duke of Cambridge joined forces with Prince Harry this morning to open Tedworth House Recovery Centre, the military hospital run by Help for Heroes. All power to the duke’s elbow, but one line jarred. William, rather tellingly, told the assembled top brass and troops that ‘even journalists’ had helped to promote the organisation and fund-raise for this vital facility. He went on to crack a joke at the expense of the tabloids. The duke’s disdain for the media is well documented, and justifiable in some cases. But Help for Heroes has had huge assistance from those same tabloids at which William was sneering from the podium. Fundraising, publicity, coverage

The Spectator’s Notes | 16 May 2013

The BBC loves nothing better than a narrative in which Tory anti-European eccentrics split their party, and a bewildered public votes Labour. It is certainly the case that some of the Tory sceptics are half-crazed by dislike of David Cameron. But the reason the subject keeps coming up is because it matters, and it remains unresolved. The Tory rebels understand this in straightforward electoral terms: the rise of Ukip threatens their seats, so they must do something about it. What is maddening is not so much Mr Cameron’s actual policy on Europe, but his patent longing to avoid the subject. His refusal to ‘bang on’ about Europe has brought about

CND cannot rewrite its own history

Last week I recorded an edition of Hardtalk for the BBC which has gone out today.  It is a discussion with Kate Hudson, the General Secretary of the Campaign for Nuclear Disarmament (CND), on the future of nuclear weaponry. The discussion is available on iplayer here. A couple of observations. Firstly, I seem to have been responsible for a rare ‘corpsing’ during a Hardtalk recording. Kate Hudson took a comment by me about the ‘decades’ CND had been fighting a losing battle as an ungallant remark on her age. It was not meant as such, but did lead to a temporary break-down in discussions, for which apologies. On a more

The Wright Way

Continuing the domestic bliss/ tv theme, one programme I have not watched so far is The Wright Way. This is a situation comedy about somebody called Wright, as you might have imagined. It is written by the 1980s comedian Ben Elton. The show has already received a slagging from a couple of critics, largely for not being funny. I have yet to read a good review. It is on BBC One – and this, I think, is the point. Who else, other than the BBC, would commission a show from Ben Elton? Just as who would put Jeremy Hardy and Sandi Toksvig on air? Nobody, I suspect. I don’t dislike

The LSE’s anger about BBC Panorama sounds synthetic and sententious

If I were to make a list of the things I thought the BBC should be doing, then a report from inside North Korea would come right at the top. Obviously, I would rather it were not the fairly ludicrous John Sweeney charged with delivering the report, but hell, you can’t have everything. I’m not sure that the film told us very much we didn’t know, and of course there was Sweeney’s portentous and self-important delivery to contend with. But still, it held the interest and it was an enterprise surely worth undertaking. The BBC has been savaged, as per usual, by the Daily Mail (among a few others) for

For 79p a download you can outrage the Establishment!

During the period when Ireland  had its own sort of censorship, a version of the Vatican’s Index of Forbidden Books, there was an ugly rush by publishers and writers to get their books onto it. The novelist Flann O’Brien used to complain that the chances of literary success for a book that hadn’t been banned were very slim. The lesson seems not to have been learned by some of Lady Thatcher’s friends, the ones who are urging the BBC not to broadcast ‘Ding Dong the Witch is Dead’ if it gets to the top of the charts. For some reason it’s been doing awfully well since her death. Headlines in

The Spectator’s Notes | 11 April 2013

It is strange how we are never ready for events which are, in principle, certain. The media have prepared for Margaret Thatcher’s death for years, and yet there was a rushed, improvised quality to much of the coverage when she actually did die. We have a curious habit of all saying the same thing, and feeling comforted by that, when really it is our job to say as many different things as possible. The BBC, which Mrs Thatcher, and even more Denis, detested, has been straining itself to be fair, but fairly bursting with frustration in the attempt. The way for it to express its subliminal opposition to her is

Mark Thompson’s BBC past haunts

Steerpike is back in this week’s magazine. As ever, here is your preview: ‘One of Lord Hall’s predecessors, Mark Thompson, is toiling away as chief executive of the New York Times. But he’s devised a brilliant wheeze to give his old chums at Broadcasting House a bit of extra work. Later this month his newspaper will co-host a Social Media Summit at the Times Center in New York. Thompson promises an ‘exciting line-up’ including world-class media luminaries like Matthew Eltringham, ‘Head of Web Site and Events at the BBC Academy College of Journalism’, and Dmitry Shishkin, ‘Digital Development Editor at BBC Global News’. These sages will discuss ‘journalism’s current use

Rod Liddle

The workers united will never be defeated…

There’s a BBC website where you can find out what class you are, according to new criteria drawn up by some bloke at the LSE and a babe from Manchester University. There are apparently seven new classes – which I suppose is designed to replace the old registrar General’s Scale – ranging from ‘Elite’ to something called ‘Precariat’, this latter comprising people with pit bull terriers but no money to feed them. It is a chimera, in my opinion. There are two classes in this country. There is the ruling class, which is privately educated and has inherited wealth and agreeable contacts and which comprises between 60 to 80 per

Why the confusion between debt and deficit?

