Bbc

Sunday

Ross Clark

Why does the government want a gay quota for BBC management?

Of all the things wrong with the BBC, it would be hard to argue that a shortage of gay people making and presenting programmes is one of them. As Andrew Marr observed a decade ago: ‘The BBC is not impartial or neutral. It’s a publicly funded, urban organisation with an abnormally large number of young people, ethnic minorities, and gay people. It has a liberal bias, not so much a party-political bias. It is better expressed as a cultural liberal bias.’ Why, then, is the government intent on making the BBC even more gay? In one of the less-reported sections of this week’s white paper on the future of the

Thursday

Charles Moore

The Spectator’s notes | 12 May 2016

One of the many problems with David Cameron’s threat that leaving the European Union could plunge us into war is that it sits so strangely with how he spoke about the EU before he called a referendum. In those days, he was studiedly cool about the union: he had no sentimental attachment to it, he told us, just a pragmatic weighing of the advantages for Britain, depending on what he could obtain. His ‘deal’ for a ‘reformed Europe’, supposedly essential to recommending a Remain vote, contained no Tolstoyan themes at all, just stuff about when migrant EU workers could claim benefits and suchlike. When he now says, ‘By the way,

Hugo Rifkind Hugo Rifkind

Vaping’s appeal isn’t about the nicotine. It’s about the gadgets

Probably you never visited the flats of middle-class student drug dealers in the 1990s, because crikey, neither did I, and look, let’s just move along. Even so, were there ever to be found a Platonic form of such a place, or, as the beer adverts might put it, If Heineken Did the Flats of 1990s Middle-Class Student Drug Dealers, then I now know precisely what such a place would look like. It would look like a vape shop. To be more specific, it would look like the vape shop I visited a few weeks ago in north London. It was perfect down to the last detail. Paraphernalia all over the

Kate Chisholm

The power of song

You might not think that the Eurovision Song Contest (screened live from Stockholm tonight) could have any connection with how we might choose to vote in the coming referendum. Surely it’s just a string of naff pop songs stuck together with fake glitter and a lot of false jollity? The songs are uniformly terrible, the show so overproduced it’s impossible not to mock its grandiosity, the idea that it conjures up the meaning of Europe laughably misplaced. But in a programme for the World Service that caught my attention because it sounded so counterintuitive, Nicola Clase, head of mission at the Swedish embassy in London, tried to persuade us otherwise.

Rod Liddle Rod Liddle

Write a leftie column and win a doctorate

I see that law students at Oxford University were told that if they found the contents of a lecture on rape and sexual assault ‘distressing’, they would be permitted to absent themselves. This is an interesting approach for future lawyers and barristers. Perhaps, further down the line, they will excuse themselves in court when the evidence is a bit gamey and go to a safe space for a good cry. Or should we be more concerned about those students who remained in the lecture theatre because they did not find the contents remotely distressing, but actually ‘a bit of a hoot’ or ‘bloody hilarious — especially that bit with the

Thursday

Kate Chisholm

Service with a smile | 5 May 2016

He’s been billed as the new Pied Piper but it’s going to take a while for Tom Service to quite match the engaging brilliance of David Munrow, who back in the 1960s persuaded us that medieval pipes-only music was cool listening. Munrow’s series on what was then the Third Programme was aimed at six-to-12-year-olds but succeeded in drawing everyone in because of his gift for communication and his willingness to explore the wilder shores of repertoire, creating sound connections we had never heard before. Service’s new magazine programme for Radio 3, The Listening Service, may be inspired by Munrow but it’s not yet sure what it’s meant to be. How

James Walton

That’s entertainment | 5 May 2016

The big returning show of the week began with servants laying out the silverware at a large country house in 1924. But rather than a shock comeback for Downton Abbey, this was — perhaps even more unexpectedly — Tommy Shelby’s new home in Peaky Blinders (BBC2, Thursday). Which explains why so many of the guests were carrying guns, and why the family matriarch was using the word ‘fuck’ a lot more than Lady Grantham ever did. When we last saw gang-leader Tommy (Cillian Murphy), he was still based in the Birmingham backstreets. He was also having a fairly tough time — what with juggling two women, trying not to get

