Bbc

Thursday

James Delingpole

Coming up for air | 7 January 2016

Gosh what a breath of fresh air was Andrew Davies’s War & Peace adaptation (BBC1, Sundays) after all the stale rubbish that was on over Christmas. There were times when the yuletide TV tedium got so bad that I considered preparing us all a Jonestown-style punchbowl. That way, we would never have had to endure Walliams and Friend nor the special time-travel edition of what everyone is now rightly calling Shitlock. Sherlock has a terminal case of Doctor Who disease. That is, it has become so knowing, so self-referential, so — ugh! — meta that it no longer feels under any obligation to put in the hard yards needed to

Kate Chisholm

Good cop, bad cop

One of the most shocking items of recent news has been the bald statistic that the number of people shot by law enforcement officers in the United States last year was 1,136. Not died by gangland shooting, domestic violence or terrorist attack. But killed by those who are meant to be preventing such deaths. Many of them are black or Hispanic. As if on cue, the World Service this week launched a documentary series to find out why this is happening. What are the deep structural issues that give rise to such inequalities of experience and opportunity in the (supposed) Land of the Free? The first episode of The Compass:

Wednesday

James Delingpole

War & Peace is actually just an upmarket Downton Abbey

Gosh what a breath of fresh air was Andrew Davies’s War & Peace adaptation (BBC1, Sundays) after all the stale rubbish that was on over Christmas. There were times when the yuletide TV tedium got so bad that I considered preparing us all a Jonestown-style punchbowl. That way, we would never have had to endure Walliams and Friend nor the special time-travel edition of what everyone is now rightly calling Shitlock. Sherlock has a terminal case of Doctor Who disease. That is, it has become so knowing, so self-referential, so — ugh! — meta that it no longer feels under any obligation to put in the hard yards needed to

Tuesday

Steerpike

BBC execs fail to see the funny side of Dame Edna’s Jeremy Corbyn joke

Oh dear. After Nick Robinson declared that he was on a mission to tackle anti-Corbyn bias in the BBC’s political coverage, it appears some brains at Broadcasting House may be taking his sentiment a little too far. It now seems that there is also an anti-Corbyn bashing rule when it comes to satire. Barry Humphries — who is well-known for playing his comic creation Dame Edna Everage — has revealed in an interview with the Radio Times the difficulties he encountered when in discussions with the Beeb about appearing on Michael McIntyre’s Christmas show as Dame Edna. Humphries suggested he could do a joke about the man of the moment: Jeremy Corbyn. Alas,

Thursday

James Walton

Losing the plot | 31 December 2015

On the face of it, ITV’s Peter & Wendy sounded like a perfect family offering for Boxing Day: an adaptation of J.M. Barrie’s novel, with a framing story about how much Peter Pan can still mean to children today. In fact, though, the programme suffered from one serious flaw for any Boxing Day entertainment — if you were slightly drunk, slightly hungover or both, it was almost impossible to understand. Then again, I suspect that even the most weirdly sober of viewers might have struggled with a drama that never seemed to know the difference between the intriguingly suggestive and the utterly baffling. The opening sequence played to one of

Monday

Douglas Murray

‘Religion of peace’ is not a harmless platitude | 28 December 2015

We’re closing 2015 by republishing our ten most-read articles of the year. Here’s No10: Douglas Murray’s piece about Islam and violence, first written in the wake of the Charlie Hebdo attacks but read most (and shared most widely) after the Bataclan atrocity.  The West’s movement towards the truth is remarkably slow. We drag ourselves towards it painfully, inch by inch, after each bloody Islamist assault. In France, Britain, Germany, America and nearly every other country in the world it remains government policy to say that any and all attacks carried out in the name of Mohammed have ‘nothing to do with Islam’. It was said by George W. Bush after 9/11, Tony

Tuesday

Steerpike

Is John Humphrys turning into a ‘patronising old duffer’?

