Bbc

Wednesday

Philip Hensher

The changing face of the BBC Proms

There are two faces of the BBC Proms. The faces are somewhat at odds with each other. The one that everyone knows, whether they have an interest in music or not, is the Last Night of the Proms. It’s a concert consisting of a series of small musical items, or ‘lollipops’ as Sir Thomas Beecham used to call them. It culminates in a sequence of sea shanties, ‘Rule, Britannia’, ‘Land of Hope and Glory’ and ‘Jerusalem’. Classical music has gone from being a supreme cultural statement to just another curious musical genre The other face, much more substantial, is the series of concerts that precede that last one, from mid-July

Sam Kriss

The problem with podcasts

A few months ago, a clip from a podcast went mildly viral online. A lightly dressed woman sits in front of a microphone, explaining her sex life in pedantic detail to an offscreen interviewer. It was strange and unpleasant, which was why people couldn’t stop looking at it. What kind of podcast is this, exactly? Who’s listening to it? The answer was nobody. The woman was a porn actress called Vicky Banxx, and the podcast didn’t exist. Across the world, thousands of people are doing the same thing: plonking themselves down in front of mics, setting up a camera and talking in a genial, conversational style to absolutely no one.

Tuesday

Alice Loxton

The English have always loved gossip

Our national conversation is overwhelmed by tittle-tattle, rumour and gossip. Last week, a salacious email listing George Osborne’s alleged improprieties was circulated among the Westminster bubble. Inevitably, it was then circulated to everybody else, too. Meanwhile, the internet is aflutter with rumours about the identity of a BBC journalist who’s alleged to have paid a teenager tens of thousands of pounds for sordid pictures – and this isn’t even the first sex scandal involving a broadcaster this year.  Foreign visitors were amazed at this insatiable desire to ridicule the private follies and foibles of high society Some might think our modern obsession with grubby tales shows a lack of seriousness. But a love

Wednesday

James Walton

Time to take your meds, Kanye

No one does agonising quite like Mobeen Azhar. In several BBC documentaries now, he’s set his face to pensive, gone off on an earnest quest to investigate a touchy subject and reached his conclusions only after the most extravagant of brow-furrowing. There is, however, a perhaps unexpected twist: the resulting programmes are rather good, creating the impression – or even reflecting the reality – of a man determined to get to the often dark heart of the matter. For a while, it did look as if the programme’s main appeal might be as a comedy of liberal discomfiture In the past, Azhar has applied his methods to such issues as

Tuesday

Alec Marsh

Glastonbury has become the new Last Night of the Proms

Time was when the pinnacle of the summer’s musical experiences – certainly from a UK television perspective – was the Last Night of the Proms. Preceded by weeks of more staid performances of classical music which most people did not tune in to, the conclusion of the Proms season, which dates back to 1895, was a collective cultural experience. Watched by those at home, as well as the audience of the Royal Albert Hall, it was and remains an effervescent outpouring of costume, flag-waving and patriotic singing – more an example of massed karaoke than a traditional virtuoso performance, particularly during the annual rendition of Sir Henry Wood’s Fantasia of

Wednesday

Adam Sweeting

‘Netflix are incredibly conservative’: documentary-maker Nick Broomfield interviewed

A documentary by Nick Broomfield is always to some extent about Nick Broomfield. He has cultivated an image as a gonzo filmmaker, striding into shot holding a boom microphone, headphones clamped over his ears, and in the politest possible way provoking chaos. ‘Unfortunately it comes very easily to me, to be slightly out of control,’ he confesses. His previous adventures have included getting on the prickly side of South African white supremacist Eugene Terre’Blanche, striking up a strange rapport with the convicted serial killer Aileen Wuornos on death row in Florida, claiming to have worked out who killed the titular gangsta rappers in Biggie & Tupac, and provoking a firestorm

Wednesday

Daisy Dunn

Prayer for the Day is the best thing to wake up to

As the owner of a radio alarm clock, I could theoretically start listening to the Today programme before I’m even awake, but I rarely do. I tell myself it’s too much for first thing; that it’s bound to put me in a bad mood with some interview or other; that Today can wait until tomorrow – or at least until I’ve had my breakfast and a blitz of the somewhat jollier Times Radio. The levée, I say in a Bertie Woosterish sort of way, demands something light. When you crave something thought-provoking but also comforting, nothing beats a few minutes of prayer But then I find myself waking up unintentionally

