There is a new series of BBC Radio 3’s discussion programme ‘Belief’. Some readers may be interested in this episode in which I am interviewed by Joan Bakewell. It was recorded before Christmas and went out a few days ago. In any case, I much recommend the other programmes in the series, particularly those with Ian McEwan and Diarmaid MacCulloch.
Today, George Osborne used a speech to administer what he called ‘hard truths’ about the economy. But in some cases, the truth was even harder than he let on. Here is a Fisk of his speech… 1. Size matters — ‘Government is going to have to be permanently smaller – and so too is the welfare system.’ This phrase — ‘permanently smaller’ — is designed to appeal to Conservatives. But in isolation, it’s pretty meaningless: smaller than what? The Brown peak? The below graph tells the story. The size of the British government (in red) used to be around average for a developed country (in blue). Gordon Brown’s massive achievement was the Europeanisation of
When the Pollard Report into the BBC Jimmy Savile abuse affair was published in December 2012, BBC Trust Chairman Lord Patten confidently told a press conference: ‘As far as we’re concerned the report is an excellent account of what happened. We’re totally in support of the recommendations, and that as far as I am concerned is that.’ But that has not been that. Readers will recall that Helen Boaden’s testimony, relating to a conversation that she had with Mark Thompson about the Newsnight investigation into Jimmy Savile, was omitted from the report. It should be noted that Mr Thompson has ‘slightly different recollections’ of this conversation than does Ms. Boaden, and that
Is it time to scrap the licence fee? That’s a question we’re going to hear more and more about in the next couple of years. Why should the BBC retain its archaic monopoly over the airwaves? Why not abolish the royal charter that grants the BBC the right to collect the fee (worth £3.6 billion a year) when it comes up for renewal in 2017? A change is long overdue, throwing open the broadcasting market, giving the independent production companies more opportunities to succeed and enabling the new digital online stations to expand, build audiences, create more original audio experiences. Or is it? Just imagine what would happen to radio
So I’m looking at the seasonal TV schedules trying to find something — anything — to watch. Britain and the Sea? Probably very well done, but David Dimbleby is such a dangerously feline, OE-manqué, Flashmanesque, living-embodiment-of-the-BBC closet pinko that reviewing it would feel wrong, somehow, like chipping into a fund to buy Chris Huhne an eighth home. The Doctor Who Christmas Special? But it always makes me want to kill myself. I hate the idea that a Dalek garlanded in tinsel might burst into the Cratchit household with a fat goose dangling from its exterminator gun while the White Witch’s frozen heart melts and all the crippled children are released
Rod Liddle’s observation about the death of Nelson Mandela, cut off, alas, at the age of 95, hardly needs supplementing but I was struck by one aspect of the blanket coverage, viz, its quasi-religious character. The Mirror, the day after the sad event, observed that Mr Mandela was as near as we get in this fallen world to a saint. And this morning, the Today programme brought the thing to its logical conclusion when one presenter, Justin Webb posed the question (1.15): given the moral example of Nelson Mandela, ‘why is the world not a better place?’ So it was over for an answer to former US president Jimmy Carter,
Look; I’m sorry Nelson Mandela is dead. It happens quite often to people in their 90s who have been very ill, even famous people, but I’m sure that doesn’t lessen the sadness for many of us. I never met the man but, on balance, I came to the conclusion that he was a force for good rather than ill. I think I came to that rather banal and broad brush conclusion twenty years ago, or maybe fifteen. So, I’m sorry he’s dead, I wish it were otherwise. But for Christ’s sake BBC, give it a bloody break for five minutes, will you? It’s as if the poor bugger now has
Director of BBC News James Harding made a fascinating speech on Wednesday, setting out his mission statement for the Corporation’s newsroom: ‘Let’s start with holding people to account. In the offices of our local radio stations and regional TV operations – the places where the BBC does so much of its best work – we should play to that particular strength: accountability journalism.’ Mr S lives and breathes ‘accountability journalism’; it’s his eau-de-vie. But Harding seems to have a different understanding of the term than your humble correspondent. You would never know it from BBC News (or, for that matter, Auntie’s in-house journal The Guardian); but Nick Pollard, who was paid the tidy
David Yelland, a former Sun editor turned a PR director, is today giving a lecture to Hacked Off’s parent group lamenting what he sees as the absence of proper press regulation. He was invited on the Today programme to talk about it, and they kindly invited me on afterwards. Here’s the audio: listen to ‘David Yelland: Journalism in the UK is ‘lions led by donkeys’’ on Audioboo
I’ve worked for the BBC for years and have been listening to the Today programme all my adult life, but joining it as a presenter feels like exploring a new frontier. Being on top of your brief is one thing; the mechanics of a three-hour live radio programme quite another. Take the junctions leading up to the ‘pips’ at the start of each hour. From television, I’ve been accustomed to directors counting presenters down to these junctions while they ad-lib on air — the idea being to stop talking as the voice in your ear says ‘zero’. But radio presenters are pretty much on their own, watching the clock and
There has naturally been plenty of unfavorable comment on how the Revd Paul Flowers, the ‘crystal Methodist’, was allowed by the Financial Services Authority to become chairman of the Co-op Bank. But the story does not reflect very well on the media either. If you look at Robert Peston’s BBC blog on the subject, for instance, there is a lot of ‘I am told’ and ‘according to the Manchester Evening News’. Is there no one in the BBC’s enormous staff who could have done a bit of work years ago on the Revd Mr Flowers? Isn’t it even more extraordinary that the media did not pick up Mr Flowers’s ignorant