Polls show that, depending on how you ask the question, just between 8pc and 12pc of us realize that debt is rising. It’s not hard to work out why: first, politicians – even the Prime Minister – says that debt is falling. They say they get it confused with ‘deficit’. But this morning, I tweeted that blame lies with the BBC and its failure to mention this basic point when reporting on the public finance. Its narrative tends to be one of fast, deep cuts. It tends to use language that no one understands, and not just conflating ‘debt/gdp ratio’ with ‘debt’. Most normal people don’t know what ‘deficit’ means,

The BBC and religion

It is to David Lammy’s credit that he hasn’t deleted what my Spectator colleague, Hugo Rifkind, describes as his new all-time favourite tweet. For those who haven’t come across it yet, this is how the Tottenham MP responded to the BBC’s coverage of the papal election where it mentioned “white smoke”: This tweet from the BBC is crass and unnecessary. Do we really need silly innuendo about the race of the next Pope? twitter.com/DavidLammy/sta… — David Lammy (@DavidLammy) March 12, 2013 There were more solid grounds for criticising the BBC that day: the corporation again showed its problems understanding religion. It managed to find a translator for the Vatican election

Bluestone 42: Dad’s Army it isn’t

The thing that always used to bother me about M*A*S*H as a child was the lack of combat. You’d see the realistic film of choppers at the beginning and, obviously, the plotline would quite often include casualties coming in from recent scenes of action. But the exciting stuff always seemed to happen offstage, a bit like in Shakespeare where some character strides on and tells you what a terrible battle there’s just been and you’re going, ‘Wait a second. Did we just skip past the most exciting bit?’ This clearly isn’t going to be a problem, though, with BBC3’s new sitcom about a bomb disposal unit in Afghanistan, Bluestone 42

Letters | 28 February 2013

Healing the world Sir: We most warmly commend the courage of Professor Meirion Thomas (‘The next NHS scandal’, 23 February) in lifting the lid on the appalling abuse of the NHS by foreign visitors. It has been going on for years but has been covered up by the culture of fear that has pervaded that organisation. We stand ready to support the professor in parliament if that should prove necessary. Regrettably, the present position is even worse than he described. The relevant quango (the Primary Care Commissioning group) issued instructions last July that GPs must accept an application for registration from any foreign visitor who is here for more than

James Delingpole

Spending isn’t the answer. But how do we explain that?

One of the things I love about being a classical liberal is that I’m always on the right side of every argument. I’m pro: freedom, jobs, self-determination, cheap energy, higher living standards, academic excellence, property rights, an even better future, Michael Gove MP, wine, women, song. (So long as the song is not by Maroon 5 or Bruno Mars.) And I’m anti: arbitrary authority, nanny-statism, money-printing, tyranny, despair, almost all war, poverty, prohibition, disease, squalor, uncleaned-up dog poo, meddling busybodies, crap capital projects based on massive lies (that means you HS2!), corrupt officials, civil war, totalitarianism, hyperinflation, injustice, Tim Yeo MP. Yet you’d scarcely guess this to read some of

Nick Robinson’s Battle for the Airwaves

Deep within the BBC’s inquiry into the Newsnight and Jimmy Savile affair is a comment by Jeremy Paxman so inflammatory as to demand its own investigation (lasting months and costing squillions). The trouble, he said, with BBC News is that it has become dominated by ‘radio people’. This was not, it seems, intended as a compliment. It’s as if, in Paxman’s view, the whole dreadful, dreary, demeaning muddle was the fault of those ‘radio people’, because according to Paxman they ‘belong to a different kind of culture’. You might think it’s of little importance that Paxman thinks himself cast from a different mould to, say, John Humphrys or Eddie Mair.

Censor’s black pencil hovers over BBC’s Jimmy Savile review transcripts

The BBC has released its (redacted) transcripts and other evidence from the Pollard Review, which examined the decision to drop Newsnight’s Jimmy Savile investigation. There are thousands of pages of evidence, which you can read here, some with large sections which have fallen foul to the censor’s black pencil, even though Jeremy Paxman in particular had made clear that he wanted his interview transcript published in full. We’ll bring you further details of the key transcripts throughout the afternoon, but one of the interesting observations from Paxman’s transcript is this on the effect of pared-down resources on Newsnight: ‘Newsnight, particularly in view of the – of the huge resource cuts