Thursday

Charles Moore

The Spectator’s Notes | 28 April 2016

‘England in effect is insular, she is maritime, she is linked through her interactions, her markets and her supply lines to the most diverse and often the most distant countries; she pursues essentially industrial and commercial activities, and only slight agricultural ones. She has, in all her doings, very marked and very original habits and traditions.’ This classic Eurosceptic statement was made, as Daniel Hannan reminds us in his excellent book Why Vote Leave, by a great European, Charles de Gaulle. He was explaining why France was rejecting our attempt to join the EEC in 1963. The General understood what the European project was, and why Britain was not a

Toby Young Toby Young

What if Murdoch owned the Beeb?

A new book published today by the Institute of Economic Affairs called In Focus: The Case for Privatising the BBC includes a chapter by the economist Ryan Bourne on the BBC’s left-of-centre bias. As you’d expect, Bourne’s contribution includes plenty of fascinating data, such as the fact that ‘Thought for the Day’ contributors are eight times more likely to offer a negative view of market-based and capitalist activity than a positive view. However, Bourne doesn’t accuse the Beeb of straightforward left-wing bias. Its partiality is more subtle and complicated than that. He cites an example of the BBC’s coverage of immigration provided by Roger Mosey, a former editorial director. In

Kate Chisholm

Word processing

‘Comedy is like music,’ said Edwin Apps, one of the characters in Wednesday afternoon’s Radio 4 play, All Mouth and Trousers (directed by David Blount). ‘The words are the notes and they have to be in exactly the right place. And every line has to pull its weight, add something to the situation.’ Apps was one half of the writing partnership who created that most unlikely of TV hits in the supposedly swinging Sixties, All Gas and Gaiters, set in the cathedral close of St Oggs and featuring a laughably inept quartet of Anglican clerics. Mark Burgess’s engaging drama told the story of how the series (which ran for 33

Tuesday

Theo Hobson

Will the human rights industry ever admit that it has Christian roots?

Helena Kennedy’s two-part radio programme on human rights was very predictable. She did a lot of hand-wringing. She spoke some passionate rhetoric about our common humanity. She quoted Hannah Arendt. She consulted a lot of non-Western thinkers, a lot of fellow human rights lawyers, and a token critic of the concept of human rights. The first part put much emphasis on the ancient global roots of the concept. Look how it is anticipated in this ancient Iranian or Mesopotamian or Buddhist document. I think this is misleading. Though many ancient cultures had impulses in this direction, they were frail. It was the Christian West that gradually heaved such aspirations into politics.

Rod Liddle Rod Liddle

Why pretend that female footballers are as good as male ones?

Yay – Izzy Christiansen! Yay – Beth Mead! I daresay you were as thrilled as I was to see that these two women had been named as, respectively, PFA Women’s Players’ Player of the Year and PFA Women’s Young Player of the Year. Izzy plays for Manchester City, Beth for Sun’lan. You have never heard of either of them. You will never see them play ever. Both are worse at football than the worst player your club has ever employed. Yes, worse than Seth Johnson. Worse than Ade Akinbiyi. And yet they were given equal billing by the BBC at the Professional Footballers’ Association awards with Riyad Mahrez and Dele Alli. I have nothing

Thursday

James Walton

Special delivery

Five Star Babies: Inside the Portland Hospital won’t, I suspect, have been a hard sell to BBC2’s commissioning editors. Childbirth and rich people are both reliably popular subjects for TV documentaries. So why not combine them into one handy package by showing us life at the UK’s only private maternity hospital? And yet, however artificial the programme’s conception, any sociologists studying contemporary Britain’s peculiar attitudes to the very wealthy could have done a lot worse than to tune in to Wednesday’s episode. ‘Parenthood: the great leveller,’ began the narrator — somehow managing not to add a hollow laugh. This sense of irony, though, was short-lived. Like most documentaries about luxury

Wednesday

Philip Clark

Nice effort, Don Cheadle, but no film will ever do Miles Davis’s defiant, volatile music justice