Saturday

Stephen Daisley

The Guardian’s shameful double standards

The Guardian thinks of itself as Britain’s fearless liberal conscience, trigger-sensitive to racist ‘dog whistles’ in the language and editorial judgements of everyone except itself. It takes a special interest in cartoons published by right-of-centre newspapers which are accused of bigotry.  When the Murdoch-owned Herald Sun ran a cartoon depicting Serena Williams throwing a tantrum, the Guardian reported that News Corp had ‘come under global condemnation for publishing a racist, sexist cartoon’, supplementing multiple news stories with several condemnatory op-eds. Other newspapers who have found their cartoons scrutinised for racial undertones by the Guardian include the Times, the New York Post, the Australian, the Boston Herald, and Charlie Hebdo.  So how exactly did Martin Rowson’s latest cartoon manage to slip past editors? Ostensibly a comment

Friday

Katy Balls

BBC chairman Richard Sharp resigns – what next? 

Richard Sharp has resigned as BBC chairman following a report into the circumstances of his appointment after claims that he had helped to facilitate a £800,000 loan for Boris Johnson while he was in 10 Downing Street. The report – by Adam Heppinstall KC – found that he had breached the code on public appointments by failing to declare his connection to the loan, which his acquaintance Sam Blyth (a distant cousin of Johnson’s) guaranteed for the former prime minister.  The whole affair is leading to questions over the role performed by Simon Case Announcing his resignation this morning, Sharp said that he accepted he had breached the ‘governance code’.

Monday

Fraser Nelson

Elon Musk is right about BBC funding

The BBC has today been using its various news platforms to protest against being described as ‘government funded’ by Twitter. It has instructed Twitter to remove this insult ‘as soon as possible’ and its journalistic contacts have found a direct link to Elon Musk himself who, we are told, is a ‘fan’ of the BBC. So perhaps a quiet word with the right person in power can overcome this little hiccup. Radio Four even had a ‘debate’ which just featured one interviewee: Mary Hockaday, a former BBC executive. ‘As a BBC journalist, I care about accuracy,’ she said, ‘the simple fact is that to describe on Twitter the BBC as

Monday

Julie Burchill

The naked truth about sex on TV

What a year it’s been for sex on TV. As we emerge blinking from the annual glut of televisual entertainment, I can’t get over how far we’ve come. Bridgerton, Babylon Berlin, Lady Chatterley… everybody’s at it, with no period in history so tragic that a few cheap thrills can’t be extracted from it. If you’d have told the teenage me that in my lifetime I’d see a comedian with breasts playing a piano with a penis on television, I’d have very much approved; having seen Jordan Gray do so on Channel 4’s Friday Night Live last year, I wish I hadn’t. Sex on TV has been such a long, strange

Sunday

Katy Balls

How much trouble is Sunak in?

This week Rishi Sunak will meet with his Cabinet at Chequers as he tries to focus minds in his government and party towards the next election. However, while the Prime Minister wants to focus on his five priorities – half inflation, reduce debt, grow the economy, cut waiting lists and stop the boats – a Tory sleaze row threatens to overshadow his best efforts. Sunak is fighting fire on multiple fronts. First, his party chairman Nadhim Zahawi has had to issue a statement on his tax affairs in which he says an error that has reportedly resulted in him paying millions belatedly was ‘careless and not deliberate’. This has already

Monday

Alexander Larman

His Dark Materials is the perfect Christmas viewing

When you’re sitting on the sofa in the week ahead, stupefied into submission by food and alcohol and relatives and God knows what else, you’ll be tempted to watch something that will divert you from the gluttony. And, yes, the likes of Elf, It’s A Wonderful Life and Love Actually are all available, as they were last year. But maybe you’ll want to watch something that is not just entertaining but that makes the viewer think. Something that also has a provocative religious theme that is, if not quite the three wise men and the star of Bethlehem, as relevant this time of year as it ever is. Step forward the third series of His

Wednesday

James Delingpole

A Soviet version of Martin Parr: Adam Curtis’s Russia 1985-1999 –TraumaZone reviewed

Russia 1985-1999: TraumaZone – even the title makes you want to scream – is Adam Curtis’s Metal Machine Music: the one where he frightens off his fans by abandoning the trademark flourishes that made him so entertaining and instead goes all pared-down and raw and grim. If you don’t know or remember what those trademark flourishes were, let me refer you to a cruelly funny pastiche which you can easily find on YouTube called The Loving Trap. This sends up poor Adam as a pioneer of the collage-umentary, a genre resembling ‘a drunken late-night Wikipedia binge with pretence to narrative coherence’ which ‘vomits grainy library footage onto the screen to

Wednesday

Charles Moore

Has a Conservative government got any power at all?

