Bbc

Thursday

Roger Alton

Our (nearly) golden summer

It seems like a long time ago, but back in the day, when Sir John Major launched the National Lottery, there was a fair bit of sanctimonious tut-tutting from the liberal establishment: it was a tax on the poor who couldn’t be trusted to spend their own money, it encouraged gambling, it was just a bit vulgar. And all that. Well, how’s that drivel looking now? A shedload of Team GB golds later, and how do those who sneered at the lottery feel about it today? Notwithstanding Britain’s staggering achievements, the Games are not perfect, of course: there’s too much track cycling and way too many swimming events. And possibly

James Delingpole James Delingpole

Rio, Rio

Stuff I have learnt after two solid weeks watching the Olympics on TV. 1. Tennis and golf shouldn’t be Olympic sports. Yes, I know we won both and Rose’s final chip on to the 18th green was great to watch. But you can see this sort of thing done with a tougher range of competitors at any number of majors all the time. Olympic medals should be there to reward the Corinthian spirit not just an opportunity for millionaires to add something a bit different to their mantelpiece. 2. I still don’t understand the judging system for the diving but had arse quality been included in the women’s events —

Kate Chisholm

Super human

‘We think we’re in charge of this stuff but we’re not,’ said Quincy Jones, the composer, arranger, jazz trumpeter, musical genius. He was talking to Julian Joseph at the Montreux Jazz Festival for Jazz Line-Up on Radio 3 (Saturday). ‘It’s divine intervention.’ Jones, who masterminded Michael Jackson’s Thriller as well as countless other hits, film scores (including The Italian Job and The Color Purple) and his own ‘Soul Bossa Nova’, was remarkably sanguine about his extraordinary career. His enormous self-confidence was there from the start. Finding himself in Paris in the 1950s touring with a big band, he decided to stay on so that he could study with Nadia Boulanger

Wednesday

Tom Goodenough

Why did the BBC give a platform to Anjem Choudary?

Anjem Choudary’s arrogance eventually led to his downfall. He was convinced he could stay one step ahead of the authorities by picking his words carefully. Until now, that is. The hate preacher finally came unstuck when he encouraged others to join Islamic State. Yet whilst his extremist rants were always marked with an alarming confidence, his manner belied a somewhat different reality: Choudary was a man with few followers. His appearance in YouTube videos inevitably showed him with a tiny handful of half-witted acolytes alongside him. His ‘protests’ were of a kind likely to be greeted with indifference by passers-by. So why have we all heard of Choudary? Many media outlets have

Sunday

Rod Liddle

Is there something that the BBC isn’t telling us about these Norwegians?

A man has set fire to a train in Switzerland and stabbed lots of people. On the BBC News last night the perpetrator was described as ‘a Swiss national’. Similarly on the BBC News online today: ‘The suspect, described as a Swiss man aged 27, was also taken to hospital after the incident near Salez in St Gallen canton, close to Liechtenstein.’ Do you know, I think there is something the BBC – and the Swiss authorities – are not telling us. This attack was quite similar in some respects to one carried out in London recently, in which an elderly American woman was murdered. Then, at least, the BBC

Thursday

Lloyd Evans

Northern exposure | 11 August 2016

As the festival grows, the good acts are harder to find and the prices keep rising to meet the throngs of showbiz refugees who surge north in the belief that the glory, this year, will be theirs. Arriving at my one-star hovel (no breakfast, no towels, shared bathroom), I was given a security key and a disc of see-through soap that I could have hidden beneath a tea-bag. The bill, payable in advance, was a third higher than last year. Glory in this city belongs to the landlord. Marcel Lucont’s Whine List is performed by a suave, self-adoring Frenchman who starts by asking if anyone in the crowd is new

Charles Moore Charles Moore

The Spectator’s Notes | 11 August 2016

Those who want to revive grammar schools are accused of ‘bring backery’ — the unthinking idea that the past was better. But many of their accusers suffer from the rigid mindset of which they complain. They say that grammar schools ‘condemned most children to failure at the age of 11’, and that, even at their peak, grammars catered for less than 20 per cent of the school population. Why assume that the return of grammars must re-create either of these things? Grammar schools grew up, historically, in different ways and at different times. Then, in the mid‑20th-century mania for uniformity, they were standardised and, in the later 20th-century mania for comprehensives, almost