There’s an absolute zinger of a joke currently circulating around the London jazz scene. Miles Davis is being celebrated with a new biopic! And anything that spreads the message about jazz is undoubtedly a good thing. But – and now the punch-line – what a pity the film bogs itself down; all that sober analysis of Miles’s evolving concepts of harmony and musical structure diminishes what could otherwise have been a sure-fire commercial hit. In reality, Miles Ahead, directed by and starring Don Cheadle, is centred around a period in Miles Davis’s life between 1975 and 1979 when he was making precisely no music at all and instead spending his

Monday

Katy Balls

BBC mayoral debate: Sadiq and Zac try to set the record straight over ‘extremism’ allegations

As the European referendum campaign gains momentum, the London mayoral election has had to take a backseat in recent weeks when it comes to setting the news agenda. Tonight the mayoral candidates had a chance to turn this around as part of the BBC’s London’s Mayor debate. While Respect candidate George Galloway was left out of the line-up, the five main candidates — Zac Goldsmith, Sadiq Khan, Caroline Pidgeon, Sian Berry and Peter Whittle — joined Andrew Neil for the biggest debate of the campaign. With the election widely seen to be a two-horse race between Khan and Goldsmith, the pair dominated the evening as their campaign feuds bubbled to the surface. The first topic on the agenda was

Friday

Tom Goodenough

The BBC sitcom Citizen Khan isn’t Islamophobic – it’s just idiotic

If you’ve never watched ‘Citizen Khan’, then count yourself lucky. It’s a sitcom in the loosest sense of the word and a prime example of a comedy show which would only ever appear on the BBC: achingly unfunny, contrived and featuring entirely unbelievable characters. Crucially, though, if the show is one thing, it’s politically correct, in that it centres around a family of Muslims living in a deprived part of Birmingham. But Labour’s Rupa Huq has decided otherwise. She has claimed the show is ‘Islamophobic’: ‘I feel if I didn’t know what the year is, you would think it’s an every day tale of a Birmingham family of Muslims but they’re really quite

Thursday

The Spectator

Fit to print

For weeks, Westminster has been full of rumours about the private life of a certain cabinet member. It was said he had started to visit a dominatrix in Earl’s Court but ended up falling in love with her and taking her to official functions. Like a Westminster remake of the film Pretty Woman, in fact, but with the Culture Secretary, John Whitting-dale, playing the part of Richard Gere. There was much comment in Parliament about this, and jokes about what London is coming to if an MP has to travel all the way to Earl’s Court for such services, when they used to be available a stone’s throw away from

David Lammy

The BBC must address its lack of diversity – or risk losing viewers

Growing up in my Mum’s house, Wogan was king. Throughout the 1980s leading lights like Stevie Wonder, Diana Ross and Sammy Davis Jr sat on his sofa and – vicariously – in our living room in Tottenham too. As well as its historic duty to ‘inform, educate and entertain’, the principle of universality has always been at the very heart of what the BBC stands for. Our most cherished cultural institution is at its root a universal service that must reflect all of Britain by virtue of the simple fact that it is funded by all Britons. In a multi-platform, digital age where more content is available than ever before

Thursday

James Walton

Singing Ireland into being

In recent years there’s been a fashion for arts documentaries presented by celebs rather than boring old experts — presumably on the grounds that knowledge and insight are no match for vague enthusiasm and a touch of showbiz glamour. (In a particularly gruesome episode of ITV’s Perspectives, Pop Idol winner Will Young established his credentials for discussing the life and works of René Magritte with the words, ‘I’ve been collecting bowler hats for 12 years now.’) Even so, one channel you might have expected to hold out against such frivolity is BBC4, the natural home of resolutely untelegenic academics telling us stuff they really know about. But then on Sunday

Thursday

Kate Chisholm

Crossing continents | 31 March 2016

Could radio, and in particular a weekly soap, have a role to play in the Syrian crisis? You might think, no chance, given the levels of violence and terror that have overtaken the country. How can a mere broadcast signal have an impact compared with all that destruction? But, says the director of Radio Alwan, a station operated by Syrians living in exile in a western suburb of Istanbul, ‘radio is effective’. It’s a ‘weapon’ because it ‘allows you to enter the houses of people and talk to them’. It’s also so easy. ‘You don’t need power, you don’t need electricity — just two small batteries.’ He was talking to