There has not been much good news out of Greece since the eurozone powers decided to crush the country, but it is heartening that the state broadcasting company, ERT, has been closed down. All such broadcasting systems, including the BBC, are attempts to impose certain political and cultural norms upon the population, and force them to pay for them. ‘This is how fascism works,’ protested one ERT ex-employee, as the riot police evicted her colleagues — who were trying to keep the service running — ‘slyly and in darkness’. She has got it back to front. Fascism (or communism) can prevail only if a state broadcasting system exists. Now that
Gosh it isn’t half irksome when someone who went to the same school as you but is considerably younger than you ends up doing dramatically better than you. But hats off to Dominic Sandbrook: his new series Cold War Britain (BBC2, Tuesday) is an absolute delight. Sandbrook has that rare gift of making things you thought you knew pretty well already seem startling and fresh. Take Churchill’s Fulton, Missouri speech. ‘Ah,’ I said expertly to the Fawn, a good five minutes before the programme reproduced the famous recording, ‘From Stettin in the Baltic…’ But what Sandbrook does is both put it in context and give it a human dimension that
There has not been much good news out of Greece since the eurozone powers decided to crush the country, but it is heartening that the state broadcasting company, ERT, has been closed down. All such broadcasting systems, including the BBC, are attempts to impose certain political and cultural norms upon the population, and force them to pay for them. ‘This is how fascism works,’ protested one ERT ex-employee, as the riot police evicted her colleagues — who were trying to keep the service running — ‘slyly and in darkness’. She has got it back to front. Fascism (or communism) can prevail only if a state broadcasting system exists. Now that the conservative dominated Greek government has stopped it and won its parliamentary vote of confidence, I hope that
These days I find myself so drifting away from the bounds of acceptable opinion that I don’t even shout at Radio 4 for being biased, because I don’t even understand the basis of what the arguments are about. Take this morning’s schools feature (occasioned by Sir John Major’s comments about the ‘truly shocking’ dominance of a privately educated elite in public life), in which Harry Mount argued in favour and Owen Jones against the motion that grammar schools lead to more social mobility than comprehensives. listen to ‘Owen Jones and Harry Mount on social mobility’ on Audioboo
Our Parliamentarian of the Year awards continue to makes the news. I’m reliably informed that this item in Dominic Lawson’s Mail column is the result of a jolly exchange at last Thursday’s lunch: ‘There are two television programmes which I watch regularly: Newsnight and University Challenge — both presented by Jeremy Paxman. But which Jeremy Paxman? On Newsnight he wears a beard. On University Challenge he is clean-shaven. I am unsettled by the divergent appearances of the presenter in my life — though I know it is because the current series of University Challenge was filmed before he abandoned his razor. At a lunch last week I asked Jeremy if it
The BBC’s former political editor, John Cole, has died aged 85. As their political reporter during the Thatcher era, he covered many major stories concerning her, including the miners’ strike and the Brighton bombing. We have dug up from the archive a review, by John Campbell, of Cole’s memoir, ‘As it seemed to me’, from April 1995. John Cole’s Ulster accent was a shock to metropolitan ears when he became the BBC’s Political Editor in 1981. Scottish or Yorkshire voices were no problem, but there was unfamiliarity amounting almost to incongruity in hearing that particular accent discoursing on subjects wider than the tribal politics of Northern Ireland. Undoubtedly (‘Hondootedly’) it
It’s hard to stay cross with Radio 3 for long. Just when I thought the network had stretched my loyalty too far by not only allowing Aled Jones to decamp to Classic FM but also saying goodbye to the great Catherine Bott, I had a comeback conversion. I’ll explain how that happened later. First, we should bewail the loss of Bott, who made The Early Music Show her own, with her enthusiasm, her practised authority, her ability to convey insights without being ponderous. She drew us in to share her passion for music and composers we’d never even heard of, let alone felt any desire to hear. Without her the
Those of you who wonder why the BBC is so politically correct, so craven in its expressions regarding, for example, Islamic terror, may find a partial answer here: Stephen Whittle Director of Editorial Policy at the BBC Dear Stephen, We have received many complaints over the last 24 hours from British Muslims regarding the use of the phrase ‘Islamic terrorists’ by your news reporters in connection with the struggle for Kashmiri independence. We believe this phrase is totally inappropriate and adds nothing to the story and even distorts what is a long-standing struggle by the Kashmiri people to gain control of their own destiny. We have noticed that your news reports
Last night the BBC screened a documentary called ‘When Tommy met Mo’. It was good television, challenging and thought-provoking in a way that public broadcasting ought to be, is often said to be, but too rarely is. I would urge you to watch it. The programme followed Tommy Robinson during the period in which he was stepping away from the organisation – the English Defence League (EDL) – which he founded. It showed Robinson travelling around the country with a Muslim ‘spokesman’ called Mohammed Ansar. A number of people had criticised the programme, and its premise, in advance and there has already been some tussle over the credit, not least