In the House of Commons on Monday, someone accused Liz Truss’s government of being ‘in office but not in power’. By chance, I was sitting in the peers’ gallery immediately behind the author of that famous phrase, Norman Lamont, who applied it to John Major’s administration in his resignation statement as chancellor in 1993. It grows ever more apt. I sometimes wonder if modern politicians positively welcome this situation. It is a general feature of the structures of the EU, where no elected politician has real power, but none seems to mind. Much of the joy of ‘compassionate’ Conservatives at the trouncing of Truss appears to derive from the proof

Monday

Isabel Hardman

Liz Truss apologises for the chaos. What next?

Finally, we hear from the Prime Minister. Liz Truss has given an interview to the BBC’s political editor Chris Mason. It comes at the end of a day in which she was accused of ‘hiding under a desk’ and emerged in the Commons only for a silent half an hour of blinking occasionally. She apologised, saying: ‘Firstly I want to accept responsibility and say sorry, for the mistakes that have been made.’ Truss did not appear comfortable this evening. It would have been weird if she did The Prime Minister has left others to argue that the government is still functioning. What she hasn’t done, until now, is offer any

Sunday

Matthew Taylor

Sunday shows round-up: Is Truss a ‘libertarian jihadist’?

Jeremy Hunt – ‘The Prime Minister is in charge’ To say things do not look rosy for Liz Truss would be quite the understatement. With the government now on its second Chancellor in as many months, and its once flagship policies being hastily swept under the carpet, the Conservative party appears to be in damage limitation mode. Laura Kuenssberg spoke to the new Chancellor this morning, in a pre-recorded interview, asking him if Truss was now such a damaged figure that he was the one really calling the shots: ‘There is a very difficult job to be done right now’ Hunt told Kuenssberg that he would be looking at all

Wednesday

James Walton

Fairly desperate: BBC1’s Unbreakable reviewed

On first impression, you might have thought that Unbreakable was just a fairly desperate reality show cobbled together from I’m a Celebrity, Mr and Mrs, Taskmaster and It’s a Knockout. After all, the format is that people of varying degrees of fame – from Simon Weston to, er, the bloke who presents MTV’s Celebs on the Farm – arrive with their partners at what presenter Rob Beckett calls ‘a big posh gaff in the country’. Once there, they’re made to perform a series of game-like tasks as Rob looks on and guffaws. Naturally, the series does make a few cunning tweaks to its obvious forebears. Unlike in Taskmaster, for example,

Daisy Dunn

The genius of More or Less

In a week of slim audio pickings, I spent time reacquainting myself with some of the BBC classics and can confirm that, yes, More or Less still warrants a place in that category. Like Thinking Allowed, which also drew me back, the programme works wonders with data and statistics, and benefits from having a calm and unobtrusive presenter. While most of the questions put to the stoical Tim Harford are delightfully pedantic, some have that special quality of convincing you that, while you’ve never given the topic a second thought, you are in fact deeply invested in it, and absolutely must know whether or not the thing that’s been alleged

Monday

Rod Liddle

The BBC’s Meloni problem

Here is a quote from the BBC Europe Editor, Katya Adler’s, very short piece on the BBC Radio 4 Six O’Clock News this evening, concerning the electoral victory of Giorgia Meloni in Italy: Millions of Italians didn’t vote for her. They say they do not recognise themselves in her nationalist, protectionist proposals, her anti-immigration rhetoric and her conservative family mores. Isn’t that remarkable? Can you imagine the awful Adler, or indeed any correspondent, commenting on the victory of a left-wing candidate:  Millions of people didn’t vote for her. They say they do not recognise themselves in her mentally unbalanced identity politics, ranting support for cripplingly high taxation, foreign policy characterised