This morning Today show presenters Justin Webb and John Humphrys found themselves under fire after they listed the guest editors that will be taking control of the show as of next week. When it came to name Miriam González Durántez’s upcoming slot, Webb said: ‘you’ll hear from the lawyer Miriam González, also of course Nick Clegg’s wife’. A number of bothered listeners were quick to complain online that she was the only guest editor to be described in relation to her partner. While one could argue that González first came to the media’s attention through her politician husband, this is not the first time the Today presenters have been criticised over their attitude to women. In fact in a recent

Sunday

Wynn Wheldon

Spectator books of the year: Wynn Wheldon enjoys a new history of the BBC

A long time ago the novelist Marghanita Laski opined that the BBC had been the greatest single influence for good upon the life of the nation since the decline of the churches. A little later my father, Huw Wheldon, called it ‘one of the great institutions of the western world’. Charlotte Higgins regards the corporation as ‘the most powerful British institution of them all’. Her history of the BBC, This New Noise (Guardian/Faber, £12.99) is intellectually coherent and a pleasure to read. It gives proper credit to the ‘pioneer of TV current affairs’, Grace Wyndham Goldie. Bernard Cornwell’s Waterloo (Collins, £8.99) is excellent, chiefly in its willingness to tell the

Thursday

James Delingpole

Was my article the inspiration for this brilliant BBC dramatisation?

The two things I hate most about Christmas are a) Advertland showing me how sparkly and joyous my home and bright-eyed kids are at this time of year, and b) the Doctor Who Xmas special telling me that if only I can open my heart and put cynicism aside, then I too can enjoy a mash-up of Dickens, C.S. Lewis and the Brothers Grimm, where daleks with tinsel round their guns exterminate the spirit of Scrooge as laughing children come pouring from the Ice Queen’s dungeon and something nice happens on a London housing estate. Or similar. That’s what was so great about We’re Doomed! The Dad’s Army Story (BBC2,

Tuesday

Rod Liddle

Donald Trump represents the views of millions of Americans. Does the BBC not realise this?

If you saw the BBC Ten O’Clock News last night you will have witnessed Nick Bryant’s dispassionate, even-handed treatment of Republican candidate Donald Trump. Trump had called for an end to Muslim immigration into the United States. Bryant’s face was puffed up with outrage; he almost spat out the words of the story and ended by saying that ‘this is the gutter’. https://soundcloud.com/spectator1828/nick-bryant-discusses-donald-trumps-comments-about-muslims-on-bbc-ten-oclock-news It does not matter how often they are told, it does not matter how many complaints they receive: the BBC continues to pursue its own political agenda at every possible opportunity. If it addressed this problem it might find that fewer people wished to see the licence

Monday

Miles Goslett

Alan Yentob’s ‘resignation’ only makes him less accountable

The BBC’s spin doctors will be broadly happy at the coverage Alan Yentob’s ‘resignation’ as BBC Creative Director has generated, but licence fee payers should not be so pleased. For, on closer inspection, the whole thing is a gigantic swizz. Yentob may have relinquished his £183,000 salary, and his executive status, but it is now obvious that he will remain a very well paid fixture at the BBC for some time yet – and an even less accountable one. Firstly, it is important to note that as the Daily Telegraph reported today, by standing down from this job, Yentob escaped an internal BBC inquiry into allegations that he interfered with BBC News’s

Thursday

Peter Robins

New word order | 3 December 2015

In the basement of a busy café in Hockley, Nottingham, which may not have known exactly what it was letting itself in for, a young woman is loudly dissecting an unsatisfactory lunch: ‘Deep in my heart I know I love chips.’ In another basement a few hundred yards away, lit by a single floor lamp, another woman is detailing the process of a man’s decline with tear-jerking, understated tenderness. For today only, both women are going by the name Bryan. They are among 60 volunteer performers in But I Know This City!, a unique adaptation of B.S. Johnson’s strange and sometimes wonderful 1969 novel The Unfortunates. You might remember The

Quentin Letts

Diary – 3 December 2015

First, an apology. Thanks to me, all journalists at BBC Radio’s ethics and religion division are being sent for indoctrination in climate change. Sorry. In July I made a short Radio 4 programme with them called What’s the Point of the Met Office?, which accidentally sent orthodox warmists into a boiling tizzy. Amid jolly stuff about the history of weather predictions and the drippiness of today’s forecasters, we touched on parliamentary lobbying done by the state-funded Met Office. All hell broke out. Cataracts and hurricanoes! The Met Office itself was unfazed but the eco-lobby, stirred by BBC environment analyst Roger Harrabin, went nuts. I was accused of not giving a

Steerpike Steerpike

Alan Yentob steps down as BBC creative director (but keeps his £150,000 TV gig)