Kate Chisholm

Funny is dangerous

‘I’m off now,’ says Michael Heath, signing off from his selection of Desert Island Discs on Radio 4, ‘to go and do a gag about God knows what. I haven’t the foggiest idea.’ You’d think at 80 he might want to stop, or have to give up because he’d somehow lost his touch. But not the cartoon editor of this magazine, and chief creator of wicked skits on the idiocies and affectations of contemporary life. What’s it like working as a cartoonist after the attacks on the satirical magazine Charlie Hebdo? asked Kirsty Young. ‘It adds a certain frisson to your drawing,’ Michael replies. ‘But I never wanted to be

Thursday

James Walton

1966 and all that

In the song ‘All the Young Dudes’, David Bowie gamely tried to reassure the youth of the Seventies that, despite what their Sixties elders were always telling them, they hadn’t been born too late after all. On the contrary: it was the ‘brother back at home with his Beatles and his Stones’ who was missing out. Sadly, for those of us growing up at the time, even Bowie at his most thrilling wasn’t quite as persuasive as we’d have liked. OK, so it was definitely annoying to be surrounded by people banging on about how great the Sixties were. But once we’d heard the music, there was an uncomfortable sense

Kate Chisholm

Fever pitch | 28 July 2016

It cost just £4/10s for 19-year-old Alan Dryland to buy a season ticket that would take him inside the stadium for all ten of the World Cup matches held in London in that magical summer of 1966. The pound was falling, the Vietnam war raging, but England made it through to the final and the Beatles and Rolling Stones were battling it out to top the charts. If nothing else, 66: We Were There, Radio 5 Live’s affectionate look back at that tremendous victory, proved that Sixties music was brilliant. The producer’s choice on Saturday was pitch-perfect, from the Lovin’ Spoonful’s ‘Summer in the City’ to Chris Farlowe’s ‘Out of

Thursday

Steerpike

BBC staff ‘whoop and cheer’ John Whittingdale’s sacking

During John Whittingdale’s tenure as Culture Secretary, the Tory MP has proved to be the thorn in the BBC’s side. So, it’s safe to say that some Beeb employees will be breathing a sigh of relief that Whitto has today been sacked from the Cabinet. However, it appears that staff at the Beeb have actually gone a bit further than just expressing mild relief. A BBC journalist claims that the newsroom actually erupted into ‘whoops and cheers’ on hearing the news that Whitto had lost his job: Although the hack has since deleted his tweet, this will only fuel concerns that the impartial Beeb isn’t so impartial after all when it comes to the Conservative government. Update: The

Thursday

Kate Chisholm

Accentuate the positive | 7 July 2016

Fifty years ago on Monday the World Service programme Outlook was launched as an innovative news and current affairs programme presented ‘magazine style’ with live interviews featuring ‘star’ guests. Such ‘soft’ journalism was highly suspect back in 1966, as England won the World Cup, Russia landed the Lunar 9 mission on the moon and China embarked on its Maoist cultural revolution, because it relied not so much on factual truths or reportage but on the emotional truth of what it felt like to be there in that place at that moment in time. Over the years, though, the guests on Outlook have taken over from the news content precisely because

Adam Sweeting

And your point, Professor?

Pop idol turned top boffin Brian Cox doesn’t shy away from the big issues. With programmes such as Wonders of the Solar System, Wonders of Life and Human Universe, Cox, the heir apparent to His Eminence Sir David Attenborough, has dared to dream on a cosmic scale. Are there any limits to his mighty intellect? In his latest adventure, Forces of Nature (BBC1, Monday), the ambitious prof boldly seeks to illustrate the workings of ‘the underlying laws of nature’. As wistful electronic music tinkled Eno ishly in the background, he assured us, in a metaphysical tone, that ‘the whole universe, the whole of physics, is contained in a snowflake’. Representing

