Bbc

One of the more welcome and surprising things about television at the moment is that Homeland (Channel 4, Sunday) is good again. As I’m not the only person to have pointed out, the first series was great. After that, though, the show suffered badly from the diminishing returns which so often afflict a deserved American hit that’s obliged for financial reasons to just keep on going — usually by serving up increasingly minor variations on a theme. (Exhibit A: Lost; exhibit B: most of mid-period 24.) Fortunately now that Damian Lewis’s Brody is dead, Homeland no longer has to think up any more ways to make us wonder which side

The new controller of Radio 3 has at last been appointed. Alan Davey (not to be confused with the former bassist from Hawkwind) comes to the BBC from the Arts Council and a career in the Civil Service. This will be his first job in broadcasting, and will be no small challenge. These are tough times for Radio 3, squeezed between the commercial charms of Classic FM and the trendy allure of BBC’s 6 Music, and, worryingly, in the last quarter its audience numbers went below 1.9 million for the first time since 2010. The BBC’s home of classical music and ‘culture’ is often criticised for being too off-putting, too

‘Did you find it a good read?’ asked Harrriett Gilbert. An incredibly long drawn-out sigh from Mr Paxman. ‘I think it’s really unsatisfactory,’ he at last replied. ‘But Jeremy,’ retorted Professor Beard, ‘I don’t think you’ve read it carefully enough.’ The eminent classicist from Cambridge is not afraid of conflict. She must eat her students for breakfast, loving an argument, which she of course will always win. Mary Beard didn’t just disagree with Paxman but insisted that her way of seeing, her interpretation, was the right one. She and Paxman were Gilbert’s guests on the first of a new series of A Good Read (Radio 4), in which the guests

The Twittersphere never fails to surprise but it’s still hard to believe that last week #WorldBalletDay actually beat #HongKong and #Windows10 in the Twitter popularity stakes, on a day of barricades in the Chinese territory and Microsoft’s announcement of a new operating system. Twitter is a solid barometer of a vast and assertively ‘engaged’ segment of society whose demand to be noticed can sometimes be quite serious (see #HongKong). At other times, it’s merely incredible, as it was last Wednesday when some 5,000,000 tweets were sent by viewers of an internet love-in by the Royal Ballet, Bolshoi Ballet, Canadian, Australian and San Francisco ballet companies, who mustered with phenomenal geopolitical

So you’ve just popped down to the supermarket for the weekly shop, toddlers in tow, when the grenades start to fly, the air lights up with tracer bullets and you realise to your horror that unless you find a suitable hiding place in a matter of seconds these are the last moments you’ll spend with your kids on earth. This was the awful crisis that faced Amber Prior and her children, who were among the numerous innocents caught up in the al-Shabaab suicide attack on the Westgate shopping mall in Nairobi, Kenya, last year. Their tale was told in the BBC2 documentary Terror at the Mall, and I make no

Needless to say, it’s not uncommon to hear single British women in their thirties and forties saying that all the good men are married. But in The Men with Many Wives (Channel 4, Wednesday) this came with a twist: it turned out to be precisely the reason why you should marry them too. Polygamy may be illegal in Britain, but it’s permitted under the Sharia law that many Muslims here apparently live by — and, as several of the programme’s participants told us, there’s no better guide to whether a man is husband material than the fact that he’s a husband already. Take Nabilah, who came to Britain from Malaysia

[audioplayer src=”http://traffic.libsyn.com/spectator/TheViewFrom22_11_Sept_2014_v4.mp3″ title=”Fraser Nelson, Tom Holland and Leah McLaren discuss how we can still save the Union” startat=50] Listen [/audioplayer]An explosion of confetti will greet the announcement of Scottish independence. This isn’t another one of Alex Salmond’s fanciful promises, but an installation by a visual artist named Ellie Harrison. She wants Scotland to become a socialist republic. She has placed four confetti cannons in Edinburgh’s Talbot Rice Gallery. They will only be fired in the event of a Yes vote. Most artists in Scotland favour independence. Harrison’s installation is typical of the pretentious agitprop they produce. This isn’t a uniquely Scottish problem. ‘Nationalist’ art is by definition functional: it promotes