Alan Yentob has dramatically quit his £183,300 per year creative director role at the BBC. Today’s decision comes after Yentob became the subject of intense scrutiny in recent months regarding the BBC’s coverage of the Kids Company scandal. In a statement, Yentob – who was the chairman of Kids Company – explains his decision to leave, citing the Kids Company scandal — which The Spectator were the first to cast light on — as a contributing factor: ‘The BBC is going through particularly challenging times and I have come to believe that the speculation about Kids Company and the media coverage revolving around my role is proving a serious distraction.’ However, it’s not all

James Walton

Beyond a joke | 3 December 2015

Let’s start this week with a joke: ‘You know Mrs Kelly? Do you know Mrs Kelly? Her husband’s that little stout man, always on the corner of the street in a greasy waistcoat. You must know Mrs Kelly. Well, of course if you don’t, you don’t, but I thought you did, because I thought everybody knew Mrs Kelly.’ No, I can’t claim my sides are entirely split either. Yet, according to the first episode of What a Performance! Pioneers of Popular Entertainment (BBC4, Thursday), this sort of material by the Victorian music-hall star Dan Leno marked the birth of stand-up comedy as we know and are perhaps overburdened by it

Kate Chisholm

There will be blood | 3 December 2015

It was a stroke of genius to invite Glenda Jackson to make her return to acting as the star of Radio 4’s massive new series of dramas, Blood, Sex and Money, based on the novels of Émile Zola. Jackson plays Dide, the matriarch of the Rougon-Macquart families from Plassans in the depths of southern France. And she’s absolutely brilliant. Her voice is so distinctive, yet at the same time utterly ordinary, so it doesn’t stick out demanding attention but rather draws you in, like a spider weaving its web. Her timing, too, is pitch-perfect, each word given just the right weight for its meaning to be clear, whether making sinister

Wednesday

Sam Leith

While ‘Daesh’ prepare to fight, MPs debate how to hurt their feelings

Today in the Commons the Tory backbencher Rehman Chishti asked: “Will the Prime Minister join me in urging the BBC to review their bizarre policy; when they wrote to me to say that they can’t use the word Daesh because it would breach their impartiality rules? We are at war with terrorists, Prime Minister. We have to defeat their ideology, their appeal. We have to be united in that. Will he join me now in urging the BBC to review their bizarre policy?” https://soundcloud.com/spectator1828/cameron-on-what-to-call-isis David Cameron positively purred: “I agree with my honourable friend. I’ve already corresponded with the BBC about their use of IS—Islamic State—which I think is even

Tuesday

Steerpike

Staff evacuated from BBC headquarters over suspicious vehicle

Staff at the BBC have been evacuated from the Broadcasting House Piazza after a suspicious vehicle was sighted nearby. Newsnight‘s James Clayton reports that the decision to evacuate the area was made after a suspicious vehicle parked up on Regent Street, which is near the corporation’s Broadcasting House headquarters in Portland Place. Workers in other neighbouring offices in the area have also been evacuated as a result of the bomb scare. https://twitter.com/JamesClayton5/status/671702161127055361 Great Portland Street closed. Police ushering ppl away from area pic.twitter.com/vAW0Q9ZCF3 — James Clayton (@JamesClayton5) December 1, 2015 Mr S will update this post as more details come to light.

Monday

Rod Liddle

I’ve changed my mind about where we should bomb…

Just back after a few weeks away in the north east – thought I’d share this with you. I wrote a piece for The Sunday Times arguing against bombing Syria for a host of reasons – I will list them all in another blog tomorrow. Suffice to say I don’t think it will do any good, even if it might cheer us up. I also suggested that given the threat to us is largely internal, ie from domiciled Muslims who have been (weary sigh) ‘radicalised’ – we would be as well off bombing Luton as Syria. BBC Three Counties Radio took exception. They sent some poor sap of a reporter

Friday

Steerpike

Revealed: Newsnight’s No.10 security breach

Newsnight producers are currently facing fresh woe over rumoured plans at the BBC to extend the News at Ten slot so it would overlap with the current affairs programme. Should the proposals go ahead, staffers will need to work especially hard to pull in high-profile guests in order to convince viewers to turn over. Alas Steerpike understands that they are unlikely to be getting the Prime Minister on the programme anytime soon, following an incident that occurred earlier this month which dampened relations between No.10 and Newsnight. While organising the programme’s coverage of the Paris terrorist attacks, Ian Katz — the show’s editor — tasked a staffer with calling Don Cameron, the BBC scheduler, to