Thursday

James Walton

The big chill | 30 June 2016

It’s sadly possible to imagine that The Living and the Dead was sold to BBC1’s commissioning editors as ‘Poldark meets The Exorcist’. Yet, while that wouldn’t be a completely inaccurate summary, the overall result is a lot more coherent, clever and ambitious than that. At heart, in fact, Tuesday’s first episode was a nifty twist on another genre: the one where a retired detective/gunslinger/master criminal comes out of retirement for one last job. The programme began in Somerset in 1894, where we met Harriet Denning, an unusually bright 16-year-old, whose intellectual curiosity alarmed her mother but who was encouraged in her reading of Ibsen, Zola and Darwin by her proud

Kate Chisholm

Refuge from the referendum

A brief encounter with Radio 4’s Any Questions to gauge the measure of opinion in the shires after the referendum result was enough to convince me we are entering even more torrid times than during the campaign. For some mysterious reason both Harriet Harman and Alex Salmond, billed in Radio Times to appear on the panel alongside Ken Clarke and Chris Grayling, had reneged on their promise and been replaced by Emily Thornberry, the Labour MP who got into trouble in 2014 for her white van man tweet, and Steven Woolfe, an oxymoronic Ukip MEP. The audience, judging from the applause, were pretty much balanced between the Leavers and Remainers

Tuesday

Rod Liddle

Keep an eye on BBC journos injecting their political agendas into the Brexit debate

A quick update on the BBC TV News. At ten o clock last night the programme ran a report from its idiotic northern correspondent, Ed Thomas, which attempted to suggest that the Leave campaign was responsible for nasty things being said to immigrants. Thomas is an appallingly partisan correspondent and presumably has his job because he is only person within the BBC with a vaguely northern accent. He chose to interview two neanderthals. Then over to the inestimable Laura Kuenssssberg, who referred to the UK’s ‘likely’ exit from the EU. No, Laura: exit. We have to keep watching these patently parti-pris buggers. The subtle and not so subtle way they

Thursday

James Delingpole

Animal crackers

The other evening I was driving back in heavy rain from my pilates class when I noticed something rather upsetting in the gated road that goes through our estate. I stopped and got out of the car for a closer look. Yes, as I feared, it was a dead duck. Some bastard had squished her flat. What made me more upset still was that I could see her mate — a mallard drake — swimming forlornly in the ditch next to the road. I loved those ducks like Tony Soprano used to love his ducks. Especially the stupid way they waddled blithely across your path, forcing you to slow down

Wednesday

Tanya Gold

Absolutely Fabulous

Absolutely Fabulous, which is about to make its cinema debut, is a comedy about women being useless. I watched it obediently in the 1990s — mostly for the clothes — and realise now, with more jaded eyes, that I was invited to laugh only at female failure. Failure is not a bad subject for comedy — it is actually one of the best, as Edmund Blackadder and Alan Partridge and David Brent tell us — but Absolutely Fabulous is too unsophisticated to be funny, and comedy without wit is spite. Absolutely Fabulous is based on a single sketch from Dawn French and Jennifer Saunders who were, then, the only female

Matthew Parris Matthew Parris

Was there any way not to traduce Cliff Richard?

Sir Cliff Richard will not be charged with historic sex offences, say the police and Crown Prosecution Service. There is ‘insufficient evidence’. You, reader — yes, you: I cannot reveal your name because I’m making this up, but let’s call you Alan, and let’s suppose my reader-ship know very well who you are… you, Alan, respectable, hitherto-well-regarded Alan, are not going to be charged with smuggling into Britain a stash of sadomasochistic scatological pornography as a young man in 1983 because there is ‘insufficient evidence’. How do you feel about that announcement, Alan? How do you feel after more than two years of sniggering and media speculation and an £800,000

Thursday

Rod Liddle

Rise of the atrocity exhibitionists

Life is speeded up. It used to be that when a hideous atrocity occurred people waited a day or two, even a week, before co-opting it into their political armoury. Now it happens while the smell of cordite is still in the air and before the blood has dried. There is a breathtaking shamelessness about it and a certain narcissism, if not outright solipsism and an eagerness to demand a sort of acquired victim status. The revolting murders in an Orlando nightclub are a case in point. Some 49 people dead and 53 injured after a Muslim, presumably what we are enjoined to call a radical Muslim, ran amok with